The Marrying Kind | |
---|---|
Directed by | George Cukor |
Written by | Garson Kanin Ruth Gordon |
Produced by | Bert Granet |
Starring | Judy Holliday Aldo Ray Madge Kennedy |
Cinematography | Joseph Walker |
Edited by | Charles Nelson |
Music by | Hugo Friedhofer |
Production company | |
Distributed by | Columbia Pictures |
Release date |
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Running time | 92 minutes |
Country | United States |
Language | English |
Box office | $1.7 million (US rentals) [1] |
The Marrying Kind is a 1952 American comedy drama film directed by George Cukor and starring Judy Holliday and Aldo Ray. Other cast members include John Alexander, Charles Bronson, Peggy Cass, Barry Curtis, Tom Farrell, Frank Ferguson, Ruth Gordon (who co-wrote the screenplay with Garson Kanin), Gordon Jones, Madge Kennedy, Nancy Kulp, Mickey Shaughnessy, and Joan Shawlee. [2]
The ups and downs of marriage and commitment are realized as Florence and Chet Keefer recount their marriage to the divorce judge. As the judge attempts to decipher whether or not their love for one another is gone, key moments of their lives together are recalled.
Florence and Chet came close to making it big at various times, and suffered when those opportunities were lost. But the biggest stressor on their marriage occurred when their son drowned in a lake. They recover from his death as well as they can, and Florrie returns to work while Chet is recuperating from an injury. When Florrie's former boss leaves her a lot of money in his will, Chet is concerned about what the context might have been. They fight over the money, and though their daughter tries to stop their arguments, things boil to a head. When they go to their family for advice, it seems divorce makes the most sense.
After talking it all through with the judge, they realize that they never really wanted to get divorced in the first place. After the judge leaves, Florrie and Chet resolve to try again and not blame each other when things go wrong.
Several exteriors were shot on location in New York City, including in Central Park and in Stuyvesant Town-Peter Cooper Village.
The main way the action in this film happens is by narration, as Florence or Chet describe for the Judge different situations. However, as the viewer sees those scenes portrayed in the film, what they are seeing is different from what the narrator is describing. In the case of the story of how they met, what Chet describes is completely different from what is shown happening. '"It so happens I remember it different", Miss Holliday primly says.' [3]
Garson Kanin told the Los Angeles Times that he and Ruth Gordon had a different writing process for The Marrying Kind than usual - they worked on it little by little over a period of months. They'd sketch out this or that scene to make a certain point. Then on a train ride they started compiling all their ideas, and found out they had 'far too much' material. '"Sometimes we rewrite each other's stuff," Miss Gordon said, expressionlessly. "Every time I put in what I thought was a great joke, he cut it out." "It wasn't that funny," Kanin said.' [4] Bosley Crowther of The New York Times notes that Miss Gordon and Mr. Kanin successfully convey their moral - 'that the natural and ever-hopeful chase after glittering, material ambition is a wistful and endless dream'. [3]
The Marrying Kind received mainly positive reviews. Mae Tinee of the Chicago Tribune described the film as having "a great many funny situations and some expert dialog," while also capturing perfectly "the frictions and frustrations which affect a middle class couple in what is aptly described as 'a nervous world.'" [5] The Deseret News notes the film as "a heartwarming story of a young couple in love." [6] Marjory Adams of The Boston Globe positively noted the humor of certain scenes, but stated in conclusion that "you would never wish to include Miss Holliday and Mr. Ray in your list of acquaintances. They would be too exhausting." [7] Bosley Crowther of The New York Times remarked on the successful hilarities, and the contrast between moments and the "bittersweet comprehension of the thorniness of the way that stretches out for two young people after they have taken marriage vows." [3]
Adam's Rib is a 1949 American romantic comedy-drama film directed by George Cukor from a screenplay written by Ruth Gordon and Garson Kanin. It stars Spencer Tracy and Katharine Hepburn as married lawyers who come to oppose each other in court. Judy Holliday co-stars as the third lead in her second credited movie role. Also featured are Tom Ewell, David Wayne, and Jean Hagen. The music was composed by Miklós Rózsa, and the song "Farewell, Amanda" was written by Cole Porter.
Born Yesterday is a play written by Garson Kanin which premiered on Broadway in 1946, starring Judy Holliday as Billie Dawn. The play was adapted into a successful 1950 film of the same name.
A Double Life is a 1947 American film noir that tells the story of an actor whose mind becomes affected by the character whom he portrays. It stars Ronald Colman and Signe Hasso and was directed by George Cukor, with its screenplay written by Ruth Gordon and Garson Kanin. Colman won the Academy Award for Best Actor for his performance.
Judy Holliday was an American actress, comedian and singer.
Aldo Ray was an American actor of film and television. He began his career as a contract player for Columbia Studios before achieving stardom through his roles in The Marrying Kind, Pat and Mike, Let's Do It Again, and Battle Cry. His athletic build and gruff, raspy voice saw him frequently typecast in "tough guy" roles throughout his career, which lasted well into the late 1980s. Though the latter part of his career was marked by appearances in low-budget B-movies and exploitation films, he still appeared occasionally in higher-profile features, including The Secret of NIMH (1982) and The Sicilian (1987). In 1980, Ray was awarded Best Actor for his role in Sweet Savage from the Adult Film Association's third Erotica Awards.
Bells Are Ringing is a 1960 American romantic comedy-musical film directed by Vincente Minnelli and starring Judy Holliday and Dean Martin. Based on the successful 1956 Broadway production of the same name by Betty Comden, Adolph Green and Jule Styne, the film focuses on Ella Peterson, based on the life of Mary Printz, who works in the basement office of a telephone answering service.
Garson Kanin was an American writer and director of plays and films.
The Solid Gold Cadillac is a 1956 American comedy film directed by Richard Quine and written by Abe Burrows, Howard Teichmann, and George S. Kaufman. It was adapted from the hit Broadway play of the same name by Teichmann and Kaufman that pillories big business and corrupt businessmen. The film stars Judy Holliday and Paul Douglas. The film is in black-and-white except for the final scene, which is presented in Technicolor.
The Girl Can't Help It is a 1956 American musical comedy film starring Jayne Mansfield in the lead role, Tom Ewell, Edmond O'Brien, Henry Jones, and Julie London. The picture was produced and directed by Frank Tashlin, with a screenplay adapted by Tashlin and Herbert Baker from an uncredited 1955 short story, "Do Re Mi" by Garson Kanin. Filmed in DeLuxe Color, the production was originally intended as a vehicle for the American sex symbol Jayne Mansfield, with a satirical subplot involving teenagers and rock 'n' roll music. The unintended result has been called the "most potent" celebration of rock music ever captured on film.
Born Yesterday is a 1950 American comedy-drama film directed by George Cukor, based on the 1946 stage play of the same name by Garson Kanin. The screenplay was credited to Albert Mannheimer. According to Kanin's autobiography, Cukor did not like Mannheimer's work, believing it lacked much of the play's value, so he approached Kanin about adapting a screenplay from his own play. Because of legal entanglements, Kanin did not receive screen credit.
Francis Bosley Crowther Jr. was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though his reviews were criticized as unnecessarily harsh. Crowther was an advocate of foreign-language films in the 1950s and 1960s, particularly those of Roberto Rossellini, Vittorio De Sica, Ingmar Bergman, and Federico Fellini.
It Should Happen to You is a 1954 American romantic comedy film starring Judy Holliday, Peter Lawford and Jack Lemmon; it was Lemmon's first major film appearance. The film was directed by George Cukor, and partly filmed on location in New York City. Screenwriter Garson Kanin originally intended the script as a vehicle for Danny Kaye, but Kanin's wife, Ruth Gordon, suggested casting Judy Holliday instead. The title was initially A Name for Herself.
Pat and Mike is a 1952 American romantic comedy film starring Spencer Tracy and Katharine Hepburn. The movie was written by Ruth Gordon and Garson Kanin, and directed by George Cukor. Cukor directed The Philadelphia Story (1940) with Hepburn, and Cukor, Gordon and Kanin teamed with Hepburn and Tracy again for Adam's Rib (1949). Gordon and Kanin were nominated for the 1952 Academy Award for Best Original Screenplay for their work on Pat and Mike.
The Las Vegas Story is a 1952 American suspense film noir starring Jane Russell and Victor Mature, directed by Robert Stevenson and produced by Robert Sparks and Howard Hughes with Samuel Bischoff as the executive producer.
Miss Sadie Thompson is a 1953 3-D American musical romantic drama film directed by Curtis Bernhardt and starring Rita Hayworth, José Ferrer, and Aldo Ray. The film was released by Columbia Pictures. The film is based on W. Somerset Maugham's 1921 short story "Miss Thompson". Other film versions include Sadie Thompson (1928) starring Gloria Swanson, Rain (1932) starring Joan Crawford, and Dirty Gertie from Harlem U.S.A. (1946).
Phffft is a 1954 American comedy romance film starring Judy Holliday, Jack Lemmon, and Jack Carson and featuring Kim Novak in a supporting role. The picture was written by George Axelrod and directed by Mark Robson. It was the second film starring Holliday and Lemmon that year, after It Should Happen to You.
Hard, Fast and Beautiful is a 1951 American drama film directed by Ida Lupino and starring Claire Trevor. It is loosely based on the 1930 novel American Girl by sports-fiction author John R. Tunis, which was an unflattering and thinly veiled fictionalization of the life of the tennis star Helen Wills Moody.
The Model and the Marriage Broker is a 1951 American romantic comedy film starring Jeanne Crain, Scott Brady, and Thelma Ritter. Directed by George Cukor and produced by Charles Brackett, the picture effectively features Ritter in a rare lead role as the marriage broker.
Marry Me! is a 1949 British comedy film directed by Terence Fisher, and starring Derek Bond, Susan Shaw, Patrick Holt, Carol Marsh and David Tomlinson.
Bride of Vengeance is a 1949 American historical drama film directed by Mitchell Leisen and starring Paulette Goddard, John Lund and Macdonald Carey. Produced and distributed by Paramount Pictures, it is set in the Italian Renaissance era. Ray Milland was originally cast in the film but refused the assignment, leading the studio to suspend him for ten weeks.