Smiling Irish Eyes | |
---|---|
Directed by | William A. Seiter |
Written by | Thomas J. Geraghty (story, screenplay, titles) |
Produced by | John McCormick |
Starring | Colleen Moore James Hall Robert Homans Claude Gillingwater |
Cinematography | Henry Freulich Sidney Hickox |
Edited by | Alexander Hall |
Music by | Louis Silvers |
Production companies | |
Distributed by | Warner Bros. Pictures, Inc. |
Release dates |
|
Running time | 90 minutes |
Country | United States |
Language | English |
Smiling Irish Eyes (1929) is a Vitaphone American pre-Code musical film with Technicolor sequences. [1] The film is now considered a lost film. However, the Vitaphone discs still exist. [2]
Rory O'More leaves his sweetheart Kathleen O'Connor back in the old country while he travels to America to establish himself. He is a musician, and hopes to make it big. Kathleen grows tired of waiting and travels to America, only to find him on stage performing "their" song and kissing another woman. Kathleen returns to Ireland, followed by Rory, who explains everything. In the end they wed and return to America.
Smiling Irish Eyes was Colleen Moore's first musical role, and only her first sound film. Produced by her husband at the time, John McCormick (1893-1961), the film featured Moore as Kathleen O'Connor, an Irish woman who follows her musician sweetheart Rory O'More (James Hall) to New York City. [3] [4]
This film is similar to an earlier film Moore made for Samuel Goldwyn, Come On Over (1922), directed by Rupert Hughes. As in Smiling Irish Eyes, Colleen played an Irish girl whose betrothed crosses the ocean to start a new life in America before sending for her. In both films, the boyfriends do not send for her right away, in both she travels to America only to find the boyfriend seemingly besotted by another girl. In both, cases this is a misunderstanding. In Come On Over, Colleen's character reluctantly remains in America where she learns that her boyfriend is actually helping the father of the "other woman" quit drinking. In Smiling Irish Eyes, Colleen's character returns to Ireland, followed by the boyfriend, who convinces her back in Ireland that it was a misunderstanding. They marry and return to America. Following this film, Moore made another film directed by Seiter, Footlights and Fools (1929). This latter film also had Technicolor sequences, and is now considered a lost film, although the Vitaphone discs survive.
Dunamase or the Rock of Dunamase is a rocky outcrop in County Laois, Ireland. Rising 46 metres (151 ft) above a plain, it has the ruins of Dunamase Castle, a defensive stronghold dating from the early Hiberno-Norman period with a view across to the Slieve Bloom Mountains. It is near the N80 road between the towns of Portlaoise and Stradbally.
Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
Robert G. Vignola was an Italian-American actor, screenwriter, and film director. A former stage actor, he appeared in many motion pictures produced by Kalem Company and later moved to directing, becoming one of the silent screen's most prolific directors. He directed a handful of films in the early years of sound films, but his career essentially ended in the silent era.
Sir Rory O'Moore, also known Sir Roger O'Moore or O'More or Sir Roger Moore, was an Irish landowner, and is most notable for being one of the four principal organisers of the Irish Rebellion of 1641.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
Redskin is a 1929 American sound film with a synchronized musical score and sound effects, filmed partially in Technicolor. Its final six minutes were shown in Magnascope, an enlarged-screen projection novelty. The film, directed by Victor Schertzinger, stars Richard Dix and was produced and released by Paramount Famous Lasky Corp. Though not well remembered among the general public, the film is regarded highly by film historians for presenting sympathetic portrayals of Native Americans in the silent film era.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Showgirl in Hollywood is a 1930 American pre-Code all-talking musical film with Technicolor sequences, produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Alice White, Jack Mulhall and Blanche Sweet. It was adapted from the 1929 novel Hollywood Girl by J.P. McEvoy.
Footlights and Fools is a 1929 American pre-Code film directed by William A. Seiter that was billed by Warner Brothers as an all-talking musical film and released in Vitaphone with Technicolor sequences.
Hardboiled Rose is a 1929 American sound part-talkie romantic drama film directed by F. Harmon Weight and released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film starred Myrna Loy, William Collier, Jr., and John Miljan.
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
"The Rose of Tralee" is a nineteenth-century Irish ballad about a woman called Mary, who because of her beauty was called The Rose of Tralee. The Rose of Tralee International Festival had been inspired by the ballad.
Why Be Good? is a 1929 American sound comedy film produced by First National Pictures starring Colleen Moore and Neil Hamilton. While the film has no audible dialogue, it is accompanied by a Vitaphone soundtrack that features a musical score with sound effects and some synchronized singing.
Oh, Kay! is a 1928 silent film produced by John McCormick and distributed by First National Pictures. McCormick's wife Colleen Moore starred and Mervyn LeRoy directed the film. It is based on the 1926 musical Oh, Kay!, which had music by George Gershwin, lyrics by Ira Gershwin, and a book by Guy Bolton and P. G. Wodehouse.
April Showers is a 1923 American silent romantic film directed by Tom Forman starring Colleen Moore. It is not known whether the film currently survives.
John McCormick was an American film producer associated with the Hollywood studio First National Pictures.
Sally is a 1925 American silent romantic comedy film starring Colleen Moore. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Sally written by Guy Bolton and Clifford Grey that was adapted to film by June Mathis. The play was a Florenz Ziegfeld Jr. production written specifically for Marilyn Miller that opened on December 21, 1920, at the New Amsterdam Theatre on Broadway. It ran for 570 performances.
Rory O'More is a 1911 American silent film produced by Kalem Company. It was directed by Sidney Olcott and Robert G. Vignola, with Gene Gauntier and Jack J. Clark in the leading roles. It is based on the novel and play by Samuel Lover. While the historical Rory O'More took part in the Irish Rebellion of 1641, the film places the story in the context of the Irish Rebellion of 1798.
Come on Over is a 1922 American comedy silent black and white film directed by Alfred E. Green and based on the stage musical by Rupert Hughes. It stars Colleen Moore. Its release beat The Wall Flower to the theaters and it was well received.
Lucky in Love is a 1929 musical comedy film directed by Kenneth Webb and starring Morton Downey, Betty Lawford and Colin Keith-Johnston. It was an early sound film, made during the transition from silent films.