Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
The Power and the Glory is a 1933 pre-Code film starring Spencer Tracy and Colleen Moore, written by Preston Sturges, and directed by William K. Howard. The picture's screenplay was Sturges' first script, which he delivered complete in the form of a finished shooting script, for which he received $17,500 and a percentage of the profits. Profit-sharing arrangements, now a common practice in Hollywood, were then unusual and gained Sturges much attention.
The Singing Fool is a 1928 American musical drama part-talkie motion picture directed by Lloyd Bacon which was released by Warner Bros. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre.
Don Juan is a 1926 American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
Samuel Howard Stept was an American songwriter who wrote for Broadway, Hollywood and the big bands. He became known simply as Sam Stept or Sam H. Stept – he rarely used his full middle name.
Jerome Hosmer Remick was an American music publisher, businessman and philanthropist in Detroit, Michigan.
Lady of the Pavements is a 1929 American silent romantic drama film directed by D. W. Griffith and starring Lupe Vélez, William Boyd, and Jetta Goudal. The screenplay was written by Sam Taylor, with contributions from an uncredited Gerrit Lloyd. Griffith reshot the film to include a few musical sequences, making it a part-talkie.
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue.
Broadway Scandals is a 1929 American Pre-Code musical film.
Fox Movietone Follies of 1929, also known as Movietone Follies of 1929 and The William Fox Movietone Follies of 1929, is an American black-and-white and color pre-Code musical film released by Fox Film Corporation.
Smiling Irish Eyes (1929) is a Vitaphone American pre-Code musical film with Technicolor sequences. The film is now considered a lost film. However, the Vitaphone discs still exist.
Irene is a 1926 American silent romantic comedy film starring Colleen Moore, and partially shot in Technicolor. The film was directed by Alfred E. Green, produced by Moore's husband John McCormick, and based on the musical Irene written by James Montgomery with music and lyrics by Harry Tierney and Joseph McCarthy.
The Scarlet Letter is a 1934 American film directed by Robert G. Vignola and based on the 1850 novel of the same name by Nathaniel Hawthorne.
Why Be Good? is a 1929 American silent comedy film produced by First National Pictures starring Colleen Moore and Neil Hamilton. The film has no audible dialogue but is accompanied by a Vitaphone soundtrack with music, sound effects and some synchronized singing.
George William Meyer was an American Tin Pan Alley songwriter. He was born in Boston, Massachusetts, in 1884. He graduated from Roxbury High School, and began working in accountancy for Boston department stores, before moving to New York City in his mid-20s.
Synthetic Sin is a 1929 American comedy film directed by William A. Seiter, based on a play of the same name. While filmed as a silent, it was released by Warner Bros. accompanied with a Vitaphone music soundtrack and sound effects. However most of the Vitaphone discs are still lost, apart from the final reel.
Harry David Kerr was an American songwriter, lyricist, author, and lawyer. Kerr became active in music at age 15 (1895). The practice of law had been his prime avocation until 1920, when he decided to focus on songwriting. But he still continued to use his legal training in music. In 1922, while living in New York City, Kerr prepared the incorporation documents for the American Society of Composers, Authors and Publishers (ASCAP), of which he had become one of 90 charter members at its founding in 1914.
John McCormick was an American film producer associated with the Hollywood studio First National Pictures.
Lucky Boy is a 1929 American musical comedy-drama film directed by Norman Taurog and Charles C. Wilson and starring George Jessel. The film was mainly a silent film with synchronized music and sound effects, as well as some talking sequences. The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer, which had originally been intended to star Jessel before Al Jolson took over the role.
