I Dream Too Much | |
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Directed by | John Cromwell |
Written by | Elsie Finn David G. Wittels |
Screenplay by | James Gow Edmund H. North |
Produced by | Pandro S. Berman |
Starring | Lily Pons Henry Fonda Eric Blore Lucille Ball |
Cinematography | David Abel |
Edited by | William Morgan |
Music by | Jerome Kern Dorothy Fields Max Steiner (incidental) |
Distributed by | RKO Radio Pictures |
Release date |
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Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $627,000 [1] |
Box office | $640,000 [1] |
I Dream Too Much is a 1935 American romantic comedy film directed by John Cromwell. It stars Henry Fonda and Lily Pons, as well as Lucille Ball in an early supporting role. It has been described as a "somewhat wispy operetta." [2] Songs are by Jerome Kern and Dorothy Fields. The film was nominated for an Academy Award in the category Sound Recording (Carl Dreher). [3]
This article needs an improved plot summary.(April 2010) |
Annette Monard Street is an aspiring singer, who falls in love with and marries Jonathan Street, a struggling young composer.
Jonathan pushes her into a singing career, and she soon becomes a star. Meanwhile, Jonathan is unable to sell his music, and he finds himself jealous of his wife's success.
Concerned about their relationship, Annette uses her influence to get Jonathan's work turned into a musical comedy. Once she achieves this, she then retires from public life in order to raise a family.
Writing for The Spectator in 1936, Graham Greene gave the film a poor review. Greene criticized Jerome Kern's musical score as "pompous and middle-aged" in contrast to the times, which were more in line with fresh musicians like Cole Porter. He did compare Pons favorably to Grace Moore, describing her personality as "less ponderous". The only portion of the film that Greene found to provide a light touch was that of the performing seal. [4]
The film recorded a loss of $350,000. [1]
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
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Alice Joséphine Pons, known professionally as Lily Pons, was a French-American operatic lyric coloratura soprano and actress who had an active career from the late 1920s through the early 1970s. As an opera singer, she specialized in the coloratura soprano repertoire and was particularly associated with the title roles in Lakmé and Lucia di Lammermoor. In addition to appearing as a guest artist with many opera houses internationally, Pons enjoyed a long association with the Metropolitan Opera in New York City, where she performed nearly 300 times between 1931 and 1960.
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