First Artists Production Company | |
Company type | Film production |
Industry | |
Founded | 1969Hollywood, Los Angeles, California, United States | in
Founders | |
Defunct | March 1980 |
Fate | Defunct; sold to Warner Bros. |
Successor | Library: Warner Bros. |
Headquarters | Beverly Hills, California, United States |
Key people | Freddie Fields, David Begelman, Dustin Hoffman, Steve McQueen, Phil Feldman |
Products |
|
First Artists was a production company that operated from 1969 to 1980. Designed to give movie stars more creative control over their productions, the initial actors who formed First Artists were Paul Newman, Barbra Streisand, and Sidney Poitier; later joined by Steve McQueen and Dustin Hoffman. Movies made by First Artists include McQueen's The Getaway and the company's most successful film, Streisand's A Star Is Born . [1]
The company was formed in 1969 and was the idea of agent Freddie Fields of Creative Management Associates with assistance from his partner David Begelman. Inspired by the formation of United Artists, Newman, Streisand, and Poitier formed First Artists with the understanding that they would have more creative control over their productions in exchange for being paid lower salaries and a share of the profits. Each star promised to make three productions for the company, which would also be involved in television production, music publishing, and recording. The distributor of the films would be National General Pictures, which would put up two-thirds of the money for a film, with First Artists putting up the rest. [1]
In July 1970 Patrick Kelly was appointed chief executive officer of First Artists. [2] The following year Steve McQueen joined the company. [1] The company's first slate of films were Pocket Money (1972) with Newman, The Getaway (1972) with McQueen, The Life and Times of Judge Roy Bean (1972) with Newman, and Up the Sandbox (1972) with Streisand. The Getaway and Roy Bean were particularly successful.
In 1972 First Artists offered 350,000 shares to investors at $7.50. [3] That year Dustin Hoffman joined the company, agreeing to make two films at no more than $3 million. [4] [5] He would have creative control, provided the film did not go over budget and schedule. [6]
Meanwhile, First Artists' distributor National General Pictures went into liquidation. [7] In November 1973 Warners took over the distribution of First Artists movies. [8] First Artists sued National General, settling in 1976. [9]
The company's initial output was sporadic, owing to the commitments of its stars, and by January 1975 it had only made seven films. That month, Philip K. Feldman, formerly a producer and an executive at CBS, Rastar, and Warner Brothers, was brought in as chairman. [10] He increased the development slate, and moved First Artists into film distribution, television, and music to ensure a more constant source of income. [11]
Feldman decided to supplement the company's movies with other star's films, such as Bobby Deerfield , originally developed for Paul Newman, and made with Al Pacino at Columbia. First Artists became involved in the production of The Gumball Rally , was a distribution consultant on The Ritz , and did TV movies like Minstrel Man. [11]
In July 1977 Feldman announced that Bill Cosby, who had appeared in three Poitier films, would produce and star in a film for the company called Sitting Pretty. "I consider him a member of the team," said Feldman of Cosby. [12] Other films the company planned to make included Repo, with Darren McGavin, Stevie with Glenda Jackson, and Devilfish with Bert Gordon. (Devilfish and Sitting Pretty would ultimately not be made.) First Artists shared development costs on Bobby Deerfield, The Gauntlet , and The One and Only ; and co-produced Speedtrap with a Dutch conglomerate. The company also distributed some foreign films in the US, such as Pardon Mon Affaire and That Obscure Object of Desire . [12]
In 1976, McQueen made An Enemy of the People , which tested so poorly that it was never officially released. [13] When First Artists refused to option Harold Pinter's Old Times for McQueen, the actor sued the company. [1] The case was settled out of court. [1]
Feldman insisted that Hoffman not make pictures for other studios until his obligation to First Artists was completed. Hoffman wound up suing First Artists for $65 million, claiming that he was denied creative control on Straight Time and Agatha. [6] [5] Feldman counter-claimed that these movies had gone over budget and schedule, allowing him to step in. [14] [15]
In July 1978 the company acquired Joel/Cal-Made, a male clothing manufacturer, for $8 million. [16] In November the company sought to buy into a London casino but was unsuccessful. [17]
Films such as Straight Time (Hoffman, 1978) and Agatha (Hoffman, 1979) performed poorly at the box office, although The Main Event (Streisand, 1979) was very successful. In September 1979 Philip Feldman resigned as chairman and president. The company was put up for sale. [18]
On December 31, 1979, the voting trust that ran First Artists on behalf of its founder‐shareholders expired and First Artists left the movie business. By this stage, the company's shares were worth $4 apiece. The company's last film was Tom Horn . [1] The company closed down a year later in March 1980 and was sold to Warner Bros.
Dustin Lee Hoffman is an American actor and filmmaker. As one of the key actors in the formation of New Hollywood, Hoffman is known for his versatile portrayals of antiheroes and emotionally vulnerable characters. He is the recipient of numerous accolades, including two Academy Awards, four BAFTA Awards, five Golden Globe Awards, and two Primetime Emmy Awards. Hoffman has received numerous honors, including the Cecil B. DeMille Award in 1997, the AFI Life Achievement Award in 1999, and the Kennedy Center Honors Award in 2012. Actor Robert De Niro has described him as "an actor with the everyman's face who embodied the heartbreakingly human".
Terrence Stephen McQueen was an American actor and racing driver. His antihero persona, emphasized during the height of the counterculture of the 1960s, made him a top box-office draw for his films of the 1960s and 1970s. He was nicknamed the "King of Cool" and used the alias Harvey Mushman in motor races.
The Getaway is a 1972 American action thriller film based on the 1958 novel by Jim Thompson. The film was directed by Sam Peckinpah, written by Walter Hill, and stars Steve McQueen, Ali MacGraw, Ben Johnson, Al Lettieri and Sally Struthers. The plot follows imprisoned mastermind robber Carter "Doc" McCoy, whose wife Carol conspires for his release on the condition they rob a bank in Texas. A double-cross follows the crime, and the McCoys are forced to flee for Mexico with the police and criminals in hot pursuit.
Straight Time is a 1978 American neo-noir crime drama film directed by Ulu Grosbard and starring Dustin Hoffman, Theresa Russell, Gary Busey, Harry Dean Stanton, M. Emmet Walsh and Kathy Bates. Its plot follows a lifelong thief in Los Angeles who struggles to assimilate in society after serving a six-year prison sentence. The film is based on the novel No Beast So Fierce by Edward Bunker, who also acts in the film.
Pocket Money is a 1972 American buddy-comedy film directed by Stuart Rosenberg, from a screenplay written by Terrence Malick and based on the 1970 novel Jim Kane by J. P. S. Brown. The film stars Paul Newman and Lee Marvin and takes place in 1970s Arizona and northern Mexico.
Lumiere Pictures and Television, formerly known as EMI Films, Thorn EMI Screen Entertainment, and Weintraub Entertainment Group, and later UGC DA, and Canal+ Image International, was a British-French film, television, animation studio and distributor. A former subsidiary of the EMI conglomerate, the corporate name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986, but the company's brief connection with Metro-Goldwyn-Mayer and Anglo-EMI, the division under Nat Cohen, and the later company as part of the Thorn EMI conglomerate are outlined here.
Victor Stanley Feldman was an English jazz musician who played mainly piano, vibraphone, and percussion. He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman emigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers.
The Last Remake of Beau Geste is a 1977 American historical comedy film directed, co-written and starring Marty Feldman. It is a satire loosely based on the 1924 novel Beau Geste, a frequently-filmed story of brothers and their adventures in the French Foreign Legion. The humor is based heavily upon wordplay and absurdity. Feldman plays Digby Geste, the awkward and clumsy "identical twin" brother of Michael York's Beau, the dignified, aristocratic swashbuckler.
Paul Frederick Jabara, was an American actor, singer, and songwriter. He was born to a Lebanese family in Brooklyn, New York. He wrote Donna Summer's Oscar-winning "Last Dance" from Thank God It's Friday (1978), as well as "No More Tears ", Summer's international hit duet with Barbra Streisand. He also co-wrote the Weather Girls' iconic hit "It's Raining Men" with Paul Shaffer.
Up the Sandbox is a 1972 American comedy-drama film directed by Irvin Kershner, with a screenplay by Paul Zindel, based on the novel of the same name by Anne Roiphe. The film stars Barbra Streisand as a young wife and mother in Manhattan, who slips into increasingly bizarre fantasies to escape the predicament of her pregnancy. The film's supporting cast includes David Selby, Paul Benedict, George S. Irving, Conrad Bain, Isabel Sanford, Lois Smith, Jacobo Morales as a character who closely resembles Fidel Castro, and Stockard Channing in her film debut.
The Driver is a 1978 American crime thriller film written and directed by Walter Hill, and starring Ryan O'Neal, Bruce Dern and Isabelle Adjani. The film featured only unnamed characters, and follows a getaway driver for robberies whose exceptional talent has prevented him being caught. The detective promises pardons to a gang if they help catch him in a set-up robbery.
The Fifth Musketeer is a 1979 German-Austrian film adaptation of the last section of the 1847–1850 novel The Vicomte of Bragelonne: Ten Years Later by Alexandre Dumas, père, which is itself based on the French legend of the Man in the Iron Mask. It was released in Europe with the alternative title Behind the Iron Mask.
Good Guys Wear Black is a 1978 American martial arts action film starring Chuck Norris and directed by Ted Post. This was the second film to feature Norris as the star, following Breaker! Breaker! (1977). However, this is the one that Norris considers his "breakthrough".
The Choirboys is a 1977 American comedy-drama film directed by Robert Aldrich, written by Christopher Knopf and Joseph Wambaugh based on Wambaugh's 1975 novel of the same name. It features an ensemble cast including Charles Durning, Louis Gossett Jr., Randy Quaid, and James Woods. The film was released to theaters by Universal Pictures on December 23, 1977.
Michael Shurtleff was a major force in casting on Broadway during the 1960s and 1970s. He wrote Audition, a book for actors on the audition process. He also wrote numerous one-act and full-length plays.
Freddie Fields, born Fred Feldman, was an American theatrical agent and film producer.
Somebody Killed Her Husband is a 1978 American comedy–mystery film directed by Lamont Johnson and written by Reginald Rose. It starred Farrah Fawcett and Jeff Bridges. Also in the cast were John Wood, Tammy Grimes and John Glover.
An Enemy of the People is a 1978 American drama film directed by George Schaefer and based on Arthur Miller's 1950 adaptation of Henrik Ibsen's 1882 play. The film stars Steve McQueen in the lead role of scientist Thomas Stockmann, Charles Durning as his brother Peter, and Bibi Andersson as his wife Catherine.
Brut Productions was a film production company that was an offshoot of Fabergé cosmetics under George Barrie.
Melvin Simon Productions was a short-lived film production company of the 1970s and 1980s. It was founded by real estate magnate Melvin Simon.
Paul Newman, Sidney Poitier, Barbra Streisand, Steve McQueen, and Dustin Hoffman formed First Artists, and this was their premier offering. It wasn't as terrible a movie as the first reviews of it indicated, but since so much was expected, anything less than brilliance was a letdown.