Arthur | |
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![]() Theatrical release poster | |
Directed by | Steve Gordon |
Written by | Steve Gordon |
Produced by | Robert Greenhut |
Starring | |
Cinematography | Fred Schuler |
Edited by | Susan E. Morse |
Music by | Burt Bacharach |
Production company | |
Distributed by | Warner Bros. |
Release date |
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Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $7 million |
Box office | $95.5 million [1] |
Arthur is a 1981 American romantic comedy film written and directed by Steve Gordon. It stars Dudley Moore as Arthur Bach, a drunken New York City millionaire who is on the brink of an arranged marriage to a wealthy heiress but ends up falling for a common working-class young woman from Queens. It was the sole film directed by Gordon, who died in 1982 of a heart attack at age 44.
The film earned over $95 million domestically, making it the fourth highest-grossing film of 1981. Its title song, "Arthur's Theme (Best That You Can Do)", won the Academy Award for Best Original Song. Co-written by Christopher Cross, Burt Bacharach, Carole Bayer Sager, and Peter Allen, it was performed by Cross. Sir John Gielgud also won the Academy Award for Best Supporting Actor. It was nominated for two other Academy Awards for Best Actor for Moore and Best Original Screenplay for Gordon.
Arthur Bach is a spoiled alcoholic man-child from New York City, who likes to be driven in his chauffeured Rolls-Royce Silver Wraith limousine through Central Park. Arthur is heir to a portion of his family's vast fortune, but only if he marries the upper-class Susan Johnson, the daughter of a business acquaintance of his father. He does not love Susan, but his family feels that she will make him finally grow up. During a shopping trip in Manhattan, accompanied by his valet, Hobson, Arthur witnesses a young woman, Linda Marolla, shoplifting a necktie. He intercedes with the store security guard on her behalf, and later asks her for a date. Despite his attraction to her, Arthur remains pressured by his family to marry Susan.
While visiting his grandmother, Martha, Arthur shares his feelings for Linda, but is warned again that he will be disowned if he does not marry Susan. Hobson, who has been more like a father to him than Arthur's real father, realizes that Arthur is beginning to grow up, and secretly encourages Linda to attend Arthur's engagement party. Hobson confides in Linda that he senses Arthur loves her. Linda crashes the party, held at the estate of Arthur's father, and she and Arthur eventually spend time alone together, which is tracked by both families. Hobson is later hospitalized, and Arthur rushes to his side, vowing to care for the person who has long cared for him. After several weeks, Hobson dies, and then Arthur, who has been sober the entire time, goes on a drinking binge. On his wedding day, he visits the diner where Linda works and proposes to her. At the church, he jilts Susan, resulting in her abusive father, Burt Johnson, attempting to stab Arthur with a cheese knife, though he is prevented by Martha.
A wounded Arthur announces in the church that there will be no wedding then passes out soon after. Later, Linda attends to his wounds, and they discuss living a life of poverty. A horrified Martha tells Arthur that he can have his fortune, because no Bach has ever been working class. Arthur declines, but at the last minute, he talks privately to Martha. When he returns to Linda's side, he tells her that he declined again – Martha's dinner invitation, he means – but he did accept $750 million. Arthur's pleased chauffeur Bitterman drives the couple through Central Park.
Gordon originally wrote the title character with an American actor in mind. Prior to the casting of Moore, Al Pacino, Jack Nicholson, John Travolta, Richard Dreyfuss, and James Caan were all considered for the role. In addition, Alec Guinness and David Niven were considered for the role of Hobson. [2] [3] [4] John Belushi was also considered for Arthur. [5] Initially, Gordon wanted Moore to perform the role with an American accent, but this proved contentious as Moore had trouble doing so and eventually convinced Gordon to let him use his natural English accent. While some critiques objected to the obvious difference in accent between Arthur and his biological father, others were quick to catch the deeper implication that Hobson taught Arthur to speak. [6] Debra Winger reportedly turned down the role of Linda. [7] Goldie Hawn, Diane Keaton, Gilda Radner, and Meryl Streep were also considered for the role of Linda. [8]
Although the project was initially in the works at Paramount Pictures, studio executives eventually dropped the project and Orion Pictures stepped in. [6] Promoting the film proved to be a challenge; reportedly six ad campaigns were discarded before a final one was decided upon. [6]
Christopher Cross was initially asked to score the film, but writer-director Steven Gordon did not feel comfortable with his lack of experience in composing for film and the job was given to Burt Bacharach. [9] Cross was asked to compose a song for the film which he did, "Arthur's Theme", which he wrote with Bacharach along with Carole Bayer Sager and Peter Allen. [9]
The film had a disappointing opening at the box office but improved its performance over its run, becoming the seventh highest-grossing film of the summer. [10] It eventually earned over $95 million domestically, making it the fourth highest-grossing film of 1981. [11]
The film received critical acclaim upon its release and is considered by many as one of the best films of 1981. [12] [13] [14] On the review aggregator website Rotten Tomatoes, the film holds an approval rating of 86% based on 36 reviews, with an average rating of 7.2/10. The website's critics consensus reads, "Dudley Moore brings a boozy charm to Arthur, a coming of age tale for a wayward millionaire that deploys energetic cast chemistry and spiffy humor to jovial effect." [15]
Then-U.S. President Ronald Reagan viewed this film at Camp David on July 25, 1981. [16]
The film was ranked No. 10 on Bravo's "100 Funniest Movies".
The film is recognized by American Film Institute in these lists:
The film was followed by a sequel in 1988, Arthur 2: On the Rocks . Lead players Moore, Minnelli, and Gielgud reprised their roles, as well as supporting players such as Fitzgerald and Martin. The sequel was a critical and financial failure. [27] [28] [29]
The 2011 version was first reported in 2008 with news that Arthur was to be remade by Warner Bros., with Russell Brand in the lead role. [30] Brand confirmed this during his March 10, 2009, appearance on The Howard Stern Show . The remake was an overall critical and financial failure. [31] [32]
The film had three Indian remakes: the 1984 Hindi-language film Sharaabi , the 1985 Kannada-language film Nee Thanda Kanike , and the 2004 Hindi Tumsa Nahin Dekha: A Love Story . [33]
The animated series The Critic starring Jon Lovitz shows a parody of Arthur called Arthur 3: Revenge of the Liver, where the character of Arthur Bach (voiced by Maurice LaMarche impersonating Dudley Moore) is shown intoxicated and is informed that he has cirrhosis of the liver. [34]
In 2020, the film was honored at the On Cinema at the Cinema Seventh Annual Oscar Special. Film expert Gregg Turkington hosted a special sneak preview of the film's 40th anniversary celebration, which was planned for the 2021 Oscar Special. [35]
Dudley Stuart John Moore CBE was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. As a popular double act, Moore's buffoonery contrasted with Cook's deadpan monologues. They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting.
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She turned down the soft female leads in hits such as Raiders of the Lost Ark and Arthur.