Nice Girl? | |
---|---|
Directed by | William A. Seiter |
Screenplay by | |
Based on | Nice Girl? by Phyllis Duganne |
Produced by | Joe Pasternak |
Starring | |
Cinematography | Joseph A. Valentine |
Edited by | Bernard W. Burton |
Music by | Charles Previn |
Production company | |
Distributed by | Universal Pictures |
Release date |
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Running time | 91 minutes |
Country | United States |
Language | English |
Budget | $890,000 [1] |
Nice Girl? is a 1941 American musical comedy film directed by William A. Seiter and starring Deanna Durbin, Franchot Tone, Walter Brennan, Robert Stack, [2] [3] and Robert Benchley. Based on the play Nice Girl? by Phyllis Duganne, the film is about a young girl who finds herself attracted to one of her father's business partners who comes to town to give her father a scholarship for his dietary studies. [2] [4]
The musical starts with the busybody postman who reads everybody's mail, Hector, delivering mail to the Dana household and particularly to Cora, the maid he is in love with. Professor Oliver Dana is the head of the household. The oldest sister is Sylvia, an actress, and the youngest is Nancy, who is a bit of a flirt and has all the boys fighting over her. The middle sister Jane, the "nice girl", makes her entry singing the song "Perhaps" to the rabbits she takes care of. Her father is trying to write a book about diet and is testing it on rabbits. Don Webb is her boyfriend, an avid car buff.
One day, Richard Calvert visits the Danas to study what Professor Dana is practicing with the rabbits. The three daughters are instantly enamored with him and do all they can to impress him. The family gets together with Jane playing the piano and singing "Beneath the Lights of Home", accompanied by Oliver, Nancy, and Sylvia.
There is a Fourth of July celebration in which Oliver Dana gives a speech. After a bit of dancing, Jane sings "Old Folks at Home". Don lends Jane the car to take Richard to the train station, but she decides to stop being a "nice girl" and drives him to New York. When they get there, she changes into some clothes that belong to Richard's sister, and then plays a song on the piano, "Love at Last", while she sings, and Richard comes down and sees her at the piano. Richard quickly sees that she is trying to not be a "nice girl", but both of them realize that she is just playing a game and not really being who she is. So, she leaves his house and drives back home, still wearing Richard's sister's pajamas. She gets into town, but the car runs out of gas, and she manages to wake up the entire neighborhood. They all see that she is no longer a "nice girl", and rumors start to fly instantly. Jane locks herself in her room until her father gives her a telegram from Richard.
Jane decides to face the music and go to the benefit for the International Red Cross and Red Crescent Movement, but doesn't realize that everyone thinks that she and Richard are engaged. She sings "Beneath the Lights of Home" at the benefit. Everyone congratulates her afterwards about her engagement, but she thinks they are just fooling her. She goes to Don for comfort, and he agrees that it's all nonsense, and, of course, Richard wouldn't go for her. Jane gets angry at that and decides to show Don. She tells him that she is engaged to Richard, and Don storms off. Right at that time, Oliver and Richard come to the benefit. They congratulate Prof. Oliver (for the engagement of his daughter to Richard Calvert), but he is confused and thinks that they are congratulating him for getting his fellowship. Jane intercepts them and tells Richard that everyone thinks they are engaged. They fake a big quarrel so that they can break their engagement.
Meanwhile, Don has enlisted in the army, and Jane goes to see him to explain what happened. When she goes, Don tells her that he loves her. They kiss (off-screen), and then she goes to a bandstand and sings the song "Thank You America" for the crowd at the Army base.
For the theatrical release in Great Britain, the movie instead concludes with Deanna Durbin singing "There'll Always be an England", since World War II was raging in Europe - in fact, the Battle of Britain had concluded just days before Nice Girl? began shooting. Deanna Durbin had a huge fan base in England who knew that Durbin's parents were English immigrants to the Americas. The set behind Durbin shows both the Flag of the United States and the Union Jack at the back of the army base bandstand.
For release in Latin America, Durbin was filmed singing a rendition of "Thank You America" in Spanish.
Ralph Bock and Francis Kohner were assigned to write the script in May 1940. [6] William Seiter signed to direct in August. [7]
Stack was cast in September 1940. [8] In October Franchot Tone joined the film. [9]
In the original script Dubin's character was to marry Stack's at the end, but then the draft was introduced. The story was adjusted so he was drafted. [10]
At one stage the film was known as Love at Last. [11]
One Hundred Men and a Girl is a 1937 American musical comedy film directed by Henry Koster and starring Deanna Durbin and the maestro Leopold Stokowski. Written by Charles Kenyon, Bruce Manning, and James Mulhauser from a story by Hanns Kräly, the film is about the daughter of a struggling musician who forms a symphony orchestra consisting of his unemployed friends. Through persistence, charm, and a few misunderstandings, they are able to get famed conductor Leopold Stokowski to lead them in a concert, which leads to a radio contract. One Hundred Men and a Girl was the first of two motion pictures featuring Leopold Stokowski, and is also one of the films for which Durbin is best remembered as an actress and a singer.
Stanislaus Pascal Franchot Tone was an American actor, producer, and director of stage, film and television. He was a leading man in the 1930s and early 1940s, and at the height of his career was known for his gentlemanly sophisticate roles, with supporting roles by the 1950s. His acting crossed many genres including pre-Code romantic leads to noir layered roles and World War I films. He appeared as a guest star in episodes of several golden age television series, including The Twilight Zone and The Alfred Hitchcock Hour while continuing to act and produce in the theater and movies throughout the 1960s.
Edna Mae Durbin, known professionally as Deanna Durbin, was a Canadian-born American actress and singer, who moved to the U.S. with her family in infancy. She appeared in musical films in the 1930s and 1940s. With the technical skill and vocal range of a legitimate lyric soprano, she performed many styles, especially operatic arias and semi-classical pieces, which is today called classical crossover.
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Mad About Music is a 1938 American musical film directed by Norman Taurog and starring Deanna Durbin, Herbert Marshall, and Gail Patrick. Based on a story by Marcella Burke and Frederick Kohner, the film is about a girl at an exclusive boarding school who invents an exciting father. When her schoolmates doubt his existence, she has to produce him. Mad About Music received Academy Award nominations for Best Art Direction, Best Cinematography, Best Music, and Best Original Story.
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I'll Be Yours is a 1947 American musical comedy film directed by William A. Seiter and starring Deanna Durbin. Based on the play A jó tündér by Ferenc Molnár, the film is about a small-town girl who tells a fib to a wealthy businessman, which then creates complications. The play had earlier been adapted for the 1935 film The Good Fairy by Preston Sturges.
Up in Central Park is a 1948 American musical comedy film directed by William A. Seiter and starring Deanna Durbin, Dick Haymes and Vincent Price. Based on the play Up in Central Park by Herbert Fields with a screenplay by Karl Tunberg, the film is about a newspaper reporter and the daughter of an immigrant maintenance man who help expose political corruption in New York City in the 1870s.
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It's a Date is a 1940 American musical film directed by William A. Seiter and starring Deanna Durbin, Kay Francis, and Walter Pidgeon. Based on a story by Jane Hall, Frederick Kohner, and Ralph Block, the film is about an aspiring actress who is offered the lead in a major new play, but discovers that her mother, a more experienced actress, was hoping to get the same part. Their lives are complicated further when they both get involved with the same man. Distributed by Universal Pictures, It's a Date was remade in 1950 as Nancy Goes to Rio.
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