Going Hollywood | |
---|---|
Directed by | Raoul Walsh |
Screenplay by | Donald Ogden Stewart |
Story by | Frances Marion |
Produced by | Walter Wanger |
Starring | |
Cinematography | George J. Folsey |
Edited by | Frank Sullivan |
Music by | Lennie Hayton |
Production companies | |
Distributed by | Loew's Inc. |
Release date |
|
Running time | 78 minutes |
Country | United States |
Language | English |
Budget | $914,000 [1] |
Box office | $962,000 [1] |
Going Hollywood is a 1933 American pre-Code musical film directed by Raoul Walsh and starring Marion Davies and Bing Crosby. It was written by Donald Ogden Stewart and based on a story by Frances Marion. Going Hollywood was released by Metro-Goldwyn-Mayer on December 22, 1933.
The film tells how an infatuated school-teacher, Sylvia Bruce (Marion Davies), follows Bill Williams (Bing Crosby), a popular crooner, to Hollywood where he is to make a picture. On board the train she obtains a job as maid to Bill's French fiancée and leading lady, Lili Yvonne (Fifi D'Orsay), and meets the film's director, Conroy (Ned Sparks), and promoter, Baker (Stuart Erwin). On arrival in Hollywood she is befriended by Jill (Patsy Kelly) and shares her rooms.
At the Independent Art Studio in Hollywood, where the film is being made, Lili's temperament and lack of talent cause Conroy much concern. Eventually, after losing her temper with a blackfaced Sylvia who pretends to be a fan asking for another star’s autograph, Lili refuses to continue unless Sylvia is removed from the Studio. She is persuaded to stay and production continues with her singing 'Cinderella's Fella' but Conroy is still not satisfied and an angry Lili walks out. Sylvia impersonates Lili's version of the song and ends with an imitation of Lili's tantrums. Lili returns in time to hear Sylvia and there is a brawl in which Lili gets a black eye. Baker, who has also heard Sylvia, intervenes by firing Lili and engaging Sylvia for the part.
Baker asks Sylvia to accompany him to a party but withdraws when Bill expresses his own interest in her. Bill takes Sylvia to dinner and the party but a quarrel ensues and she accuses him of insincerity. Bill deserts the film and goes with Lili to Tijuana where, drinking heavily, he receives a telephone call from the Studio with the ultimatum that if he does not return they will get a replacement. Lili advises him to let them do so and suggests that they fly together to New York and on to Paris. Sylvia finds him and pleads for him to come back to the Studio but returns without him.
In Hollywood there is difficulty with the player chosen to replace Bill and eventually Bill finally appears at the Studio to rejoin Sylvia in the film's closing sequence to sing 'Our Big Love Scene'.
The song 'Beautiful Girl' is sung by Crosby at the beginning of the film before his departure for Hollywood when technicians arrive to record it. When he boards the train at Grand Central Terminal there is a big production number where he and the chorus sing 'Going Hollywood'. He also sings a few lines of 'Just an Echo in the Valley'. Crosby is also heard singing 'Our Big Love Scene' on the radio when Jill is showing Sylvia her apartment. 'We'll Make Hay While the Sun Shines' is a dream-sequence production number with thunderstorm effects at the Studio and is featured by Crosby, Marion Davies, chorus and dancers. An impersonation act by The Radio Rogues is also filmed at the Studio and includes imitations of Kate Smith ('When The Moon Comes Over The Mountain'). Russ Columbo ('You Call It Madness But I Call It Love'), Morton Downey ('Remember Me?') and Rudy Vallee ('My Dime Is Your Dime'). Crosby sings 'After Sundown' at the party. 'Temptation' was an early film attempt to fit a song into the story pattern and was presented dramatically by Crosby whilst drinking absinth in a bar at Tijuana. [2] [3]
Crosby recorded some of the songs for Brunswick Records [4] and "Temptation", "We'll Make Hay While the Sun Shines" and "Beautiful Girl" reached the charts of the day peaking at Nos. 3, 8 and 11 respectively. [5]
David Ogden Stewart wrote the film for Marion Davies who he called "an awfully good comedienne" and he felt she and Bing Crosby "did a very good job together. She had a real hoydenish, don’t-give-a-damn feeling about her, and it came across on the screen. She was a good mimic, and she loved to make fun of people; but mainly she loved to have fun." [6]
Going Hollywood was released on home video in May 1993. [7] Warner released it on DVD in July 2013. [8]
The New York Times welcomed the film. "Blended properly with the holiday humors, Going Hollywood has enough basic liveliness to produce a sprightly and jocular mood at the Capitol. The overwhelming magnitude of the latter-day musical picture is gratefully absent from this one. It is warm, modest and good-humored. Bing Crosby has a manner and a voice, both pleasant, and the songs that Nacio Brown and Arthur Freed provide have a tinkle and a lilt. From the competent routine sentiments of “Our Big Love Scene” and the pleasing little pastoral lyric “We’ll Make Love When It Rains” they range down to that brooding song which Mr. Crosby, loaded with whisky and sorrow, sings across a Mexican bar while the glamorous Miss Davies is far away. [9]
Variety's reaction was mixed as they commented: "Pretentious musical with class in every department but one. It has names, girls and good music, but its story is weak from hunger and the script will prevent a big click. Fair is its rating...Marion Davies is starred and Bing Crosby featured, but Crosby will draw the bulk of what this one gets. Other assets are the music, the fact that it’s good, and that it has girls and plenty of them . . . From start to finish Crosby is constantly singing. It must be good singing because it doesn’t get tiresome, despite that it's laid on so heavy. . . . At least three songs in the generally excellent score, as played by Lennie Hayton’s orchestra, sound promising. With Crosby there to sing ‘em the songs get a break, too. [10]
TV Guide called it "fluffy fun" with a "literate and amusing screenplay". [11] A reviewer on Turner Classic Movies praised Crosby's singing and said that his voice never falters. [12] Jamie S. Rich of DVD Talk rated it 3.5/5 stars and wrote, "Going Hollywood is almost the perfect Hollywood movie musical cliché." [8]
The film grossed a total (domestic and foreign) of $962,000: $620,000 from the U.S. and $342,000 elsewhere resulting in a loss of $269,000. [1]
Going Hollywood was presented on Musical Comedy Theater December 10, 1952. The one-hour adaptation starred Denise Darcel, Andy Russell, and Mary McCarty. [13]
This is a list of notable events in music that took place in the year 1933.
Fifi D'Orsay was a Canadian-American actress and singer.
Ignacio Herbert "Nacio Herb" Brown was an American composer of popular songs, movie scores and Broadway theatre music in the 1920s through the early 1950s. Amongst his most enduring work is the score for the 1952 musical film Singin' in the Rain.
"Singin' in the Rain" is a song with lyrics by Arthur Freed and music by Nacio Herb Brown. Doris Eaton Travis introduced the song on Broadway in The Hollywood Music Box Revue in 1929. It was then widely popularized by Cliff Edwards and the Brox Sisters in The Hollywood Revue of 1929. Many contemporary artists had hit records with "Singin' in the Rain" since its release, including Cliff Edwards, Earl Burtnett and Gus Arnheim in 1929 alone.
"Temptation" is a popular song published in 1933, with music written by Nacio Herb Brown and lyrics by Arthur Freed.
That's Entertainment, Part II is a 1976 American compilation film released by Metro-Goldwyn-Mayer and a sequel to That's Entertainment! (1974). Like the previous film, That's Entertainment, Part II was a retrospective of famous films released by MGM from the 1930s to the 1950s. Some posters for the film use Part 2 rather than Part II in the title.
The Big Broadcast is a 1932 American pre-Code musical comedy film directed by Frank Tuttle and starring Bing Crosby, Stuart Erwin, and Leila Hyams. Based on the play Wild Waves by William Ford Manley, the film is about a radio-singer who becomes a popular hit with audiences, but takes a disrespectful approach to his career. His repeated latenesses leads to the bankruptcy of the radio station, but his career is saved by a new friend who buys the station and gives him his job back.
Untamed is a 1929 American pre-Code Metro-Goldwyn-Mayer romantic-drama film directed by Jack Conway and starring Joan Crawford, Robert Montgomery, Ernest Torrence, Holmes Herbert, Gwen Lee, and Lloyd Ingraham. The script was adapted by Sylvia Thalberg and Frank Butler, with dialogue by Willard Mack, from a story by Charles E. Scoggins.
Riding High is a 1950 American black-and-white musical racetrack film featuring Bing Crosby and directed by Frank Capra. The songs were performed live during filming instead of the customary lip-synching to studio recordings. The film is a remake of an earlier Capra film with screenwriter Robert Riskin titled Broadway Bill (1934). While the film is generally a light musical comedy, its plot contains an unexpected tragic turn.
Double or Nothing is a 1937 American musical comedy film directed by Theodore Reed and starring Bing Crosby, Martha Raye, Andy Devine, Mary Carlisle and William Frawley. Based on a story by M. Coates Webster, the film is about a dying millionaire who instructs his lawyer to drop twenty-five purses on the streets of New York City, which are found and returned by four honest people. According to the will, each of them is given five thousand dollars, which they must double within thirty days in order to claim one million dollars. Greedy relatives, who were cut from the will, try to thwart each one's plans. The film features the popular song "The Moon Got in My Eyes".
"You Were Meant for Me" is a popular American song with music by Nacio Herb Brown and lyrics by Arthur Freed, published in 1929.
Lord Byron of Broadway (1930), also known as What Price Melody?, is an American Pre-Code musical drama film, directed by Harry Beaumont and William Nigh. It was based on a best selling book by Nell Martin, which "was widely praised by critics as an extremely true and amusing romance of stage life." It was filmed in black and white with two-color Technicolor sequences.
"Paradise" is a 1931 song with music by Nacio Herb Brown and lyrics by Gordon Clifford. It was first sung by Pola Negri in RKO Pictures' 1932 film A Woman Commands, and has since been heard in many other films, including a memorable performance by Gloria Grahame, in the 1949 Nicholas Ray film A Woman's Secret.
Say One For Me is a 1959 American comedy musical film directed by Frank Tashlin and starring Bing Crosby, Debbie Reynolds and Robert Wagner. Say One for Me was listed in the 1978 book The Fifty Worst Films of All Time. Stella Stevens made her film debut in Say One for Me and received the Golden Globe Award in 1960 for New Star of the Year-Actress for this film.
Sinatra: Soundtrack To The CBS Mini-Series is a 1992 double disc compilation album by American singer Frank Sinatra.
One for the Boys is a studio album recorded by American entertainer Connie Francis in 1959. It remained unreleased until 14 April 2023 when it was available for streaming on iTunes.
This is a list of notable events in music that took place in the year 1934.
Gordon Clifford was an American lyricist who wrote music for Hollywood films in the 1930s. His best-known songs include Nacio Herb Brown's "Paradise", Alfred Newman's "Who Am I?" and Harry Barris's "It Must Be True" and "I Surrender Dear".
Marianne is a 1929 pre-Code romantic-musical film set at the end of World War I. Marianne is French farm girl who, although her French fiancé is away, fighting, falls in love with an American soldier. It is a remake of a silent film that was released earlier in 1929. Although the films feature mostly different casts, Marion Davies starred in both versions. This was Davies' first released talking movie. The pictures were released less than eleven years after the Armistice, and the title would have had a profound meaning for European audiences. “Marianne” has been a beloved personification of France and the battle for democracy—and the courage of French women in particular—since the Revolution. She was a key figure in French propaganda, and American men who served in Europe in 1917-1918 would have seen representations of her all around them, in public buildings, on posters and in newspapers, on coins and postage stamps.
"Beautiful Girl" is a song with music by Nacio Herb Brown and lyrics by Arthur Freed, first published in 1933. It was originally written for the Metro-Goldwyn-Mayer film Stage Mother (1933) and appeared the same year in another MGM production – Going Hollywood (1933), where it was sung by Bing Crosby, whose rendition charted in the US at number 11 for 3 weeks.