Crazy for You is a romantic comedy musical with a book by Ken Ludwig, lyrics by Ira Gershwin, and music by George Gershwin. Billed as "The New Gershwin Musical Comedy", it is largely based on the songwriting team's 1930 musical Girl Crazy, but also incorporates songs from several other productions. It won the 1992 Tony Award (Broadway), the 1993 Olivier Award (London), and the 1994 Dora Award (Toronto) for Best Musical.
Girl Crazy is a 1930 musical by George Gershwin with lyrics by Ira Gershwin and book by Guy Bolton and John McGowan. Ethel Merman made her stage debut in the first production and co-lead Ginger Rogers became an overnight star. Rich in song, it follows the story of Danny Churchill who has been sent to fictional Custerville, Arizona, to manage his family's ranch. His father wants him there to focus on matters more serious than alcohol and women but Danny turns the place into a dude ranch, importing showgirls from Broadway and hiring Kate Forthergill as entertainer. Visitors come from both coasts and Danny falls in love with the local postmistress, Molly Gray.
"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression, known as the "rhythm changes", is the foundation for many other popular jazz tunes such as Charlie Parker's and Dizzy Gillespie's bebop standard "Anthropology ".
Wheeler & Woolsey were an American vaudeville comedy double act who performed together in comedy films from the late 1920s. The team comprised Bert Wheeler (1895–1968) of New Jersey and Robert Woolsey (1888–1938) of Illinois.
Man of a Thousand Faces is a 1957 American dark dramatic film detailing the life of silent film actor Lon Chaney, played by James Cagney.
Rio Rita is a 1927 stage musical with a book by Guy Bolton and Fred Thompson, music by Harry Tierney, lyrics by Joseph McCarthy, and produced by Florenz Ziegfeld. This musical united Bert Wheeler and Robert Woolsey as a comedy team and made them famous.
"Bidin' My Time" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by The Foursome in the 1930 musical Girl Crazy. Not to be confused with the Anne Murray song Bidin' My Time from 1969 written by Gene MacLellan.
"Treat Me Rough" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by William Kent in the 1930 musical Girl Crazy. It was later sung by June Allyson in the 1943 film version.
"You've Got What Gets Me" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1932 film Girl Crazy.
Dorothy Lee was an American actress and comedian during the 1930s. She appeared in 28 films, usually appearing alongside the comedy team of Bert Wheeler and Robert Woolsey.
Cracked Nuts is a 1931 American pre-Code comedy film directed by Edward F. Cline, from an original screenplay written by Al Boasberg and Ralph Spence. The film stars the comedy duo Wheeler & Woolsey as well as Dorothy Lee. It also features Boris Karloff in a small supporting role. The film was one of RKO's only financial successes of the year, with a profit of just over $150,000.
The Flashlight is a 1917 American silent drama film directed by Ida May Park and starring Lon Chaney, Dorothy Phillips and William Stowell. The screenplay was written by Ida May Park, based on the short story by Albert M. Treynore. This was the first film Ida May Park ever directed.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Girl Crazy is a 1930 Broadway musical by the Gershwins.
The Cuckoos is a 1930 American Pre-Code musical comedy film released by RKO Radio Pictures and partially filmed in two-strip Technicolor. Directed by Paul Sloane, the screenplay was adapted by Cyrus Wood from the 1926 Broadway musical The Ramblers by Guy Bolton, Bert Kalmar and Harry Ruby. The film stars Bert Wheeler and Robert Woolsey, and while they had appeared on Broadway and in other films together, this was their first time starring as a team. The success of this picture, combined with Rio Rita being their most successful film of 1929, convinced the studio to headline them as the comedy team Wheeler & Woolsey, through 1937.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
San Antonio Rose is a 1941 American musical comedy film directed by Charles Lamont and starring Jane Frazee, Robert Paige and Eve Arden. Produced and distributed by Universal Pictures, the supporting cast features Lon Chaney Jr. and Shemp Howard and the film was also designed as a showcase for the then-popular vocal group The Merry Macs.
When the Boys Meet the Girls is a 1965 American musical film directed by Alvin Ganzer and starring Connie Francis and Harve Presnell based on the musical Girl Crazy and a remake of MGM's 1943 film Girl Crazy.
For Those We Love is a 1921 American silent romantic drama film produced by and starring Betty Compson, and featuring Lon Chaney and Richard Rosson. Written and directed by Arthur Rosson, the film was based on a story by Perley Poore Sheehan (who later co-wrote the script for Chaney's The Hunchback of Notre Dame. The film was distributed by Goldwyn Pictures. Some sources list the release date as being in March 1921. This is unlikely since the film was only copyrighted in July, but the exact release date has not been confirmed. It is now considered a lost film. A still exists showing Chaney holding the heroine.
