Les Girls | |
---|---|
Directed by | George Cukor |
Screenplay by | John Patrick |
Story by | Vera Caspary |
Produced by | Sol C. Siegel |
Starring | |
Cinematography | Robert Surtees |
Edited by | Ferris Webster |
Music by | Cole Porter |
Color process | Metrocolor |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 114 minutes |
Country | United States |
Language | English |
Budget | $3.4 million [1] |
Box office | $3.9 million [1] |
Les Girls (also known as Cole Porter's Les Girls) is a 1957 American CinemaScope musical comedy film directed by George Cukor and produced by Sol C. Siegel, with Saul Chaplin as associate producer. The screenplay by John Patrick was based on a story by Vera Caspary. The music and lyrics were by Cole Porter.
It stars Gene Kelly, Mitzi Gaynor, Kay Kendall, and Taina Elg, and the cast also includes Jacques Bergerac, Leslie Phillips, Henry Daniell, and Patrick Macnee.
Barry, Joy, Sybil and Angele were formerly members of the cabaret dance troupe "Barry Nichols and Les Girls". Years after the group has dissolved, Sybil, now Lady Wren, publishes a tell-all memoir containing details of her days in the theatre, and makes a point of detailing Angele's alleged suicide attempt after Barry ended their affair. Angele is outraged by Sybil's claims and sues her for libel. The case goes to trial where the two women relate the history of the troupe as they recall it, however, they each remember matters very differently.
Sybil remembers Angele as an easy, deceitful woman who tried to keep her engagement to a man named Pierre from Barry to keep her affair going, but ultimately jeopardized both relationships when her lies were revealed. Angele remembers Sybil as a drunkard who was madly in love with Barry - and that Angele herself had no relationship with Barry at all. According to Angele, Sybil was promised to another man from England - Gerald - who upon finding out the nature of her relationship to Barry, started a physical altercation with him. This led Sybil to once more abuse alcohol and then attempt suicide, feeling as though she had ruined both relationships.
Finally Barry takes the stand to reveal that neither of the girls' stories were quite right. All along, Barry had actually been pursuing Joy romantically. Pierre and Gerald had asked Barry to fire Angele and Sybil so that they may end their careers and get married, but Barry insists firing them will only make things worse. He concocts a plan that involves faking a heart condition and suggests that it will result in him having to close the theatre. The three women, distraught at the sudden news, all agree to quit for his sake. However, he reveals the truth to Joy at his apartment who at first finds him despicable, but quickly learns to forgive him when she realizes his good intentions.
As they both return to the girls' apartment, they realize a gas leak has occurred and Angele, along with Sybil, had both collapsed in their drunken stupor following their farewell party to Barry, and were exposed to the toxic gas. They were both rescued but never reunited after that... until the trial. With the case now settled that there was no suicide attempt, but rather both women had misunderstood the gas leak as a suicide attempt on behalf of the other, they reunite outside the courtroom to make amends. As Barry leaves, it is revealed that he had indeed ended up marrying Joy, though she doubts his claim that he had not fooled around with Angele and Sybil at all.
Immediately after the film was released, tentative plans were announced for a sequel called Les Boys. [7] While it did not come to pass, it did inspire Harry's Girls , a sitcom starring Larry Blyden which ran on NBC for 15 episodes in the fall of 1963.
According to MGM records the film made $2,415,000 in the US and Canada [8] and $1,450,000 elsewhere, but because of its high production cost lost $1,635,000. [1]
Les Girls was a major vehicle for choreographer Jack Cole, and one of the first films to feature the role of choreographer in the opening credits.
Eugene Curran Kelly was an American dancer, actor, singer, director and choreographer. He was known for his energetic and athletic dancing style and sought to create a new form of American dance accessible to the general public, which he called "dance for the common man". He starred in, choreographed, and, with Stanley Donen, co-directed some of the most well-regarded musical films of the 1940s and 1950s.
The Philadelphia Story is a 1940 American romantic comedy film starring Cary Grant, Katharine Hepburn, James Stewart and Ruth Hussey. Directed by George Cukor, the film is based on the 1939 Broadway play of the same name by Philip Barry about a socialite whose wedding plans are complicated by the simultaneous arrival of her ex-husband and a tabloid magazine journalist. The socialite, played by Hepburn in both productions, was inspired by Helen Hope Montgomery Scott (1904–1995), a Philadelphia heiress who had married Barry's friend.
Anchors Aweigh is a 1945 American musical comedy film starring Frank Sinatra, Kathryn Grayson, and Gene Kelly, with songs by Jule Styne and Sammy Cahn. Directed by George Sidney, the film also features José Iturbi, Pamela Britton, and Dean Stockwell.
Justine Kay Kendall McCarthy was an English actress and comedienne. She began her film career in the musical film London Town (1946), a financial failure. Kendall worked regularly until her appearance in the comedy film Genevieve (1953) brought her widespread recognition. Prolific in British films, Kendall also achieved some popularity with American audiences, and won a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy for her role in the musical-comedy film Les Girls (1957).
Stanley Donen was an American film director and choreographer. He received the Honorary Academy Award in 1998, and the Career Golden Lion at the Venice Film Festival in 2004. Four of his films have been inducted into the National Film Registry at the Library of Congress.
I Married An Angel is a 1938 musical comedy by Rodgers and Hart. It was adapted from a play by Hungarian playwright János Vaszary, entitled Angyalt Vettem Felesegul. The book was by Richard Rodgers and Lorenz Hart, with music by Rodgers and lyrics by Hart. The story concerns a wealthy banker who, disillusioned with women, decides that the only mate for him would be an angel. An angel soon arrives, and he marries her, but finds out that her perfection and guilelessness are inconvenient.
Singin' in the Rain is a 1952 American musical romantic comedy film directed and choreographed by Gene Kelly and Stanley Donen, starring Kelly, Donald O'Connor and Debbie Reynolds, and featuring Jean Hagen, Millard Mitchell, Rita Moreno and Cyd Charisse in supporting roles. It offers a lighthearted depiction of Hollywood in the late 1920s, with the three stars portraying performers caught up in the transition from silent films to "talkies".
The Glass Slipper (1955) is an American musical film adaptation of the fairy tale Cinderella, made by MGM, directed by Charles Walters and produced by Edwin H. Knopf from a screenplay by Helen Deutsch. The music score is by Bronislau Kaper, the cinematography by Arthur E. Arling, the art direction by Daniel B. Cathcart and Cedric Gibbons and costume design by Walter Plunkett and Helen Rose.
Cover Girl is a 1944 American musical romantic comedy film directed by Charles Vidor, and starring Rita Hayworth and Gene Kelly. The film tells the story of a chorus girl given a chance at stardom when she is offered an opportunity to be a highly paid cover girl. It was one of the most popular musicals of the war years.
For Me and My Gal is a 1942 American musical film directed by Busby Berkeley, and starring Judy Garland, George Murphy, Martha Eggerth, Ben Blue and Gene Kelly in his film debut. The film was written by Richard Sherman, Fred F. Finklehoffe and Sid Silvers, based on a story by Howard Emmett Rogers inspired by a true story about vaudeville actors Harry Palmer and Jo Hayden, when Palmer was drafted into World War I. The film was a production of the Arthur Freed unit at MGM.
Gaby is a 1956 American drama film directed by Curtis Bernhardt and starring Leslie Caron, John Kerr, Cedric Hardwicke, Taina Elg and Margalo Gillmore. It is the third version of the 1930 play Waterloo Bridge, previously made into films Waterloo Bridge (1931) and Waterloo Bridge (1940). It is the only version of the play made in color, and the least faithful to it. The title, the names of the main characters, and plot details were all changed. Unlike the 1931 and 1940 versions, this film ends happily.
Watusi is a 1959 American adventure film, It is the sequel to the 1950 film King Solomon's Mines. The film was directed by Kurt Neumann and starring George Montgomery, Taina Elg, David Farrar and Rex Ingram. It was produced by Al Zimbalist and Donald Zimbalist. The screenplay was by James Clavell loosely based on the 1885 novel King Solomon's Mines by H. Rider Haggard.
Diane is a 1956 American historical drama film about the life of Diane de Poitiers, produced by Metro-Goldwyn-Mayer, directed by David Miller, and produced by Edwin H. Knopf from a screenplay by Christopher Isherwood based on a story by John Erskine. The music score was composed by Miklós Rózsa, and Robert H. Planck was the cinematographer, who filmed in CinemaScope and Eastmancolor. The exceptionally lavish costumes were designed by Walter Plunkett.
Taina Elisabeth Elg is a Finnish-American actress and dancer. She has appeared on stage, television, and in film.
On the Town is a 1949 American Technicolor musical film with music by Leonard Bernstein and Roger Edens and book and lyrics by Betty Comden and Adolph Green. It is an adaptation of the Broadway stage musical of the same name produced in 1944, although many changes in the script and score were made to the original stage version; for instance, most of Bernstein's score was dropped in favor of new songs by Edens, who felt that the majority of Bernstein's music was too complex and too operatic for film audiences. This caused Bernstein to boycott the film.
"Ça, C'est L'amour" is a popular song by Cole Porter, published in 1957. It was introduced in the film Les Girls.
Brigadoon is a 1954 American Metro-Goldwyn-Mayer musical film made in CinemaScope and color by Ansco based on the 1947 Broadway musical of the same name by Alan Jay Lerner and Frederick Loewe. The film was directed by Vincente Minnelli and stars Gene Kelly, Van Johnson, and Cyd Charisse. Brigadoon has been broadcast on American television and is available in VHS, DVD and Blu-ray formats.
Take Me Out to the Ball Game is a 1949 American Technicolor musical film produced in the Arthur Freed unit of MGM. It stars Frank Sinatra, Esther Williams, Gene Kelly, Betty Garrett, Edward Arnold and Jules Munshin, and was directed by Busby Berkeley. The title and nominal theme is taken from the unofficial anthem of American baseball, "Take Me Out to the Ball Game." The film was released in the United Kingdom as Everybody's Cheering.
Du Barry Was a Lady is a 1943 American musical comedy film directed by Roy Del Ruth, starring Red Skelton, Lucille Ball, Gene Kelly, and Tommy Dorsey and His Orchestra. It is based on the 1939 stage musical of the same name. Shot in Technicolor, the film was produced and distributed by Metro-Goldwyn-Mayer.
Adrienne D'Ambricourt was a French-American actress of the silent and sound film eras. She was born in Paris, and emigrated to the United States after the end of World War I.