Tarnished Lady | |
---|---|
Directed by | George Cukor |
Written by | Donald Ogden Stewart |
Produced by | Walter Wanger |
Starring | Tallulah Bankhead Clive Brook |
Cinematography | Larry Williams |
Edited by | Barney Rogan |
Music by | Vernon Duke |
Distributed by | Paramount Pictures |
Release date |
|
Running time | 83 minutes |
Country | United States |
Language | English |
Tarnished Lady is a 1931 American pre-Code drama film directed by George Cukor and starring Tallulah Bankhead and Clive Brook. The screenplay by Donald Ogden Stewart is based on his short story, A Story of a New York Lady.
Nancy Courtney, a once wealthy socialite, has had to struggle to maintain a facade of prosperity ever since her father's death. Although she loves writer DeWitt Taylor, who is indifferent to amassing a fortune, her mother urges her to marry stockbroker Norman Cravath instead. Nancy acquiesces to her mother's wishes but, despite the fact her new husband does everything he can to please her, she is miserable in her marriage.
Meanwhile, DeWitt has begun romancing Norman's former girl friend Germaine Prentiss, Nancy's long-time rival. She realizes DeWitt's relationship with Germaine is changing him into a social climber. Unaware Norman's firm has just been barred from the stock market and he is facing financial ruin, Nancy tells her husband she is leaving him. She learns of Norman's bankruptcy in the newspaper and, together with her friend Ben Sterner, she goes to a speakeasy where she proceeds to get drunk. She and Ben bring some of the bar patrons to his home, where they encounter Norman, who is waiting there to discuss a business transaction with Ben. Seeing his wife in such a disreputable state, he tells her he never wants to see her again.
Nancy tries to live on her own but, lacking any skills, she is unable to find employment and becomes destitute. When she discovers she is pregnant, Ben offers her a place to live and, after the birth of her child, he hires her to work in his department store. Norman and Germaine come in to purchase a fur coat, and Norman is stunned to find Nancy in a menial position. Germaine tries to warn Nancy away, but realizing her husband still loves her, Nancy asks him for another chance. Germaine bows out and leaves Norman with his forgiven wife and infant son.
Mordaunt Hall of The New York Times observed, "Miss Bankhead acquits herself with considerable distinction, but the vehicle to which she lends her talent is no masterpiece. In fact, only in a few spots is the author's fine hand discernible." [1]
Variety called it a "weepy and ragged melodrama [that] has little outside its cast to be recommended . . . Cast, as a whole, deports in a manner suggesting they were under orders to give way before Bankhead. Clive Brook suffers the most. Ordinarily a fine actor, he slumps here in trying to get over some of the silly dialog." [2]
David Ogden Stewart, who wrote the script, said the film "laid an awful egg. I’m not ashamed of it at all; but it just didn’t do Tallulah any good, and it wasn’t successful at all. But I’d gotten to know George Cukor through that and liked him and respected him." [3]
George Dewey Cukor was an American film director and producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's Head of Production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick, and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg.
The Philadelphia Story is a 1940 American romantic comedy film starring Cary Grant, Katharine Hepburn, James Stewart, and Ruth Hussey. Directed by George Cukor, the film is based on the 1939 Broadway play of the same name by Philip Barry, about a socialite whose wedding plans are complicated by the simultaneous arrival of her ex-husband and a tabloid magazine journalist. The socialite, played by Hepburn in both productions, was inspired by Helen Hope Montgomery Scott (1904–1995), a Philadelphia heiress known for her hijinks, who married a friend of playwright Barry.
Tallulah Brockman Bankhead was an American actress. Primarily an actress of the stage, Bankhead also appeared in several prominent films including an award-winning performance in Alfred Hitchcock's Lifeboat (1944). She also had a brief but successful career on radio and made appearances on television. In all, Bankhead amassed nearly 300 film, stage, television and radio roles during her career. She was inducted into the American Theater Hall of Fame in 1972 and the Alabama Women's Hall of Fame in 1981.
Katie Scarlett O'Hara Hamilton Kennedy Butler is a fictional character and the protagonist in Margaret Mitchell's 1936 novel Gone with the Wind and in the 1939 film of the same name, where she is portrayed by Vivien Leigh. She also is the main character in the 1970 musical Scarlett and the 1991 book Scarlett, a sequel to Gone with the Wind that was written by Alexandra Ripley and adapted for a television mini-series in 1994. During early drafts of the original novel, Mitchell referred to her heroine as "Pansy", and did not decide on the name "Scarlett" until just before the novel went to print. PBS has called O'Hara "quite possibly the most famous female character in American history..."
Clifford Hardman "Clive" Brook was an English film actor.
Gaslight is a 1944 American psychological thriller film directed by George Cukor, and starring Charles Boyer, Ingrid Bergman, Joseph Cotten and Angela Lansbury in her film debut. Adapted by John Van Druten, Walter Reisch, and John L. Balderston from Patrick Hamilton's play Gas Light (1938), it follows a young woman whose husband slowly manipulates her into believing that she is descending into insanity.
A Star Is Born is a 1954 American musical drama film directed by George Cukor, written by Moss Hart, and starring Judy Garland and James Mason. Hart's screenplay is an adaptation of the original 1937 film, based on the original screenplay by Robert Carson, Dorothy Parker and Alan Campbell, and from the same story by William A. Wellman and Carson, with uncredited input from six additional writers—David O. Selznick, Ben Hecht, Ring Lardner Jr., John Lee Mahin, Budd Schulberg and Adela Rogers St. Johns.
Donald Ogden Stewart was an American writer and screenwriter best known for his sophisticated golden age comedies and melodramas such as The Philadelphia Story, Tarnished Lady and Love Affair. Stewart worked with a number of the directors of his time, including George Cukor, Michael Curtiz and Ernst Lubitsch. Stewart was a member of the Algonquin Round Table and, with Ernest Hemingway's friend Bill Smith, the model for Bill Gorton in The Sun Also Rises. His 1922 parody on etiquette, Perfect Behavior, published by George H. Doran and Co., was a favourite book of P. G. Wodehouse.
Keeper of the Flame is a 1942 American drama film directed by George Cukor, and starring Spencer Tracy and Katharine Hepburn, released by Metro-Goldwyn-Mayer (MGM). The screenplay by Donald Ogden Stewart is adapted from the 1942 novel Keeper of the Flame by I. A. R. Wylie. Hepburn plays the widow of a famous civic leader who has died in an accident. Tracy portrays a former war correspondent who intends to write a flattering biography of the dead man, only to find that his death is shrouded in mystery. Screenwriter Stewart considered the script the finest moment of his career, feeling vindicated by the assignment as he believed that Hollywood had punished him for years for his political views. Principal filming began in the last week of August 1942, four months after the release of the novel, published by Random House. The picture was filmed on a sound stage, with no location shooting. Hepburn had already begun a relationship with Tracy, and his heavy drinking led her to become his vigilant guardian during the filming.
Dewey Robinson was an American film character actor who appeared in more than 250 films made between 1931 and 1952.
The Little Foxes is a 1941 American drama film directed by William Wyler. The screenplay by Lillian Hellman is based on her 1939 play The Little Foxes. Hellman's ex-husband Arthur Kober, Dorothy Parker and her husband Alan Campbell contributed additional scenes and dialogue.
The Women is a 1939 American comedy-drama film directed by George Cukor. The film is based on Clare Boothe Luce's 1936 play of the same name, and was adapted for the screen by Anita Loos and Jane Murfin, who had to make the film acceptable for the Production Code for it to be released.
The Glass Menagerie is a 1950 American drama film directed by Irving Rapper. The screenplay by Tennessee Williams and Peter Berneis is based on the 1944 Williams play of the same title. It was the first of his plays to be adapted for the screen.
Faithless is a 1932 American pre-Code romantic drama film about a spoiled socialite who learns a sharp lesson when she loses all her money during the Great Depression. The film stars Tallulah Bankhead and Robert Montgomery and is based on Mildred Cram's novel Tinfoil, which was the film's working title.
The Scarlett O'Hara War is a 1980 American made-for-television drama film directed by John Erman. It is based on the 1979 novel Moviola by Garson Kanin. Set in late 1930s Hollywood, it is about the search for the actress to play Scarlett O'Hara in the much anticipated film adaptation of Gone with the Wind (1939). This film premiered as the finale of a three-night TV miniseries on NBC called Moviola: A Hollywood Saga.
Buff Cobb was an Italian-born American actress and, with then-husband Mike Wallace, host of one of television's first talk-show shows.
"Siboney", also known as "Canto Siboney", is a 1927 song by Cuban composer Ernesto Lecuona. It was part of the 1927 revue La tierra de Venus, which featured singer Rita Montaner. The music is in cut time, originally written in C major. The lyrics were reportedly written by Lecuona while away from Cuba and is about the homesickness he was experiencing. The term "Siboney" refers to one of the indigenous tribes that inhabited Cuba before the arrival of the Spanish colonists and acts as a symbol for the island.
The Cheat is a 1931 American pre-Code drama film directed by George Abbott and starring Tallulah Bankhead and Harvey Stephens. The film is a remake of the 1915 silent film of the same title, directed by Cecil B. DeMille.
Phoebe Foster was an American theater and film actress.
The Circle: a Comedy in Three Acts is a play by W. Somerset Maugham. It was first produced at the Haymarket Theatre, London on 3 March 1921, and has been revived several times in the West End and on Broadway.