The Hollywood Ten | |
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Directed by | John Berry |
Written by | John Berry |
Produced by | Paul Jarrico |
Narrated by | Colin Chandler |
Release date |
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Running time | 15 minutes |
Country | United States |
Language | English |
The Hollywood Ten is a 1950 American short documentary film. Shot in 16mm with a runtime of 15 minutes, it was created quickly to raise public awareness and legal funds for the ten screenwriters and directors who comprised the "Hollywood Ten". [1] At the time of filming in April 1950, the ten blacklisted men were facing prison sentences for contempt of Congress stemming from their non-cooperation with the House Un-American Activities Committee (HUAC).
The documentary begins with biographic profiles of each of the Ten. [2] It then features them sitting at a long table where they, one by one, make a short speech denouncing McCarthyism and the chilling effect the Hollywood blacklist will have on the rights of all Americans. [1]
The film was produced by Paul Jarrico and directed by John Berry. At first, Berry was reluctant to participate since he predicted (quite correctly) that doing so would put him in serious political jeopardy. [3] But, as he recalled in a 1995 interview, he was finally persuaded by the Hollywood Ten defense committee to be "a man of principle" and help create an effective defense document. He acknowledged in the interview that he was probably a good choice to direct:
I knew most of the Ten. They were all terribly nervous and upset. I think the choice was made because they felt I would be able to calm them down and get them through it, getting something from them on camera without their being too stiff-assed. [4]
The documentary was banned from exhibition in theaters, and the U.S. government pressured other countries to not show it. IMDb notes that the film "was first shown non-theatrically in meeting halls and even in the living rooms of private homes." [5]
As Berry had predicted, he became a blacklist target as soon as the documentary was completed. [6] His fate was further sealed in April 1951 when fellow director and Hollywood Ten member Edward Dmytryk named Berry as a Communist to the HUAC. [7] Berry was named again the following month by director Frank Tuttle. [8] [9] The cascade of events set in motion by the documentary caused Berry to be subpoenaed by the HUAC and to flee to France. [7]
The 15-minute film is available as an extra feature on the DVDs of Spartacus [10] and Salt of the Earth . [11] It has also been posted on YouTube. [12]
In 1993, during the first "Carte Blanche" film series at the Museum of Modern Art in New York City, The Hollywood Ten was shown along with John Berry's 1951 film He Ran All the Way . [13]
James Dalton Trumbo was an American screenwriter who scripted many award-winning films, including Roman Holiday (1953), Exodus, Spartacus, and Thirty Seconds Over Tokyo (1944). One of the Hollywood Ten, he refused to testify before the House Un-American Activities Committee (HUAC) in 1947 during the committee's investigation of alleged Communist influences in the motion picture industry.
McCarthyism, also known as the Second Red Scare, was the political repression and persecution of left-wing individuals and a campaign spreading fear of communist and Soviet influence on American institutions and of Soviet espionage in the United States during the late 1940s through the 1950s. After the mid-1950s, U.S. Senator Joseph McCarthy, who had spearheaded the campaign, gradually lost his public popularity and credibility after several of his accusations were found to be false. The U.S. Supreme Court under Chief Justice Earl Warren made a series of rulings on civil and political rights that overturned several key laws and legislative directives, and helped bring an end to the Second Red Scare. Historians have suggested since the 1980s that as McCarthy's involvement was less central than that of others, a different and more accurate term should be used instead that more accurately conveys the breadth of the phenomenon, and that the term McCarthyism is, in the modern day, outdated. Ellen Schrecker has suggested that Hooverism, after FBI Head J. Edgar Hoover, is more appropriate.
Salt of the Earth is a 1954 American film drama written by Michael Wilson, directed by Herbert J. Biberman, and produced by Paul Jarrico. Because all three men were blacklisted by the Hollywood establishment due to their alleged involvement in communist politics, Salt of the Earth was one of the first independent films made outside of the Hollywood studio system.
Ringgold Wilmer Lardner Jr. was an American screenwriter. A member of the "Hollywood Ten", he was blacklisted by the Hollywood film studios during the late 1940s and 1950s after his appearance as an "unfriendly" witness before the House Un-American Activities Committee (HUAC) leading to Lardner being found guilty of contempt of Congress.
Edward Dmytryk was a Canadian-born American film director and editor. He was known for his 1940s noir films and received an Oscar nomination for Best Director for Crossfire (1947). In 1947, he was named as one of the Hollywood Ten, a group of blacklisted film industry professionals who refused to testify to the House Un-American Activities Committee (HUAC) in their investigations during the Red Scare of the McCarthy era. They all served time in prison for contempt of Congress. In 1951, Dmytryk testified to the HUAC and named individuals, including Arnold Manoff, whose careers were then destroyed for many years, to rehabilitate his own career. First hired again by independent producer Stanley Kramer in 1952, Dmytryk is likely best known for directing The Caine Mutiny (1954), a critical and commercial success. The second-highest-grossing film of the year, it was nominated for Best Picture and several other awards at the 1955 Oscars. Dmytryk was nominated for a Directors Guild Award for Outstanding Directorial Achievement in Motion Pictures.
The Front is a 1976 American comedy drama film set against the Hollywood blacklist in the 1950s, when artists, writers, directors, and others were rendered unemployable, having been accused of subversive political activities in support of Communism or of being Communists themselves. It was written by Walter Bernstein, directed by Martin Ritt, and stars Woody Allen, Zero Mostel and Michael Murphy.
Herbert J. Biberman was an American screenwriter and film director. He was one of the Hollywood Ten and directed Salt of the Earth (1954), a film barely released in the United States, about a zinc miners' strike in Grant County, New Mexico. His membership in the Directors Guild of America was posthumously restored in 1997; he had been expelled in 1950.
Alvah Cecil Bessie was an American novelist, screenwriter and journalist. He was one of nearly 3,000 American volunteers who joined the Abraham Lincoln Brigade and fought in the Spanish Civil War. He is perhaps best known as a member of the "Hollywood Ten", the group of film artists blacklisted by the entertainment industry for refusing to cooperate with the House Un-American Activities Committee.
Michael Wilson was an American screenwriter known for his work on Lawrence of Arabia (1962), Planet of the Apes (1968), Friendly Persuasion (1956), A Place in the Sun (1951), and The Bridge on the River Kwai (1957). The latter two screenplays won him Academy Awards. His career was interrupted by the Hollywood blacklist, during which time he wrote numerous uncredited screenplays.
Paul Jarrico was an Oscar-nominated American screenwriter who was blacklisted by the Hollywood movie studios during the era of McCarthyism.
Arnold Manoff was an American screenwriter who was blacklisted by the Hollywood movie studio bosses in the 1950s.
Jean Rouverol was an American actress, screenwriter and author who was blacklisted by the Hollywood movie studios in the 1950s.
One of the Hollywood Ten is a 2000 Spanish-British bio-picture. The film was written and directed by Karl Francis.
Alfred Lewis Levitt was an American film and television screenwriter. He attended New York University, and served in a camera unit of the United States Air Force during the Second World War. Following the war, Levitt was the screenwriter for such films as The Boy with Green Hair (1948), Mrs. Mike (1950), and The Barefoot Mailman (1951).
John Berry was an American film director. He went into exile in France when his career was interrupted by the Hollywood blacklist.
Ben Barzman was a Canadian journalist, screenwriter, and novelist, blacklisted during the McCarthy Era and known best for his screenplays for the movies Back to Bataan (1945), El Cid (1961), and The Blue Max (1966).
The Hollywood blacklist refers to the mid-20th century banning of suspected Communists from working in the United States entertainment industry. The blacklist began at the onset of the Cold War and Red Scare, and affected entertainment production in Hollywood, New York, and elsewhere. Actors, screenwriters, directors, musicians, and other professionals were barred from employment based on their present or past membership in, alleged membership in, or perceived sympathy with the Communist Party USA (CPUSA), or on the basis of their refusal to assist Congressional or FBI investigations into the Party's activities.
Anne Froelick Taylor was an American screenwriter from 1941 to 1950, and later a playwright and novelist. Her screenwriting career ended when she was identified as a communist by two witnesses at a hearing before the HUAC.
George Pepper, known also as George P. Werker was a blacklisted Hollywood organizer and producer who collaborated with the Spanish film director Luis Buñuel and writer Hugo Butler.
Edward Huebsch, AKA "Eddie Huebsch" and "Ed Huebsch," (1914-1982) was a 20th-century American Communist screenwriter whose career was cut short by the Hollywood blacklist.