A Man to Remember | |
---|---|
Directed by | Garson Kanin |
Screenplay by | Dalton Trumbo |
Based on | Failure 1932 short story by Katharine Haviland-Taylor |
Produced by | Robert Sisk |
Starring | Anne Shirley Edward Ellis Lee Bowman |
Cinematography | J. Roy Hunt |
Edited by | Jack Hively |
Music by | Roy Webb |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 80 minutes |
Country | United States |
Language | English |
Budget | $118,000 [1] |
Box office | $416,000 [1] |
A Man to Remember is a 1938 American drama film directed by Garson Kanin, his first film credit as a director. The picture was based on the short story Failure, written by Katharine Haviland-Taylor, and the screenplay was penned by Dalton Trumbo. The story tells of a saintly small-town doctor working under difficult circumstances somewhere in the United States after World War I. The movie is a remake of One Man's Journey (1933) starring Lionel Barrymore. [2]
Under the grieving eyes of most of a town, the funeral procession of Doctor John Abbott passes a lawyer's office. The lawyer opens Abbott's strongbox for the deceased man's impatient creditors, local banker George Sykes, newspaper editor Jode Harkness and store owner Homer Ramsey. Flashbacks begin as they peruse Dr. Abbott's papers.
Widowed, Dr. Abbott arrives in Westport with his son Dick after World War I. He borrows money in order to set up his medical practice. He delivers a healthy baby, Jean, but the mother dies. When her father does not want her, the doctor adopts the child.
Later, Ramsey tries to collect what he is owed from Abbott, only to find that Abbott has a hefty $100 bill for him for a life-saving operation. When Ramsey complains about the amount, the good-natured doctor settles for a mere $2.
As time goes on, Dr. Abbott seeks to convince the town leaders of the need for a hospital. Sykes, Harkness, and Ramsey refuse to consider it. However, when Sykes's son Howard accidentally shoots Jean in the arm, the doctor informs Sykes that he is required by law to report all gunshot wounds. Sykes is blackmailed into building the hospital and donating it to the town to avoid the legal problems. However, Dr. Abbott finds that Sykes has spitefully stipulated that only doctors who have had graduate studies within the last twenty years can register, and he is turned away.
Meanwhile, Dick goes to Paris to train to become a doctor. When he graduates and returns to Westport, he tells his father that he is going into partnership with Dr. Robinson because he is more interested in making money than in helping people. This hurts the father deeply, but he never shares this with his son.
When Abbott fears that an outbreak of infantile paralysis (polio) among the children is imminent, he tries to get an upcoming county fair canceled. However, Sykes and Ramsey refuse his request. They phone Jode Harkness to get him to refuse to publish Abbott's urgent warning. Undaunted, the doctor has handbills printed and distributed by some young boys. He and Jean then visit all the children in Westport. This is brought to the attention of the county medical association, which votes to suspend him. Dick defends his father and resigns in protest. Then, Abbott is proved right. An epidemic erupts everywhere...except Westport. The association reverses itself and elects him its president.
Abbott is finally recognized for his humanitarian work by the community. His son sees the light and agrees to join Abbott's small medical practice. However, after Dick and Jean leave, he dies peacefully in his sleep. Returning to the present, Harkness, Sykes, and Ramsey finally acknowledge the goodness of the man who had been a thorn in their sides for so long.
The film was based on a story called Failure which had been bought by RKO. Garson Kanin had been assigned to direct a Western but Dalton Trumbo told him about Failure. Kanin read it and became enthusiastic and asked Robert Sisk if he could do that story instead. The studio agreed, although Kanin had to use a mostly unknown cast and a budget of only $119,000. [3]
In April 2007, Turner Classic Movies (TCM) premiered six films produced by Merian C. Cooper at RKO which had been out of distribution for more than 50 years. (A retired RKO executive stated in an interview used as a promo on TCM for the premiere that Cooper did allow the films to be shown in 1955–1956 in a limited re-release and only in New York City.)
According to TCM host Robert Osborne, Cooper agreed to a legal settlement in 1946, after accusing RKO of not giving him all the money due him from his producer's contract in the 1930s. The settlement gave Cooper complete ownership of six titles:
When Turner Broadcasting bought the RKO film library in 1987, the six films were not included [4] and the rights had to be purchased separately.
The original copies of the film's negative were destroyed due to negligence. The only known surviving copy is a 35mm, original nitrate print with Dutch subtitles, which was restored by TCM.
In 2000, it was preserved by the Netherlands Film Museum.
The film was well received. In fact, it was named by The New York Times as one of the ten best films of 1938. Times film critic Frank S. Nugent wrote, "Our admiration for A Man to Remember is so ungrudgingly complete...a picture of this one's competence so looms out of all proportion to its physical size." [5]
The film made a profit of $146,000. [1]
A Man to Remember was presented in a one-hour radio adaptation on Lux Radio Theatre on December 4, 1939, starring Bob Burns and Anita Louise, [6] and on May 18, 1942, starring Anita Louise and Lionel Barrymore. [7] It was also presented as a half-hour play on Philip Morris Playhouse on September 26, 1941. [8]
The Pride of the Yankees is a 1942 American sports drama film produced by Samuel Goldwyn, directed by Sam Wood, and starring Gary Cooper, Teresa Wright, and Walter Brennan. It is a tribute to the legendary New York Yankees first baseman Lou Gehrig, who died a year before its release, at age 37, from amyotrophic lateral sclerosis, which later became known to the lay public as "Lou Gehrig's disease".
Bachelor Mother (1939) is an American romantic comedy film directed by Garson Kanin, and starring Ginger Rogers, David Niven, and Charles Coburn. The screenplay was written by Norman Krasna from an Academy Award-nominated story by Felix Jackson written for the 1935 Austrian-Hungarian film Little Mother. With a plot full of mistaken identities, Bachelor Mother is a light-hearted treatment of the otherwise serious issues of child abandonment.
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Garson Kanin was an American writer and director of plays and films.
They Knew What They Wanted is a 1940 film directed by Garson Kanin, written by Robert Ardrey, and starring Carole Lombard, Charles Laughton and William Gargan. It is based on the 1924 Pulitzer Prize winning play They Knew What They Wanted by Sidney Howard. For his performance Gargan was nominated for the Academy Award for Best Supporting Actor.
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Rafter Romance is an American 1933 pre-Code romantic comedy film directed by William A. Seiter and released by RKO Radio Pictures. The film, which was based on the 1932 novel of the same name by John Wells, stars Ginger Rogers, Norman Foster and George Sidney, and features Robert Benchley, Laura Hope Crews and Guinn Williams.
Stingaree is an American pre-Code romantic drama film directed by William A. Wellman released by RKO Radio Pictures in 1934. The film was based on a 1905 novel by Ernest William Hornung. Set in Australia, it stars Irene Dunne as Hilda Bouverie and Richard Dix as Stingaree. Hollywood had previously filmed the Hornung story as serials in 1915 and 1917, starring True Boardman.
One Man's Journey is a 1933 American pre-Code drama film starring Lionel Barrymore as Dr. Eli Watt. The picture was based on the short story Failure written by Katharine Haviland-Taylor. It was remade by RKO as A Man to Remember (1938). The story tells of a small-town doctor working under difficult circumstances in a rural area somewhere in the United States.
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The Man Who Found Himself, also known as Wings of Mercy, is a 1937 American aviation film based on the unpublished story "Wings of Mercy" by Alice B. Curtis. The film marked the first starring role for 19-year-old Joan Fontaine, who was billed as the "new RKO screen personality", highlighted following the end of the film by a special "on screen" introduction. Unlike many of the period films that appeared to glorify aviation, it is a complex film, examining the motivations of both doctors and pilots.
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