Living on Love | |
---|---|
Directed by | Lew Landers |
Screenplay by | Franklin Coen |
Based on | Rafter Romance 1932 novel by John Wells |
Produced by | Maury M. Cohen |
Starring | |
Cinematography | Nicholas Musuraca |
Edited by | Harry Marker |
Production company | |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 61 minutes |
Country | United States |
Language | English |
Budget | $112,000 [1] |
Box office | $135,000 [1] |
Living on Love is a 1937 American romantic comedy film released by RKO Radio Pictures. Directed by Lew Landers, it stars James Dunn, Whitney Bourne, and Joan Woodbury. The film is a remake of the RKO film Rafter Romance (1933). It is one of the "lost RKO films" owned by Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and aired all six films on its channel.
Gary Martin is a struggling artist living in the Venus de Milo Arms, a shabby apartment building in Greenwich Village. Another tenant, Mary Wilson, is also having trouble keeping up with her rent. The two do not know one another, but building manager Eli West arranges for them to live in the same basement apartment, him by day and her by night, at a reduced rate so he can re-rent Mary's apartment to the paying Ghonoff brothers, a Russian acrobatic team. Though they never see one another, Gary and Mary find plenty of traces of one another in the room, and begin leaving each other nasty notes asking the other to be more considerate. Their hostility for their unseen roommate escalates to the point that Mary fills Gary's tube of toothpaste with white paint, Gary sets alarm clocks all over the room to wake her up repeatedly at 3 a.m., and Mary puts Gary's paintings out for sale on the sidewalk, including a portrait he drew of her but did not allow her to see. The wind blows many of the paintings away before Gary can retrieve them.
Meanwhile, Gary has met Mary in a local diner and the two become interested in one another. Using assumed names, they get along wonderfully on their dates, while back in the apartment they plan more and more sinister ways to get back at their unseen roommate. Eventually, their identities are revealed after Gary's ex-girlfriend Edith Crumwell and Mary's new boss Ogilvie O. Oglethorpe show up at the apartment building to see them and end up falling in love. Unable to enter the same building with the other watching, Mary and Gary end their date by going to another café, where Mary sees the portrait Gary made of her in a window display for Crumwell's Sausages. Seeing her rage, Mary's friend Pete Ryan punches Gary, and Mary has him taken back to her room to recover. Gary wakes up in his own room and puts two and two together. When Mary realizes they have been each other's roommate all along she is at first angry, but then agrees to marry Gary.
Living on Love was based on the 1932 novel Rafter Romance by John Wells. [2] It was a remake of RKO's pre-Code 1933 film Rafter Romance . [3] The present film's working titles were Love in a Basement and The Sky's the Limit. [2] [4]
The film was one of the first assignments for costume designer Renié. [5]
Filming took place in August 1937. [2]
The film was released on November 12, 1937. [2] It recorded a loss of $28,000 in its original release. [1] It eventually grossed $135,000. [1]
The Cedar Rapids Gazette called the film "easy to watch and amusing". However, it did not see it as a vehicle to help James Dunn "regain that carefree, happy screen personality which hit its highest peaks when teamed with Sally Eilers". [6] The Chicago Tribune praised the acting by Dunn and Bourne, but found little else to recommend the film. It called the dialogue "fast and unfunny". [7] A modern review by AllMovie felt the earlier film, Rafter Romance , had more charm and better character development, but said this film "treats the same material in a more broadly comedic manner, sometimes moving into downright screwy territory". This review also noted the unusual casting of Franklin Pangborn, who usually played effeminate characters, as Mary's lascivious boss. [8]
Living in Love is one of six "lost RKO films" owned by producer Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and aired all six films on its channel. Cooper had accused RKO of not paying him all the money contractually due for the films he produced in the 1930s. A settlement was reached in 1946, giving Cooper complete ownership of six RKO titles:
According to an interview with a retired RKO executive, shown as a promo on TCM, Cooper withdrew the films, only allowing them to be shown on television in 1955–1956 in New York City.
In 2006, Turner Classic Movies, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints. [4] [9] [10]
Merian Caldwell Cooper was an American filmmaker, actor, and producer, as well as a former aviator who served as an officer in the United States Air Force and Polish Air Force. In film, his most famous work was the 1933 movie King Kong, and he is credited as co-inventor of the Cinerama film projection process. He was awarded an honorary Oscar for lifetime achievement in 1952 and received a star on the Hollywood Walk of Fame in 1960. Before entering the movie business, Cooper had a distinguished career as the founder of the Kościuszko Squadron during the Polish–Soviet War and was a Soviet prisoner of war for a time. He got his start in with film as part of the Explorers Club, traveling the world and documenting adventures. He was a member of the board of directors of Pan American Airways, but his love of film took priority. During his film career, he worked for companies such as Pioneer Pictures, RKO Pictures, and Metro-Goldwyn-Mayer. In 1925, he and Ernest B. Schoedsack went to Iran and made Grass: A Nation's Battle for Life, a documentary about the Bakhtiari people.
King Kong is a fictional giant monster, or kaiju, resembling a gorilla, who has appeared in various media since 1933. Originally dubbed the King of the Beasts at his inception, he would later be referred to as the Eighth Wonder of the World, a phrase commonly used within the franchise. His first appearance was in the novelization of the 1933 film King Kong from RKO Pictures, with the film premiering a little over two months later.
Mighty Joe Young is a 1949 American black and white fantasy film distributed by RKO Radio Pictures and produced by the same creative team responsible for King Kong (1933). The film was produced by Merian C. Cooper, directed by Ernest B. Schoedsack, and Ruth Rose wrote the screenplay. It stars Robert Armstrong, Terry Moore, and Ben Johnson in his first credited screen role. Animation effects were handled by Ray Harryhausen, Pete Peterson and Marcel Delgado.
Franklin Pangborn was an American comedic character actor famous for playing small but memorable roles with comic flair. He appeared in many Preston Sturges movies as well as the W. C. Fields films International House, The Bank Dick, and Never Give a Sucker an Even Break. For his contributions to motion pictures, he received a star on the Hollywood Walk of Fame at 1500 Vine Street posthumously on February 8, 1960.
Flying Down to Rio is a 1933 American pre-Code RKO musical film famous for being the first screen pairing of Fred Astaire and Ginger Rogers, although lead actors Dolores del Río and Gene Raymond received top billing. Among the featured players are Franklin Pangborn and Eric Blore. The songs in the film were written by Vincent Youmans (music), Gus Kahn and Edward Eliscu (lyrics), with musical direction and additional music by Max Steiner. During the 7th Academy Awards, the film was nominated for the new category of Best Original Song for "Carioca", but it lost to "The Continental" from The Gay Divorcee, the next Astaire and Rogers film.
Ernest Beaumont Schoedsack was an American motion picture cinematographer, producer, and director. Schoedsack worked as a cameraman in World War I, where he served in the Signal Corps. At the conclusion of the war, he stayed in Europe to further his career. He worked on several films with Merian C. Cooper including King Kong, Chang: A Drama of the Wilderness, and The Most Dangerous Game. He also collaborated with screenwriter and actress Ruth Rose, whom he later married. Schoedsack died on December 23, 1979, at age 86.
Bed of Roses is a 1933 pre-Code romantic comedy film co-written and directed by Gregory La Cava and starring Constance Bennett. The picture was released by RKO Radio Pictures with a supporting cast featuring Joel McCrea and Pert Kelton.
Vivacious Lady is a 1938 American black-and-white romantic comedy film directed by George Stevens and starring Ginger Rogers and James Stewart. It was released by RKO Radio Pictures. The screenplay was written by P.J. Wolfson and Ernest Pagano and adapted from a short story by I. A. R. Wylie. The music score was by Roy Webb and the cinematography by Robert De Grasse.
A Man to Remember is a 1938 American drama film directed by Garson Kanin, his first film credit as a director. The picture was based on the short story Failure, written by Katharine Haviland-Taylor, and the screenplay was penned by Dalton Trumbo. The story tells of a saintly small-town doctor working under difficult circumstances somewhere in the United States after World War I. The movie is a remake of One Man's Journey (1933) starring Lionel Barrymore.
Rafter Romance is an American 1933 pre-Code romantic comedy film directed by William A. Seiter and released by RKO Radio Pictures. The film, which was based on the 1932 novel of the same name by John Wells, stars Ginger Rogers, Norman Foster and George Sidney, and features Robert Benchley, Laura Hope Crews and Guinn Williams.
Stingaree is an American pre-Code romantic drama film directed by William A. Wellman released by RKO Radio Pictures in 1934. The film was based on a 1905 novel by Ernest William Hornung. Set in Australia, it stars Irene Dunne as Hilda Bouverie and Richard Dix as Stingaree. Hollywood had previously filmed the Hornung story as serials in 1915 and 1917, starring True Boardman.
One Man's Journey is a 1933 American pre-Code drama film starring Lionel Barrymore as Dr. Eli Watt. The picture was based on the short story Failure written by Katharine Haviland-Taylor. It was remade by RKO as A Man to Remember (1938). The story tells of a small-town doctor working under difficult circumstances in a rural area somewhere in the United States.
Flight from Glory is an American B movie about a run-down air cargo company in the Andes. It was directed by Lew Landers, and starred Chester Morris, Whitney Bourne, Onslow Stevens and Van Heflin. When released on August 20, 1937, Flight from Glory was considered one of the films that broke new ground in "pioneering airline sagas", comparing favorably to big-budget features such as 1936's Thirteen Hours by Air.
Double Harness (1933) is an American pre-Code film starring Ann Harding and William Powell. It was based on the play of the same name by Edward Poor Montgomery. A young woman maneuvers a lazy playboy into marrying her.
Design for Living is a 1933 American pre-Code romantic comedy film directed by Ernst Lubitsch from a screenplay by Ben Hecht, based on the 1932 play of the same name by Noël Coward. Starring Fredric March, Gary Cooper, and Miriam Hopkins, the film is about a woman who cannot decide between two men who love her, and the trio agree to try living together in a platonic friendly relationship.
Head Over Heels is a 1937 British musical film directed by Sonnie Hale and starring Jessie Matthews, Robert Flemyng and Louis Borel. It was released in the U.S. as Head over Heels in Love.
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Flying Devils is a 1933 American Pre-Code action film dealing with aviation. The film was directed by former Hollywood agent Russell Birdwell and photographed by film noir cinematographer Nicholas Musuraca. The screenplay was written by Byron Morgan and Louis Stevens, based on an original story by Stevens. In an unusual move, Bruce Cabot was the star, with perennial "good guy" Ralph Bellamy playing the villain in a love triangle involving Arline Judge and Eric Linden. Although considered a "B" feature, audiences enjoyed the aerial scenes, which helped elevate the feature to a minor box-office hit.
Doomsday is a 1928 American romance drama silent film directed by Rowland V. Lee and starring Florence Vidor and Gary Cooper. Written by Julian Johnson, Donald W. Lee, and Doris Anderson, based on the 1927 novel Doomsday by Warwick Deeping, the film is about a woman who marries a wealthy landowner to escape her life of poverty, leaving behind the handsome farmer she truly loves. Produced by Jesse L. Lasky, Rowland V. Lee, Hector Turnbull, and Adolph Zukor for Paramount Pictures, Doomsday was released on February 18, 1928 in the United States.
Chance at Heaven is a 1933 American pre-Code drama film directed by William A. Seiter and written by Julien Josephson and Sarah Y. Mason based on a 1932 short story of the same name by Vina Delmar. The film stars Ginger Rogers, Joel McCrea, Marian Nixon, Andy Devine and Lucien Littlefield. It was released on October 27, 1933 by RKO Pictures.