Salome, Where She Danced | |
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Directed by | Charles Lamont |
Written by | Laurence Stallings |
Based on | short story by Michael J. Phillips |
Produced by | Alexander Golitzen (associate producer) Walter Wanger (producer) |
Starring | Yvonne De Carlo |
Cinematography | W. Howard Greene Hal Mohr |
Edited by | Russell F. Schoengarth |
Music by | Edward Ward |
Production company | Walter Wanger Productions |
Distributed by | Universal Pictures |
Release date |
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Running time | 90 minutes |
Country | United States |
Language | English |
Budget | $1,159,225 [1] |
Box office | $2,598,964 [1] |
Salome, Where She Danced is a 1945 American Technicolor Western drama film directed by Charles Lamont and starring Yvonne De Carlo, Rod Cameron, and Walter Slezak. The film follows the adventures of a dancer in 19th-century Europe and the United States. It is loosely based on the story of Lola Montez. Choreography was by Lester Horton.
The film opens in Virginia in 1865, shortly after General Lee's surrender at Appomattox Court House. A war correspondent, Jim Steed, exchanges comments with Count von Bohlen, an arrogant Prussian army officer serving as a military attaché during the American Civil War. A year later, Steed is in Vienna shortly before the outbreak of the Austro-Prussian War of 1866. There, he encounters a famous dancer, Anna Marie, whom he persuades to spy for him on von Bohlen, now a member of the Prussian general staff, who has become infatuated with her. The secret plans, though, which they manage to pass on to the Austrians, are unable to prevent the decisive Prussian victory.
Escaping Vienna just ahead of the conquering Prussian army, they journey to the United States, where they plan to organize a career for her in show business. Stopping in a small western town to stage a show, they choose the exotic Salome for her debut, but it is robbed at gunpoint by local desparados. After the money is recovered from the bandits, the town elders decide by popular acclaim to rename the settlement "Salome Where She Danced". The bandit leader, Cleve Blunt, an ex-Confederate soldier, develops a romantic interest in Anna Marie and accompanies her on the journey westward.
After moving on to San Francisco, they persuade a wealthy Russian colonel to back her career. Just as she is set to make a success, the arrival of Count von Bohlen seeking revenge leads to a final confrontation.
The project had originally been connected to John Ford in 1941, but it was acquired by producer Walter Wanger. He envisaged it as "an Arabian nights story in a Western setting".
The film was loosely based on a short story inspired by the Arizona legend about a town, "Drinkmens Wells", which came to be known as "Salome, Where She Danced". The story was about a Mexican dance-hall performer called "Salome", who danced to hold the attention of a group of outlaws and give the law-abiding members of the town enough time to assemble and arm in protection of their homes. The script expanded the story to incorporate characters such as Robert E. Lee and Bismarck. [2]
Yvonne De Carlo had been under contract to Paramount Pictures and had been short-listed for important roles in The Story of Dr Wassell and Rainbow Island without actually being given them. She was cast in September 1944. [3] Wanger later said he discovered her by looking at a camera test of another actor in which de Carlo also appeared. [4] Another source says 21 Royal Canadian Air Force bombardier students who loved her as a pinup star campaigned to get her the role. [5] De Carlo later said this was done at her behest; she took several pictures of herself in a revealing costume and got two childhood friends from Vancouver, Reginald Reid and Kenneth Ross McKenzie, who had become pilots, to arrange their friends to lobby on her behalf. [6]
The crew at Universal was set to shoot a wardrobe test for Ava Gardner on a sound stage at Universal. Gardner did not show, and art director Alexander Golitzen ran to producer Walter Wanger's office, asking, "Walter, what the hell is happening?" Wanger replied, "MGM just called, they wouldn't let her go." Yvonne De Carlo was in waiting room with her agent and Golitzen said, "Why don't we test her." Golitzen grabbed De Carlo and raced her to the wardrobe department, and that was it. Golitzen also received an associate production credit for the film. [7]
Filming took 64 days at a budget of almost $1.2 million. [2]
On its release, the film received one of the worst critical receptions of any of Wanger's films. [8] Nonetheless, the film made a profit of $149,387 and launched Yvonne de Carlo as a star. [1]
Susan Hayward was an Academy Award-winning American film actress, best known for her film portrayals of women that were based on true stories.
Joan Geraldine Bennett was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.
María África Gracia Vidal, known professionally as Maria Montez, was a Dominican actress who gained fame and popularity in the 1940s starring in a series of filmed-in-Technicolor costume adventure films. Her screen image was that of a seductress, dressed in fanciful costumes and sparkling jewels. She became so identified with these adventure epics that she became known as The Queen of Technicolor. Over her career, Montez appeared in 26 films, 21 of which were made in North America, with the last five being made in Europe.
Margaret Yvonne Middleton, known professionally as Yvonne De Carlo, was a Canadian-American actress, dancer and singer. She became a Hollywood film star in the 1940s and 1950s, made several recordings, and later acted on television and stage.
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Walter Wanger was an American film producer active from the 1910s, his career concluding with the turbulent production of Cleopatra, his last film, in 1963. He began at Paramount Pictures in the 1920s and eventually worked at virtually every major studio as either a contract producer or an independent. He also served as President of the Academy of Motion Picture Arts and Sciences from 1939 to October 1941 and from December 1941 to 1945. Strongly influenced by European films, Wanger developed a reputation as an intellectual and a socially conscious movie executive who produced provocative message movies and glittering romantic melodramas. He achieved notoriety when, in 1951, he shot and wounded the agent of his wife, Joan Bennett, because he suspected they were having an affair. He was convicted of the crime and served a four-month sentence, then returned to making movies.
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The Spanish Main is a 1945 American adventure film starring Paul Henreid, Maureen O'Hara, Walter Slezak and Binnie Barnes, and directed by Frank Borzage. It was RKO's first all-Technicolor film since Becky Sharp ten years before.
Arabian Nights is a 1942 adventure film directed by John Rawlins and starring Jon Hall, Maria Montez, Sabu and Leif Erikson. The film is derived from The Book of One Thousand and One Nights but owes more to the imagination of Universal Pictures than the original Arabian stories. Unlike other films in the genre, it features no monsters or supernatural elements.
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Hotel Sahara is a 1951 British war comedy film directed by Ken Annakin and starring Yvonne De Carlo, Peter Ustinov and David Tomlinson. It was produced and co-written by George Hambley Brown.
Sundown is a 1941 American black-and-white World War II film starring Gene Tierney, Bruce Cabot and George Sanders. It was directed by Henry Hathaway, produced by Jack Moss and Walter Wanger, written by Charles G. Booth and Barré Lyndon, and released by United Artists. Set in British East Africa, the film's adventure story was well received by critics, earning three Academy Award nominations, but it was a failure at the box office.
River Lady is a 1948 American lumberjack Western film directed by George Sherman and starring Yvonne De Carlo and Dan Duryea. It was filmed on the Universal Studios Backlot.
Song of Scheherazade is a 1947 American musical film directed by Walter Reisch. It tells the story of an imaginary episode in the life of the Russian composer Nikolai Rimsky-Korsakov, in 1865, when he was a young naval officer on shore leave in Morocco. It also features Yvonne De Carlo as a Spanish dancer named Cara de Talavera, Eve Arden as her mother, and Brian Donlevy as the ship's captain. Charles Kullman, a tenor with the Metropolitan Opera, plays the ship's doctor, Klin, who sings two of Rimsky-Korsakov's melodies.
Eagle Squadron is a 1942 American war film directed by Arthur Lubin and starring Robert Stack, Diana Barrymore, John Loder and Nigel Bruce. It was based on a story by C.S. Forester that appeared in Cosmopolitan magazine, and inspired by media reports of the fighting in the Battle of Britain, in particular, the American pilots who volunteered before the United States entered World War II, to fly for the Royal Air Force in the actual Eagle Squadrons.
This is the complete filmography of actress Yvonne De Carlo.
Calamity Jane and Sam Bass is a 1949 American Western film directed by George Sherman and starring Yvonne De Carlo, Howard Duff and Dorothy Hart.
Frontier Gal is a 1945 American Western film directed by Charles Lamont and starring Yvonne De Carlo and Rod Cameron.
Rainbow Island is a 1944 American musical comedy film directed by Ralph Murphy and written by Arthur Phillips and Walter DeLeon. The film stars Dorothy Lamour, Eddie Bracken, Gil Lamb, Barry Sullivan, Forrest Orr, Anne Revere and Reed Hadley. The film was released on September 5, 1944, by Paramount Pictures.