Colleen Moore was an American film actress who began her career during the silent film era. Moore became one of the most fashionable stars of the era and helped popularize the bobbed haircut.
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre. The film entered the public domain on January 1, 2024.
Don Juan is a 1926 synchronized sound American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
Samuel Howard Stept was an American songwriter who wrote for Broadway, Hollywood and the big bands. He became known simply as Sam Stept or Sam H. Stept – he rarely used his full middle name.
Broadway Babies, aka Broadway Daddies (UK) and Ragazze d'America (Italy), is a 1929 all-talking Pre-Code black and white American musical film produced and distributed by First National Pictures, a subsidiary of Warner Brothers. The film was directed by Mervyn LeRoy and starred Alice White and Charles Delaney. This was White's first sound film with dialogue. As a copyright renewed work from 1929, the film will enter the American public domain on January 1, 2025.
Broadway Scandals is a 1929 American Pre-Code musical film.
Fox Movietone Follies of 1929, also known as Movietone Follies of 1929 and The William Fox Movietone Follies of 1929, is an American black-and-white and color pre-Code musical film released by Fox Film Corporation.
Smiling Irish Eyes (1929) is a Vitaphone American pre-Code musical film with Technicolor sequences. The film is now considered a lost film. However, the Vitaphone discs still exist.
The Scarlet Letter is a 1934 American film directed by Robert G. Vignola and based on the 1850 novel of the same name by Nathaniel Hawthorne.
Why Be Good? is a 1929 American sound comedy film produced by First National Pictures starring Colleen Moore and Neil Hamilton. While the film has no audible dialogue, it is accompanied by a Vitaphone soundtrack that features a musical score with sound effects and some synchronized singing.
George William Meyer was an American Tin Pan Alley songwriter. He was born in Boston, Massachusetts, in 1884. He graduated from Roxbury High School, and began working in accountancy for Boston department stores, before moving to New York City in his mid-20s.
Synthetic Sin is a 1929 American sound comedy film directed by William A. Seiter, based on a play of the same name. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. It was released by Warner Bros. and was recorded using the Vitaphone sound system. Only the soundtrack disc for the last reel is known to survive.
John Max Leipold was a prolific American film and radio score composer. He is most noted for winning 1939 Academy Award for Best Original Score for the film Stagecoach, along with Richard Hageman, Frank Harling, and Leo Shuken.
Harry David Kerr was an American songwriter, lyricist, author, and lawyer. Kerr became active in music at age 15 (1895). The practice of law had been his prime avocation until 1920, when he decided to focus on songwriting. But he still continued to use his legal training in music. In 1922, while living in New York City, Kerr prepared the incorporation documents for the American Society of Composers, Authors and Publishers (ASCAP), of which he had become one of 90 charter members at its founding in 1914.
Careers is a 1929 American all-talking pre-Code drama film directed by John Francis Dillon and produced and released by First National Pictures. It stars Billie Dove and features Antonio Moreno, Thelma Todd and Noah Beery. The film was based on a 1924 German play entitled Karriere, written by Alfred Schirokauer and Paul Rosenhayn.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
John McCormick was an American film producer associated with the Hollywood studio First National Pictures.
Lucky Boy is a 1929 American sound part-talkie musical comedy-drama film directed by Norman Taurog and Charles C. Wilson, most notable for starring George Jessel in his first known surviving feature picture. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The sound was recorded using the Tiffany-Tone system using RCA Photophone equipment. The film's plot bore strong similarities to that of the hit 1927 film The Jazz Singer, which had originally been intended to star Jessel before Al Jolson took over the role.
A Man's Man is a lost 1929 synchronized sound film produced and distributed by Metro-Goldwyn-Mayer and directed by James Cruze. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film starred William Haines and Josephine Dunn. It was based on a Broadway play, A Man's Man by Patrick Kearney. Greta Garbo and John Gilbert notably appear in a cameo. The film is believed to be lost, although the Vitaphone type sound discs exist and are currently held at the UCLA Film and Television Archive.
William Kerry Halligan was an American stage and film actor, and writer.
