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Taina Elg | |
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Born | Taina Elisabeth Elg 9 March 1930 |
Citizenship | United States |
Occupation(s) | Actress, dancer |
Years active | 1941–2006 |
Spouse(s) | Carl-Gustav Björkenheim (m. 1953;div. 1960)Rocco Caporale (m. 1985;died 2008) |
Children | Raoul Björkenheim |
Parent(s) | Helena Dobroumova Åke Elg (né Ludwig) |
Taina Elisabeth Elg (born 9 March 1930) is a Finnish-American actress and dancer. She has appeared on stage, television, and in film.
Elg was born in 1930 in Helsinki, [2] and raised in Turku by her parents, Åke Elg (né Ludwig), a Finnish pianist, and Helena Doroumova (who was of Russian descent). [3] She was signed to a seven-year contract to Metro-Goldwyn-Mayer in the mid-1950s. In 1957, she won the Golden Globe for the Foreign Newcomer Award – Female. She won another Golden Globe in 1958 for Best Motion Picture Actress – Musical/Comedy for her performance in Les Girls , tying with her co-star, the famed and well-established Kay Kendall. [4]
In 1958, she was nominated for a Golden Laurel as Top New Female Personality. In 1959 she starred alongside Kenneth More in The 39 Steps . In 1975, she was nominated for a Tony Award for her performance as Donna Lucia D'Alvadorez in Where's Charley? . She appeared in the original Broadway production of Nine as Guido Contini's mother. In 1989, she had the title role as Lea in Chéri, from a Colette novel as adapted by Anita Loos. [5] In 1980, she played Dr. Ingrid Fischer on CBS daytime drama soap opera Guiding Light . From 1980–82, she played Olympia Buchanan, first wife of tycoon Asa Buchanan, on the ABC soap opera One Life to Live . Her character, held prisoner by Asa for months, had a memorable death sequence, falling over a balcony at a costume party.
Her son by her first marriage to Carl-Gustav Björkenheim, which ended in divorce in 1960, [6] is Finnish-American jazz guitarist Raoul Björkenheim. In 1985, Elg married Rocco Caporale, an Italian-born educator and professor of sociology. She lives in New York City. [7]
Hugo Alvar Henrik Aalto was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.
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