Fast and Furious | |
---|---|
Directed by | Busby Berkeley John E. Burch (assistant) |
Written by | Harry Kurnitz |
Produced by | Frederick Stephani |
Starring | Franchot Tone Ann Sothern |
Cinematography | Ray June |
Edited by | Elmo Veron |
Music by | Daniele Amfitheatrof Constantin Bakaleinikoff |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 73 minutes |
Country | United States |
Language | English |
Fast and Furious is a 1939 American mystery comedy film directed by Busby Berkeley. The film stars Franchot Tone and Ann Sothern as Joel and Garda Sloane, a crime-solving married couple who are also rare book dealers. It is the last of a Metro-Goldwyn-Mayer trilogy, along with Fast Company (1938) and Fast and Loose (1939). However, different actors played the couple each time.
Joel and Garda Sloane, a husband and wife sleuthing duo, sell rare books in New York and dream of taking a vacation to escape the sweltering heat of the city. Joel decides to take Garda to Seaside City, where his friend Mike Stevens is managing a beauty pageant. In addition to his vacation plans, Joel, who has invested $5,000 in the pageant, plans to supervise the event's finances. Soon after arriving in Seaside City, Joel discovers that Eric Bartell, the unscrupulous promoter of the pageant, is duping Stevens. Garda is troubled to learn that Joel is a pageant judge and becomes jealous when he socializes with the contestants prior to the pageant.
Joel senses trouble when New York racketeer Ed Connors arrives to monitor Bartell's activities and when Lily Cole, Bartell's publicity director, lashes out at contestant Jerry Lawrence for vying with her for Bartell's attentions. A detective tells Joel that Bartell will be arrested on swindling charges as soon as a warrant is issued. When Bartell is mysteriously murdered, Stevens is arrested and suspected of the crime because he had visited Bartell to demand all of the money owed to him and was last person seen with Bartell. Although Joel and Garda are warned by Chief Miller not to involve themselves in the case, along with the help of newspaper columnist Ted Bentley they begin to investigate the murder. Soon after, an attempt is made on their lives when a falling elevator nearly crushes them. Joel does not believe that Stevens was the murderer, but instead suspects Lily, because she and Bartell were involved in a dispute prior to the murder. Later, when Joel discovers that Jerry smokes the same brand of cigarettes as the one found smoldering at the scene of Bartell's murder, he interrogates her and she names Connors as the murderer. Connors, overhearing her accusation, attacks her and tells Joel that she is trying to frame him.
When Jerry is found murdered, Joel deduces that the murderer must be Bentley, because he is the only person who knew that he had proof against Jerry. Joel tricks Bentley into confessing his guilt, but Bentley, in an attempt to silence Joel, tries to kill him. However, he is prevented from doing so by the police, who arrest him. Eventually, Joel learns that Bentley killed Bartell because Jerry threw him over for Bartell, and that he killed Jerry because she knew too much. [1]
In a contemporary review for The New York Times , critic Bosley Crowther compared the teaming of Franchot Tone and Ann Sothern unfavorably with the leads from the previous two films in the series and wrote: "Metro seems to be stretching an original idea to infinity–a suspicion which is practically confirmed by the plot of 'Fast and Furious.' It is a perfect specimen of unoriginal attenuation ... which results in a couple of murders, a couple of limp comedy situations and an interminable lot of chasing about leading nowhere. Mr. Tone and Miss Sothern banter through it in the manner of third-string substitutes who know that the game is hopelessly lost." [2]
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
In Harm's Way is a 1965 American epic historical romantic war film produced and directed by Otto Preminger and starring John Wayne, Kirk Douglas, and Patricia Neal, with a supporting cast featuring Henry Fonda in a lengthy cameo, Tom Tryon, Paula Prentiss, Stanley Holloway, Burgess Meredith, Brandon deWilde, Jill Haworth, Dana Andrews, and Franchot Tone. Produced with Panavision motion picture equipment, it was one of the last black-and-white World War II epics, and Wayne's last black-and-white film. The screenplay was written by Wendell Mayes, based on the 1962 novel Harm's Way, by James Bassett.
Bunny Lake Is Missing is a 1965 psychological mystery film directed and produced by Otto Preminger and starring Carol Lynley, Keir Dullea and Laurence Olivier. Filmed in black-and-white widescreen format in London, it was based on the 1957 novel Bunny Lake Is Missing by Merriam Modell. The score is by Paul Glass. The rock band the Zombies also appear in the film.
Phantom Lady is a 1944 American film noir directed by Robert Siodmak and starring Franchot Tone, Ella Raines, and Alan Curtis. Based on the novel of the same name by Cornell Woolrich, it follows a young Manhattan secretary and her endeavors to prove that her boss did not murder his wife.
Perfect Strangers, is a 1945 British drama film made by London Films. It stars Robert Donat and Deborah Kerr as a married couple whose relationship is shaken by their service in the Second World War. The supporting cast includes Glynis Johns, Ann Todd and Roland Culver. It was produced and directed by Alexander Korda from a screenplay by Clemence Dane and Anthony Pelissier based on a story by Clemence Dane. Dane won the Academy Award for Best Story. The music score was by Clifton Parker and the cinematography by Georges Périnal.
Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
Five Graves to Cairo is a 1943 war film directed by Billy Wilder and starring Franchot Tone and Anne Baxter. Set in World War II, it is one of a number of films based on Lajos Bíró's 1917 play Hotel Imperial: Színmű négy felvonásban, including the 1927 film Hotel Imperial. Erich von Stroheim portrays Field Marshal Erwin Rommel in a supporting performance.
Jigsaw is a 1949 American film noir crime drama directed by Fletcher Markle starring Franchot Tone, Jean Wallace and Marc Lawrence. The feature was produced by the Danziger Brothers, Edward J. Danziger and Harry Lee Danziger from a screenplay by Vincent McConnor and Fletcher Markle, which was based on a story by John Roeburt.
Nancy Goes to Rio is a 1950 American Technicolor musical-comedy film directed by Robert Z. Leonard and produced by Joe Pasternak from a screenplay by Sidney Sheldon, based on a story by Jane Hall, Frederick Kohner, and Ralph Block. The music was directed and supervised by George Stoll and includes compositions by George and Ira Gershwin, Giacomo Puccini, Jack Norworth, and Stoll.
I Love You Again is an MGM comedy released in 1940. It was directed by W.S. Van Dyke and starred William Powell and Myrna Loy, all three of whom were prominently involved in the Thin Man film series.
Dangerous to Know is a 1938 American crime film directed by Robert Florey and starring Anna May Wong, Akim Tamiroff and Gail Patrick. The picture is based on British crime writer Edgar Wallace's hit 1930 play, On the Spot, which had been inspired by the career of Al Capone. Anna May Wong reprised her stage role from the New York production in the movie. The supporting cast features Lloyd Nolan and Anthony Quinn.
Every Girl Should Be Married is a 1948 American romantic comedy film directed by Don Hartman and starring Cary Grant, Betsy Drake and Franchot Tone. Grant and Drake married a year after the film's release.
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Fast Company is a 1938 American mystery film directed by Edward Buzzell and starring Melvyn Douglas and Florence Rice as married rare-book dealers who try to solve a murder case. It is based on the novel of the same name by Marco Page. It was followed by two 1939 films featuring the fictional couple, Fast and Loose and Fast and Furious, although different actors played the leads in each of the three films. To avoid confusion with a 1953 MGM film of the same title, Fast Company was retitled Rare Book Murder for television.
Make Mine Mink is a 1960 British comedy farce film directed by Robert Asher and featuring Terry-Thomas, Athene Seyler, Hattie Jacques and Billie Whitelaw. It was based on the 1958 play Breath of Spring by Peter Coke, and its sequels.
Fast and Loose is a 1939 American thriller film directed by Edwin L. Marin and starring Robert Montgomery, Rosalind Russell and Reginald Owen. It is a sequel to the 1938 film Fast Company and was followed the same year by Fast and Furious. In each film, different actors played the crime-solving couple.
The Naked Street is a 1955 American crime film noir directed by Maxwell Shane. The drama features Farley Granger, Anthony Quinn and Anne Bancroft in a story about an enforcer who tries to control his sister's life by falsely clearing her boyfriend of murder.
The Lone Wolf in London is a 1947 American mystery crime film directed by Leslie Goodwins and starring Gerald Mohr, Nancy Saunders and Eric Blore. The picture features the fictional Scotland Yard detective the Lone Wolf who travels to London, and solves the mystery of some missing jewels. It was the penultimate Lone Wolf film, followed by The Lone Wolf and His Lady in 1949, and the last for Mohr in the lead role.
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