Rafter Romance | |
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![]() theatrical release poster | |
Directed by | William A. Seiter |
Written by | Glenn Tryon (adaptation) H.W. Hanemann Sam Mintz |
Based on | Rafter Romance 1932 novel by John Wells |
Produced by | Merian C. Cooper Kenneth Macgowan Alexander McGaig (uncredited) |
Starring | Ginger Rogers Norman Foster George Sidney |
Cinematography | David Abel |
Edited by | James B. Morley |
Music by | Max Steiner |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 72 minutes |
Country | United States |
Language | English |
Rafter Romance is an American 1933 pre-Code romantic comedy film directed by William A. Seiter and released by RKO Radio Pictures. The film, which was based on the 1932 novel of the same name by John Wells, stars Ginger Rogers, Norman Foster and George Sidney, and features Robert Benchley, Laura Hope Crews and Guinn Williams.
Mary Carroll (Ginger Rogers) is a young woman from upstate who came to New York City to find a job and a career, but whose money has almost run out. Both she and Jack Bacon (Norman Foster), an aspiring artist who lives in the same Greenwich Village building, are behind on their rent and their landlord, Max Eckbaum (George Sidney), a good-natured soul who nevertheless has expenses to meet, comes up with a solution: Move Mary into Jack's loft and have them share the apartment on a shift basis. They would never see each other or know who the other is, since Jack is out all night and sleeps during the day, and Mary is taking a job selling refrigerators by telephone, which keeps her out all day.
However, both manage to get a very bad impression of each other after realizing the other is of the opposite sex from articles of clothing lying about. A series of misunderstandings leads to a series of pranks aimed at each other: Jack places a bucket in the shower, and when Mary goes in it falls on her head. Then she places Jack's suit in the shower, so that it gets wet. In retaliation, he saws Mary's bed in half so that it would come apart when she sits on it.
The situation gets complicated when the couple accidentally meet outside their apartment and, not knowing who the other is, begin to fall in love. Matters get worse when Mary's boss, lecherous H. Harrington Hubbell (Robert Benchley), tries to invite her out for dinner, while Jack's would-be "patron", a lonely, libidinous, rich older woman, Elise Peabody Willington Smythe (Laura Hope Crews), tries to maintain her monopoly over Jack.
When Jack accompanies Mary to a company picnic, they slip away from the group together and miss the bus back to town, forcing them to take a taxi. When they arrive at Jack's home, Mary realizes that Jack is her roommate. Trying to allay what he assumes are her suspicions about the arrangement, and unaware Mary is the person with whom he has been sharing the attic loft, Jack strongly denounces his co-tenant to her until the landlord comes and explains all.
Elise and Hubbell also arrive at the apartment, where Elise tries to bribe Mary, while a protective cabdriver, Fritzie (Guinn Williams), punches Hubbell, mistaking him for Jack. Realizing his mistake, Fritzie then goes to his cab where Jack is pleading with Mary. Fritzie is about to punch Jack when Mary intervenes, and the cab drives off with Jack and Mary kissing in the backseat. Asked if they will get married, the landlord says, "I arranged it."
Production on Rafter Romance began in mid-June 1933. [1] RKO initially announced that Joel McCrea and Dorothy Jordan would star in the film, and then paired Lew Ayres with Ginger Rogers, before casting Norman Foster as the male lead. [2] Foster and Rogers had been teamed before on Young Man of Manhattan in 1930, and also made Professional Sweetheart together earlier in 1933. [3]
Four years after the release of Rafter Romance, producer Merian C. Cooper re-made it as Living on Love , with James Dunn and Whitney Bourne, also for RKO. The plots of other films, including the German film Ich bei Tag und du bei Nacht (1932), the French film A Moi le jour, à toi nuit (1932) and the British Early to Bed (1933) have similarities to Rafter Romance, but are actually based on a completely separate screenplay by Robert Liebmann and János Székely. [2]
Merian C. Cooper accused RKO of not paying him all the money contractually due for the films he produced in the 1930s. A settlement was reached in 1946, giving Cooper complete ownership of six RKO titles:
According to an interview with a retired RKO executive, Cooper withdrew the films, only allowing them to be shown on television in 1955-1956 in New York City. In 2007 the films were shown at the Film Forum in New York, and Turner Classic Movies, which had acquired the rights to the six films after extensive legal negotiations, broadcast them, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints. [2] [3] [4] [5]
Merian Caldwell Cooper was an American filmmaker, actor, producer and air officer. In film, his most famous work was the 1933 movie King Kong, and he is credited as co-inventor of the Cinerama film projection process. He was awarded an honorary Oscar for lifetime achievement in 1952 and received a star on the Hollywood Walk of Fame in 1960.
Flying Down to Rio is a 1933 American pre-Code musical film famous for being the first screen pairing of Fred Astaire and Ginger Rogers, although lead actors Dolores del Río and Gene Raymond received top billing. Among the featured players are Franklin Pangborn and Eric Blore. The songs in the film were written by Vincent Youmans (music), Gus Kahn and Edward Eliscu (lyrics), with musical direction and additional music by Max Steiner. During the 7th Academy Awards, the film was nominated for the new category of Best Original Song for "Carioca", but it lost to "The Continental" from The Gay Divorcee, the next Astaire and Rogers film.
Carefree is a 1938 American musical comedy film directed by Mark Sandrich and starring Fred Astaire, Ginger Rogers and Ralph Bellamy. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
Vivacious Lady is a 1938 American black-and-white romantic comedy film directed by George Stevens and starring Ginger Rogers and James Stewart. It was released by RKO Radio Pictures. The screenplay was written by P.J. Wolfson and Ernest Pagano and adapted from a short story by I. A. R. Wylie. The music score was by Roy Webb and the cinematography by Robert De Grasse.
Romance in Manhattan is a 1935 American romantic comedy film directed by Stephen Roberts, starring Francis Lederer and Ginger Rogers, and released by RKO Radio Pictures.
A Man to Remember is a 1938 American drama film directed by Garson Kanin, his first film credit as a director. The picture was based on the short story Failure, written by Katharine Haviland-Taylor, and the screenplay was penned by Dalton Trumbo. The story tells of a saintly small-town doctor working under difficult circumstances somewhere in the United States after World War I. The movie is a remake of One Man's Journey (1933) starring Lionel Barrymore.
Kitty Foyle, subtitled The Natural History of a Woman, is a 1940 drama film starring Ginger Rogers, Dennis Morgan, and James Craig, based on Christopher Morley's 1939 bestseller Kitty Foyle. Rogers won the Academy Award for Best Actress for her portrayal of the title character, and the dress she wore in the film became known as a Kitty Foyle dress.
Stingaree is an American pre-Code romantic drama film directed by William A. Wellman released by RKO Radio Pictures in 1934. The film was based on a 1905 novel by Ernest William Hornung. Set in Australia, it stars Irene Dunne as Hilda Bouverie and Richard Dix as Stingaree. Hollywood had previously filmed the Hornung story as serials in 1915 and 1917, starring True Boardman.
One Man's Journey is a 1933 American pre-Code drama film starring Lionel Barrymore as Dr. Eli Watt. The picture was based on the short story Failure written by Katharine Haviland-Taylor. It was remade by RKO as A Man to Remember (1938). The story tells of a small-town doctor working under difficult circumstances in a rural area somewhere in the United States.
Double Harness (1933) is an American pre-Code film starring Ann Harding and William Powell. It was based on the play of the same name by Edward Poor Montgomery. A young woman maneuvers a lazy playboy into marrying her.
Star of Midnight is a 1935 American mystery comedy film directed by Stephen Roberts. William Powell was loaned to RKO Pictures from MGM to star with Ginger Rogers.
Mel Berns was an American make-up artist. He was the Head of Makeup at RKO Pictures for more than twenty years.
Lucky Devils is a 1933 American Pre-Code action film about group of Hollywood stuntmen and their dangerous daredevil stunt work, starring William Boyd and Bruce Cabot, and features an early appearance by Lon Chaney Jr.
Living on Love is a 1937 American romantic comedy film released by RKO Radio Pictures. Directed by Lew Landers, it stars James Dunn, Whitney Bourne, and Joan Woodbury. The film is a remake of the RKO film Rafter Romance (1933). It is one of the "lost RKO films" owned by Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and aired all six films on its channel.
The Right to Romance is a 1933 American pre-Code drama film starring Ann Harding and Robert Young and released by RKO Radio Pictures.
Follow the Leader is a 1930 American pre-Code musical comedy film co-directed by Norman Taurog and Albert Parker. It stars Ginger Rogers and Ed Wynn in his film debut. The screenplay by Gertrude Purcell and Sid Silvers is based on a play by William K. Wells, George White and Lew Brown, with songs by Buddy DeSylva and Ray Henderson. It was produced and distributed by Paramount Publix Corporation.
Professional Sweetheart is a 1933 American pre-Code romantic comedy directed by William A. Seiter from a screenplay by Maurine Watkins. It stars Ginger Rogers in her first film for RKO Radio Pictures, with Norman Foster, ZaSu Pitts and Frank McHugh. The film is a satire of the radio industry; since it is pre-code, Rogers spends some of her time in high heels, stockings, and a slip.
Chance at Heaven is a 1933 American pre-Code drama film directed by William A. Seiter and written by Julien Josephson and Sarah Y. Mason based on a 1932 short story of the same name by Vina Delmar. The film stars Ginger Rogers, Joel McCrea, Marian Nixon, Andy Devine and Lucien Littlefield. It was released on October 27, 1933 by RKO Pictures.
The Ginger Rogers filmography lists the film appearances of American actress Ginger Rogers, as well as her television, stage, and radio credits. Rogers's career spanned fifty-seven years, from 1930 to 1987.