Double Harness | |
---|---|
Directed by | John Cromwell |
Written by | Jane Murfin |
Based on | Double Harness 1933 play by Edward Poor Montgomery |
Produced by | Kenneth Macgowan Merian C. Cooper (exec. producer) |
Starring | Ann Harding William Powell |
Cinematography | J. Roy Hunt |
Edited by | George Nicholls, Jr. |
Music by | Max Steiner |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 69-70 minutes |
Country | United States |
Language | English |
Budget | $329,000 [1] |
Box office | $493,000 [1] |
Double Harness (1933) is an American pre-Code film starring Ann Harding and William Powell. It was based on the play of the same name by Edward Poor Montgomery. A young woman maneuvers a lazy playboy into marrying her.
This was one of several films, all produced by Merian C. Cooper at RKO, that were out of distribution for more than 50 years as a result of a legal settlement that gave Cooper complete ownership of the films. Turner Classic Movies eventually acquired the rights to the films.
When spoiled younger sister Valerie Colby (Lucile Browne) becomes engaged to be married to Dennis Moore (George Meeker), a more level-headed Joan (Ann Harding) decides to do the same, not because she is in love, but in order to make something of herself. She chooses unambitious, wealthy playboy John Fletcher (William Powell), who owns a struggling shipping line.
She eventually spends the night in his apartment. To Joan's annoyance, she finds herself falling in love with him. When he shows no interest in marrying her, she forces the issue. She arranges for her father, Colonel Sam Colby (Henry Stephenson), to find them in a compromising position. John graciously agrees to do the honorable thing and marry her. However, on their honeymoon cruise, he lets her know that he expects her to grant him a divorce after a decent interval. They settle on six months.
Joan prods her husband into taking an interest in his family business. To his surprise, he finds that he enjoys it. As the new Postmaster General (Wallis Clark) is a good friend of her father's, Joan invites him to dinner, hoping to land a government contract for John's company.
Meanwhile, Valerie goes into debt due to her extravagant spending habits and borrows from her big sister over and over again. Joan gives Valerie all she can afford without touching John's money. Finally, she pawns her mother's ring for half the $1000 Valerie needs, but tells her that it is the last time.
That same day, John finally realizes that he loves his wife. However, when he goes home, Valerie goes to John behind Joan's back and cons him into giving her a check. Joan finds out in time and tears up the check. In her anger, Valerie blurts out how Joan trapped John into marriage.
Disillusioned, he turns to his former paramour, Mrs. Monica Page (Lilian Bond). Joan goes to John's old apartment and confesses all, including the fact that she has fallen in love with him, to no avail. She then tries to salvage her dinner party. To her delight, John shows up and makes it clear that he believes and forgives her.
Gene Malin was cut from a role in the film by RKO studio president B. B. Kahane; disgusted by Malin's flamboyance, said, "I do not think we ought to have this man on the lot on any picture — shorts or features". [2]
This is one of the "lost RKO films" owned by Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and showed all six films on TCM.
Cooper accused RKO of not paying him all the money contractually due for the films he produced in the 1930s. A settlement was reached in 1946, giving Cooper complete ownership of six RKO titles:
According to an interview with a retired RKO executive, shown as a promo on TCM, Cooper withdrew the films, only allowing them to be shown on television in 1955–1956 in New York City.
TCM, which had acquired the rights to the six films after extensive legal negotiations, broadcast them on TCM in April 2007, their first full public exhibition in over 70 years. TCM, in association with the Library of Congress and the Brigham Young University Motion Picture Archive, had searched many film archives throughout the world to find copies of the films in order to create new 35mm prints. [3] [4] [5]
According to RKO records, the film made $10,000 in profit. [1]
Merian Caldwell Cooper was an American filmmaker, actor, and producer, as well as a former aviator who served as an officer in the United States Army Air Service and Polish Air Force. In film, his most famous work was the 1933 movie King Kong, and he is credited as co-inventor of the Cinerama film projection process. He was awarded an honorary Oscar for lifetime achievement in 1952 and received a star on the Hollywood Walk of Fame in 1960. Before entering the movie business, Cooper had a distinguished career as the founder of the Kościuszko Squadron during the Polish–Soviet War and was a Soviet prisoner of war for a time. He got his start in film as part of the Explorers Club, traveling the world and documenting adventures. He was a member of the board of directors of Pan American Airways, but his love of film took priority. During his film career, he worked for companies such as Pioneer Pictures, RKO Pictures, and Metro-Goldwyn-Mayer. In 1925, he and Ernest B. Schoedsack went to Iran and made Grass: A Nation's Battle for Life, a documentary about the Bakhtiari people.
John Cromwell was an American film and stage director and actor. His films spanned the early days of sound to film noir in the early 1950s, by which time his directing career was almost terminated by the Hollywood blacklist.
Thunder on the Hill is a 1951 American film noir crime film directed by Douglas Sirk and starring Claudette Colbert and Ann Blyth. The picture was made by Universal-International Pictures and produced by Michael Kraike from a screenplay by Oscar Saul and Andrew Solt, based on the play Bonaventure by Charlotte Hastings. The music score was by Hans J. Salter and the cinematography by William H. Daniels.
Kenneth Macgowan was an American film producer. He won an Academy Award for Best Color Short Film for La Cucaracha (1934), the first live-action short film made in the three-color Technicolor process.
A Man to Remember is a 1938 American drama film directed by Garson Kanin, his first film credit as a director. The picture was based on the short story Failure, written by Katharine Haviland-Taylor, and the screenplay was penned by Dalton Trumbo. The story tells of a saintly small-town doctor working under difficult circumstances somewhere in the United States after World War I. The movie is a remake of One Man's Journey (1933) starring Lionel Barrymore.
Rafter Romance is an American 1933 pre-Code romantic comedy film directed by William A. Seiter and released by RKO Radio Pictures. The film, which was based on the 1932 novel of the same name by John Wells, stars Ginger Rogers, Norman Foster and George Sidney, and features Robert Benchley, Laura Hope Crews and Guinn Williams.
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One Man's Journey is a 1933 American pre-Code drama film starring Lionel Barrymore as Dr. Eli Watt. The picture was based on the short story Failure written by Katharine Haviland-Taylor. It was remade by RKO as A Man to Remember (1938). The story tells of a small-town doctor working under difficult circumstances in a rural area somewhere in the United States.
Two Weeks with Love is a 1950 romantic musical film made by Metro-Goldwyn-Mayer. It was directed by Roy Rowland and based on a story by John Larkin, who co-wrote the screenplay with Dorothy Kingsley.
Devotion is a 1931 American pre-Code romantic drama film starring Ann Harding and Leslie Howard based on the 1930 Pamela Wynne novel A Little Flat in the Temple. Its plot involves a woman who disguises herself and gains employment in the home of the man she loves.
The Life of Vergie Winters is a 1934 American Pre-Code film, starring Ann Harding and John Boles.
Living on Love is a 1937 American romantic comedy film released by RKO Radio Pictures. Directed by Lew Landers, it stars James Dunn, Whitney Bourne, and Joan Woodbury. The film is a remake of the RKO film Rafter Romance (1933). It is one of the "lost RKO films" owned by Merian C. Cooper and only re-released in April 2007 when Turner Classic Movies acquired the rights and aired all six films on its channel.
The Girl of the Golden West is a 1930 American Pre-Code Western film produced and distributed by First National Pictures, a subsidiary of Warner Bros., directed by John Francis Dillon and starring actress Ann Harding and James Rennie. Harding's then-husband, Harry Bannister, plays the villain Jack Rance. David Belasco wrote, directed, and produced the original play in 1905 which starred Blanche Bates.
The Right to Romance is a 1933 American pre-Code drama film starring Ann Harding and Robert Young and released by RKO Radio Pictures.
Flying Devils is a 1933 American Pre-Code action film dealing with aviation. The film was directed by former Hollywood agent Russell Birdwell and photographed by film noir cinematographer Nicholas Musuraca. The screenplay was written by Byron Morgan and Louis Stevens, based on an original story by Stevens. In an unusual move, Bruce Cabot was the star, with perennial "good guy" Ralph Bellamy playing the villain in a love triangle involving Arline Judge and Eric Linden. Although considered a "B" feature, audiences enjoyed the aerial scenes, which helped elevate the feature to a minor box-office hit.
Ann Vickers is a 1933 American pre-Code romantic drama directed by John Cromwell and starring Irene Dunne and Walter Huston. It is based on the novel of the same name by Sinclair Lewis.
Chance at Heaven is a 1933 American pre-Code drama film directed by William A. Seiter and written by Julien Josephson and Sarah Y. Mason based on a 1932 short story of the same name by Vina Delmar. The film stars Ginger Rogers, Joel McCrea, Marian Nixon, Andy Devine and Lucien Littlefield. It was released on October 27, 1933 by RKO Pictures.
Those Endearing Young Charms is a 1945 American comedy film directed by Lewis Allen and written by Edward Chodorov from his play of the same name and starring Robert Young, Laraine Day, Ann Harding, Bill Williams and Marc Cramer.