Henry Jaynes Fonda was an American actor whose career spanned five decades on Broadway and in Hollywood. On screen and stage, he often portrayed characters that embodied an everyman image.
My Man Godfrey is a 1936 American screwball comedy film directed by Gregory La Cava and starring William Powell and Carole Lombard, who had been briefly married years before appearing together in the film. The screenplay for My Man Godfrey was written by Morrie Ryskind, with uncredited contributions by La Cava, based on 1101 Park Avenue, a short novel by Eric S. Hatch. The story concerns a socialite who hires a derelict to be her family's butler, and then falls in love with him.
The Shop Around the Corner is a 1940 American romantic comedy film produced and directed by Ernst Lubitsch and starring Margaret Sullavan, James Stewart and Frank Morgan. The screenplay was written by Samson Raphaelson based on the 1937 Hungarian play Parfumerie by Miklós László. Eschewing regional politics in the years leading up to World War II, the film is about two employees at a leathergoods shop in Budapest who can barely stand each other, not realizing they are falling in love as anonymous correspondents through their letters.
Charles Boyer was a French-American actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American films during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as The Garden of Allah (1936), Algiers (1938), and Love Affair (1939), as well as the mystery-thriller Gaslight (1944). He received four Oscar nominations for Best Actor. He also appeared as himself on the CBS sitcom I Love Lucy.
Margaret Brooke Sullavan was an American stage and film actress.
Stolen Kisses is a 1968 French romantic comedy-drama film directed by François Truffaut, starring Jean-Pierre Léaud, Delphine Seyrig and Claude Jade. It continues the story of the character Antoine Doinel, whom Truffaut had previously depicted in The 400 Blows (1959) and the short film Antoine and Colette (1962). In this film, Antoine begins his relationship with Christine Darbon, which is depicted further in the last two films in the series, Bed & Board (1970) and Love on the Run (1979).
Joseph Leo Mankiewicz was an American film director, screenwriter, and producer. Mankiewicz had a long Hollywood career, and won both the Academy Award for Best Director and the Academy Award for Best Adapted Screenplay in consecutive years for A Letter to Three Wives (1949) and All About Eve (1950), the latter of which was nominated for 14 Academy Awards and won six.
Charles Van Dell Johnson was an American film, television, theatre and radio actor. He was a major star at Metro-Goldwyn-Mayer during and after World War II.
Kim Darby is an American actress best known for her roles as Mattie Ross in True Grit (1969) and Jenny Meyer in Better Off Dead (1985).
The Juno Awards of 1989, representing Canadian music industry achievements of the previous year, were awarded on 12 March 1989 in Toronto at a ceremony in the O'Keefe Centre. André-Philippe Gagnon was the host for the ceremonies, which were broadcast on CBC Television.
Samuel Southey Hinds was an American actor and former lawyer. He was often cast as kindly authority figures and appeared in more than 200 films in a career lasting 22 years.
Back Street is a 1941 American drama film directed by Robert Stevenson and starring Charles Boyer and Margaret Sullavan. It is a remake of the 1932 film of the same name, also from Universal. The film is adapted from the 1931 Fannie Hurst novel and the 1932 film version which it follows very closely, in some cases recalling the earlier film scene-for-scene. It is a sympathetic tale of an adulterous couple.
Jameson Thomas was an English film actor. He appeared in more than 80 films between 1923 and 1939.
The Good Fairy is a 1935 romantic comedy film written by Preston Sturges, based on the 1930 play A jó tündér by Ferenc Molnár as translated and adapted by Jane Hinton, which was produced on Broadway in 1931. The film was directed by William Wyler and stars Margaret Sullavan, Herbert Marshall, Frank Morgan and Reginald Owen.
Next Time We Love is a 1936 American melodrama film directed by Edward H. Griffith and starring Margaret Sullavan, James Stewart and Ray Milland. The adapted screenplay was by Melville Baker, with an uncredited Preston Sturges and Doris Anderson, based on Ursula Parrott's 1935 novel Next Time We Live, which was serialized before publication as Say Goodbye Again. The film is also known as Next Time We Live in the U.K.
So Red the Rose is a 1935 American drama film directed by King Vidor and starring Margaret Sullavan, Walter Connolly, and Randolph Scott. The Civil War-era romance is based on the 1934 novel of the same name by Stark Young.
The Constant Nymph is a 1943 romantic drama film starring Charles Boyer, Joan Fontaine, Alexis Smith, Brenda Marshall, Charles Coburn, May Whitty, and Peter Lorre with a famous score by Erich Wolfgang Korngold. It was adapted by Kathryn Scola from the 1924 novel of the same name by Margaret Kennedy and the 1926 play by Kennedy and Basil Dean and directed by Edmund Goulding.
Haywire is a 1977 memoir by actress and writer Brooke Hayward, daughter of theatrical agent and producer Leland Hayward and actress Margaret Sullavan. It is a #1 New York Times Best Seller and was on the newspaper's list for 17 weeks. In Haywire, Brooke details her experience of growing up immersed in the glamorous and extravagant lifestyle afforded by her parents’ successful Hollywood and Broadway careers and tells the story of how her privileged, beautiful family and their seemingly idyllic life fell apart.
You for Me is a 1952 American romantic comedy film directed by Don Weis and starring Peter Lawford, Jane Greer and Gig Young. The film was produced by Henry Berman, with music by Alberto Colombo.
Stage Door is a 1936 stage play by Edna Ferber and George S. Kaufman about a group of struggling actresses who room at the Footlights Club, a fictitious theatrical boardinghouse in New York City modeled after the real-life Rehearsal Club. The three-act comedy opened on Broadway on October 22, 1936, at the Music Box Theatre and ran for 169 performances. The play was adapted into the 1937 film of the same name, and was also adapted for television.
