Plot
John Norman Howard, a famous and self-destructive singer/songwriter rock star, arrives late for a concert. He is drunk, and leaves the stage after singing only a few songs. John's driver takes him to a bar where Esther Hoffman is singing. One of John's fans finds him there and starts a fight. Esther grabs John and helps him escape out a back door.
They go to Esther's, but she invites him to come back for breakfast. Over breakfast (pepperoni pizza), she agrees to go to a concert with him. After arriving by helicopter, John rides a motorbike around the stage, snags a cable and crashes off the front of the stage. John is taken away by ambulance and his entourage leave in the helicopter, forgetting Esther.
Afterwards, John is resting at home by his pool. A radio DJ, Bebe Jesus, hovers over the pool in a helicopter and invites John to his studio. John gets angry and shoots at the helicopter. Bebe Jesus then threatens to never play John's songs. Later, John goes to the radio station with a case of whiskey to make peace with Bebe Jesus. The disc jockey does not accept John's apology and calls John an alcoholic over the air. Esther happens to be at the radio station at the same time, taping a commercial. John takes Esther to his mansion and writes her name on the wall with a can of spray paint. There, they make love, have a bubble bath together, and he listens to her playing his piano. She thinks no one would be able to sing to the tune she has written, but he makes up some lyrics and starts singing.
At his next concert, John gets Esther on stage to sing. Although the audience boos when she starts to sing, she wins them over. Later, she tells John she wants them to get married. John replies that he is no good for her, but she persists, and they marry. John takes Esther to a plot of land he has out west where they build a simple house. She wants a tour co-starring with him, but he thinks she should do the tour on her own. Esther's career takes off, eclipsing his.
John returns to the studio thinking of restarting his career. He's told by Bobbie that the band has gone on without him and have renamed themselves. To save face, John asks Bobbie to tell them that he has found some new artists to work with and wishes them luck.
At home alone, John begins to write a new song. As he sings, he is constantly interrupted by the telephone. Someone asks for Esther and wants to know whether he is her secretary. When Esther returns home, she wants to find out how it went with the band and John tells her it did not work out. He changes the subject to find out about Esther's day and goes through the messages he has taken for her, one of which is that she is up for a Grammy Award.
At the Grammy Awards, Esther wins for best female performance. While she is giving her acceptance speech, John arrives late and drunk and makes a scene. Later, Esther tries to talk Brian into giving John a last chance. John is writing songs again but in a different way. Brian calls on John and likes the new songs, but suggests John release some of his old hits along with the new songs. However, John wants to go with the new work only, so he turns down the offer.
Back at his Los Angeles mansion, John finds Quentin, a magazine writer, swimming half-naked in his swimming pool. She says she would do anything to get an exclusive interview. Initially he thinks it is with him, but she confirms it is an interview with Esther that she wants. When Esther arrives soon after, she finds them in bed together. Quentin tries to interview Esther, but John tells Quentin to get out. Esther and John fight, him telling her “I love you” and she says “I hate you”, until Esther confesses that she does love him. They return to their small home out west, where they have been happiest.
One day, John wakes early and tells Esther he is going to pick up Brian from the airport. Esther asks him to hurry back. John leaves the house with a beer in hand and drives off in his flashy sports car. He leaves playing his track “Watch Closely Now” but gets bored and puts on one of Esther's songs. He continues to drink his beer, while driving too fast and recklessly.
In the next scene, a police dispatch is discussing an accident. The shell of a red sports car is on its side. A helicopter lands at the scene and Esther and Brian run out towards John, whose dead body is covered by a blanket. Esther asks for another blanket and cleans his face. She lies down on John and while crying she asks him what is she supposed to do without him. He is taken away in an ambulance.
Back at the LA mansion, Esther hears John's voice calling out for someone to answer the telephone but she discovers it is just a tape of the old songwriting session during which the telephone had interrupted his singing. She cries on the step in the now empty house, saying that he was a liar and he was not supposed to leave her.
The final scene is what seems to be a memorial concert for John. Esther walks out and is introduced as Esther Hoffman-Howard. The audience raises candles as a tribute to her late husband. She sings the song John wrote for her “With One More Look at You” and then ends with his famous track, “Watch Closely Now”, done in her own style. At the last beat of the song, Esther spreads her arms wide and looks up to the heavens.
Production
Directed by Frank Pierson, the film updates the original story and screenplay of William A. Wellman and Robert Carson with additional contributions by Pierson, John Gregory Dunne and Joan Didion. It also features Gary Busey and Sally Kirkland. Venetta Fields and Clydie King perform as Streisand's backing vocalists "The Oreos". Kristofferson's then-wife Rita Coolidge and Tony Orlando appear briefly as themselves.
The earlier films had portrayed the behind-the-scenes world of Hollywood filmmaking. However, this version adapted the story to the music business. For example, the 1937 and 1954 films each portrayed the lead female character winning an Academy Award, while the 1976 and 2018 versions depicted the heroine winning a Grammy Award instead.
A Star Is Born was co-produced by Streisand and her then-partner Jon Peters for Barwood Films and Warner Brothers, with Peters and Streisand as producers and Streisand as executive producer. Among actors considered for the male lead were Neil Diamond and Marlon Brando. Streisand and Peters wanted Elvis Presley for the role: they met with Elvis and discussed the film, and he was interested in taking the part, thinking it would revive his film career. Elvis' manager, Colonel Tom Parker, insisted Elvis have top billing and asked for a substantial sum of money for the role, even though he had not had an acting role since 1969, and people were unsure what kind of box office draw he would be. This effectively ended Elvis's involvement with the project. Parker also did not want to have Elvis portrayed as having a show business career in decline because this was far from the truth, with Elvis playing to packed auditoriums wherever he toured in the States. Diamond, who knew Streisand and had attended high school with her at Erasmus Hall High School in Brooklyn, was also seriously considered but had to decline due to his extensive concert commitments, and Kristofferson got the part of John Norman Howard.
Kristofferson denied modelling his character on Jim Morrison: "That's a good idea but it's not true. I don't think I ever met Morrison. A lot of people said we looked alike – shirts off, beards – but that washed-up rock star was more about me." [3]
The film cost around $6 million to produce. Its soundtrack album was also an international success, reaching number 1 in many countries and selling nearly 15 million copies worldwide. It featured the ballad "Evergreen (Love Theme from A Star Is Born)", which became one of the biggest hits of Streisand's career, spending three weeks at number one in the United States, and peaking at number three in the United Kingdom. [4]
The filming locations included many in Arizona such as downtown Tucson, Tucson Community Center, Sonoita and Tempe, [5] including Sun Devil Stadium. [6] Streisand's wardrobe was selected from her own personal clothing. The film credit reads: "Miss Streisand's clothes from... her closet". The film was choreographed by David Winters, who worked closely with Streisand to perfect the movie's dancing sequences. [7] [8]
