Trade Winds | |
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Directed by | Tay Garnett |
Screenplay by | Dorothy Parker Alan Campbell Frank R. Adams |
Story by | Tay Garnett |
Produced by | Tay Garrett Walter Wanger (executive) |
Starring | Fredric March Joan Bennett |
Cinematography | Rudolph Mate Foreign exterior photography James B. Shackelford |
Edited by | Otho Lovering Dorothy Spencer |
Music by | Musical director Alfred Newman |
Production companies | |
Distributed by | United Artists |
Release date |
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Running time | 93 minutes |
Country | United States |
Language | English |
Budget | $738,733 [1] |
Box office | $964,404 [1] |
Trade Winds is a 1938 American comedy murder mystery film directed by Tay Garnett written by Dorothy Parker, Alan Campbell, and Frank R. Adams, based on the story by Tay Garnett. The film stars Fredric March and Joan Bennett. It was distributed by United Artists, and released on December 28, 1938.
Socialite Kay Kerrigan is accused of fatally shooting millionaire cad Thomas Bruhme II. Kay blames the callous Bruhme for her sister's suicide but when he is confronted, he dismissively throws Kay a gun, but she angrily shoots him in the stomach.
Police detectives Ben "Homer" Blodget and George Faulkner find the body, with a gunshot in the back of Bruhme's head that is the fatal shot. After finding her handbag at the murder scene, the police are on Kay's trail. First she fakes a car accident, driving into the San Francisco Bay, then makes arrangements to go to Hawaii. When she pawns a unique piece of jewelry, Police Commissioner Blackton knows that Kay is alive and puts former detective Sam Wye on the case.
Kay with her hair dyed brown, and travelling on a British passport as "Mary Holden" has taken a ship to the South Seas. She is followed by Sam and his secretary Jean Livingstone, an old flame who also wants to collect a $100,000 reward now being offered by Bruhme's father.
On a boat sailing to Singapore, Sam finally meets Kay, and immediately falls in love with her. Along the way, Homer and Jean do the same. Sam eventually determines that the actual killer was John Johnson, a jealous husband whose wife was having an affair with Bruhme. Kay is thus cleared and free to marry Sam.
Principal photography on Trade Winds took place from August 22 to October 20, 1938. [2] The film was a "labor of love" for Tay Garnett. Frank Nugent described the process in his review for The New York Times : "Tay Garnett earned the distinction yesterday of being probably the first man in history with the temerity to invite 80,000,000 persons to pay to see the movies he took on a world cruise. Mr. Garnett went abroad a few seasons ago and, having a rough outline of a script, he shot doorways in Japan, barrooms in Indo-China, the race track at Singapore, a pier in Bombay, a fishing village in the Laccadives, a twisting street in pre-war Shanghai. Hollywood bridged the gaps, set up the process screen, placed Fredric March and Joan Bennett before it..." [3]
Frank Nugent in his contemporary review ofTrade Winds for The New York Times , said: "'Trade Winds', which blew gently into the Music Hall yesterday and may be remembered by posterity as the process shot that went 'round the world. It is not exactly a travelogue. As a mystery film it's a bit on the porous side. We hesitate to call it a romantic comedy, beginning as it does with a suicide, adding a murder and ending with a third body on the floor. And certainly it's not a straight drama. Maybe a new word is in order – a travestery comiromance, or a dramalogue of travesty." [3] [N 1]
Variety said: "All the elements that provide broad entertainment are present in this picture and it should reap healthy grosses. Story and adaptation are sound, production is handsome, direction is forceful and the acting is persuasive." [4]
Kine Weekly wrote: "Yarn is essentially a melodrama-romance built on the time-tested formula of the beauteous fugitive-from-justice and the demon hawkshaw who's sent to bring her back alive. ... It's all frankly hoke, but surefire stuff for mass emotional appeal, since it has colorful and sympathetic characters" [5]
Leslie Halliwell opined: "Smartly written mixture of comedy, drama, mystery and travelogue which comes off only in spots; it needed a firmer hand " [6]
The Radio Times Guide to Films gave the film 2/5 stars, writing: "Director Tay Garnett justified a tax-deductible sailing trip around the world by taking a cinematographer to record the sights and writing a story en route. The footage provided the backdrop for this lightweight tale of detective Fredric March's pursuit of high-class murder suspect Joan Bennett. The stars never had to leave the studio, as the film used a record amount of back projection. Predictably, this contributed to an air of tedium." [7]
The following is an overview of 1930 in film, including significant events, a list of films released and notable births and deaths.
Joan Geraldine Bennett was an American stage, film, and television actress, one of three acting sisters from a show-business family. Beginning her career on the stage, Bennett appeared in more than 70 films from the era of silent films, well into the sound era. She is best remembered for her film noir femme fatale roles in director Fritz Lang's films—including Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street (1945)—and for her television role as matriarch Elizabeth Collins Stoddard in the gothic 1960s soap opera Dark Shadows, for which she received an Emmy nomination in 1968.
William Taylor "Tay" Garnett was an American film director, writer, and producer. He made nearly 50 films in various genres during his 55-year career, The Postman Always Rings Twice and China Seas being two of the most commercially successful. In his later years, he focused mainly on television.
The Limping Man is a 1953 British second feature ('B') film noir directed by Cy Endfield and starring Lloyd Bridges, Moira Lister and Leslie Phillips. The film was made at Merton Park Studios and was written by Ian Stuart Black and Reginald Long based on Anthony Verney's novel Death on the Tideway. Endfield directed it under the pseudonym Charles de Lautour due to his blacklisting in Hollywood. Location shooting took place around London including The Mayflower pub in Rotherhithe.
Eternally Yours is a 1939 American comedy drama film produced and directed by Tay Garnett with Walter Wanger as executive producer, from a screenplay by C. Graham Baker and Gene Towne. The film stars Loretta Young and David Niven, and also features a strong supporting cast including Broderick Crawford, Billie Burke, Eve Arden, ZaSu Pitts, and C. Aubrey Smith. Composer Werner Janssen was nominated for the Academy Award for Best Music.
One Way Passage is a 1932 American pre-Code romantic film starring William Powell and Kay Francis as star-crossed lovers, directed by Tay Garnett and released by Warner Bros. The screenplay by Wilson Mizner and Joseph Jackson is based on a story by Robert Lord, who won the Academy Award for Best Story.
Curtain Up is a 1952 British comedy film directed by Ralph Smart and starring Robert Morley, Margaret Rutherford and Kay Kendall. Written by Jack Davies and Michael Pertwee it was based on the 1949 play On Monday Next by Philip King.
Grand National Night is a 1953 British second feature ('B') thriller film directed by Bob McNaught and starring Nigel Patrick, Moira Lister and Beatrice Campbell. It was produced by George Minter and Phil C. Samuel, and written by Val Valentine and Bob McNaught based on the 1945 play of the same title written by Campbell and Dorothy Christie.
Footsteps in the Dark is a 1941 American comedy mystery film directed by Lloyd Bacon and starring Errol Flynn, Brenda Marshall and Ralph Bellamy. It was produced and distributed by Warner Bros. Flynn plays a novelist and amateur detective investigating a murder. It takes its title from the 1935 play Footsteps in the Dark by Ladislas Fodor and also used material from the 1937 play Blondie White by Jeffrey Dell.
Jigsaw is a 1962 British black and white crime film directed by Val Guest and starring Jack Warner and Ronald Lewis. The screenplay was by Guest based on the 1959 police procedural novel Sleep Long, My Love by Hillary Waugh, with the setting changed from the fictional small town of Stockford, Connecticut, to Brighton, Sussex, while retaining the names and basic natures of its two police protagonists and most of the other characters.
Hour of Decision is a 1957 British mystery film directed by C. M. Pennington-Richards and starring Jeff Morrow, Hazel Court and Anthony Dawson. It was written by Norman Hudis based on the 1954 novel Murder in Mayfair by Frederic Goldsmith.
The High Terrace, also known as High Terrace, is a 1956 black and white British second feature ('B') mystery film directed by Henry Cass and starring Dale Robertson, Lois Maxwell, Derek Bond, Eric Pohlmann and Lionel Jeffries. It was written by Norman Hudis, Alfred Shaughnessy and Brock Williams from an original story by A. T. Weisman.
Saloon Bar is a 1940 British comedy thriller film directed by Walter Forde and starring Gordon Harker, Elizabeth Allan and Mervyn Johns. It was made by Ealing Studios and its style has led to comparisons with the later Ealing Comedies, unlike other wartime Ealing films which are different in tone. It is based on the 1939 play of the same name by Frank Harvey in which Harker had also starred. An amateur detective tries to clear an innocent man of a crime before the date of his execution.
The Voice of Merrill is a 1952 British mystery film directed by John Gilling and starring Valerie Hobson, James Robertson Justice and Edward Underdown. It was written by Gilling, Gerald Landeau and Terence Austin. The film was made by Tempean Films, the company owned by the film's producers Monty Berman and Robert S. Baker, which between the late 1940s and the late 1950s specialised in turning out low-budget B-movies as unpublicised second-features for the UK cinema market. On its release however, The Voice of Merrill was recognised by its distributors, Eros Films, as unusually sophisticated and stylish for a B-movie, and was elevated to the status of co-feature in cinemas. It was released in the USA the following year under the title Murder Will Out.
Mystery House is a 1938 American mystery crime film directed by Noel M. Smith and starring Dick Purcell and Ann Sheridan as nurse Sarah Keate, and is based on the 1930 novel The Mystery of Hunting's End by Mignon G. Eberhart. Sheridan also played the same character in The Patient in Room 18, released in January 1938, while Aline MacMahon played her in While the Patient Slept in 1935.
Serangoon Road is an Australian-Singaporean drama television series that premiered on 22 September 2013 on ABC and HBO Asia. It is a detective noir drama set in Singapore in the mid-1960s.
The Murder of Dr. Harrigan is a 1936 American mystery film directed by Frank McDonald and written by Peter Milne and Sy Bartlett. The film stars Ricardo Cortez, Kay Linaker, John Eldredge, Mary Astor, Joseph Crehan and Frank Reicher. The film was released by Warner Bros. on January 11, 1936. A story by Mignon G. Eberhart was the basis for the film.
The Lady in the Morgue is a 1938 American mystery film directed by Otis Garrett and written by Eric Taylor and Robertson White. It is based on the 1936 novel The Lady in the Morgue by Jonathan Latimer. The film stars Preston Foster, Patricia Ellis, Frank Jenks, Thomas E. Jackson, Wild Bill Elliott, Roland Drew and Barbara Pepper. The film was released on April 22, 1938, by Universal Pictures.
The Malpas Mystery is a 1960 British second feature ('B') crime film, directed by Sidney Hayers and starring Maureen Swanson and Allan Cuthbertson. The screenplay was by Paul Tabori and Gordon Wellesley, based on the 1924 Edgar Wallace novel The Face in the Night.
Mrs. Pym of Scotland Yard is a 1939 British comedy-drama film directed by Fred Elles starring Mary Clare in her only title role and Nigel Patrick in his film debut. It is based on the Mrs Pym novels by Nigel Morland, and written by Morland, who re-used the title for a 1946 book.
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