Oh, Yeah! | |
---|---|
Directed by | Tay Garnett |
Written by | Tay Garnett James Gleason |
Based on | No Brakes by A.W. Somerville |
Starring | Robert Armstrong James Gleason Zasu Pitts |
Cinematography | Arthur C. Miller |
Edited by | Claude Berkeley |
Production company | |
Distributed by | Pathé Exchange |
Release date | October 19, 1929 |
Running time | 74 minutes |
Country | United States |
Language | English |
Oh, Yeah! (also written as Oh, Yeah?) is a 1929 American pre-Code action film directed by Tay Garnett and starring Robert Armstrong, James Gleason and Zasu Pitts. The film's sets were designed by the art director Edward C. Jewell. An early sound film, it was made during the transition from the silent era. It is also known by the alternative title No Brakes after the original story it is based on that appeared in The Saturday Evening Post . [1]
ZaSu Pitts was an American actress whose career spanned nearly five decades, starring in many silent film dramas, including Erich von Stroheim's 1924 epic Greed, and comedies, before transitioning successfully to mostly comedy roles with the advent of sound films. She also appeared on numerous radio shows and, later, made her mark on television. She was awarded a star on the Hollywood Walk of Fame in 1960 at 6554 Hollywood Blvd.
Seven Footprints to Satan is a sound part-talkie 1929 American mystery film directed by Danish filmmaker Benjamin Christensen. Based on the 1928 story of the same name by Abraham Merritt, it stars Thelma Todd, Creighton Hale, William V. Mong and Sheldon Lewis. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The film survives at the Cineteca Italiana in an alternate sound version known as an International Sound Version. The sound disks for this foreign sound version are apparently not extant.
Two Alone is a 1934 American pre-Code film directed by Elliott Nugent and starring Tom Brown and Jean Parker. According to RKO records the film lost $158,000. Based on the play Wild Birds by Dan Totheroh, most remember the film primarily for its early skinny-dipping scene. Jean Parker was borrowed from MGM.
Dumbbells in Ermine is a 1930 American early talkie pre-Code comedy film based on the 1925 play Weak Sisters by Lynn Starling. The film stars Robert Armstrong and Barbara Kent, and features Beryl Mercer, James Gleason, and Claude Gillingwater.
The Argyle Case (1929) is an all-talking pre-code mystery film directed by Howard Bretherton and starring Thomas Meighan, H.B. Warner, Lila Lee, John Darrow and Zasu Pitts. The film was based on a play by Harriet Ford and Harvey J. O'Higgins. It was produced and released by Warner Bros.
Beyond Victory is a 1931 American pre-Code war film starring Bill Boyd, James Gleason, Lew Cody, and ZaSu Pitts. While John Robertson received directing credit, Edward H. Griffith supposedly took extensive re-takes after production ended and the film was deemed not audience ready. Two actresses with major roles in the original version were completely cut from the final release, Helen Twelvetrees and June Collyer. The original screenplay was written by Horace Jackson and James Gleason. While the film might not have made a profit at the box office, it was well received by critics.
Is My Face Red? is a 1932 American pre-Code drama film directed by William A. Seiter and written by Ben Markson and Casey Robinson. The film stars Helen Twelvetrees, Ricardo Cortez, Jill Esmond, Robert Armstrong and Arline Judge. It was released on June 17, 1932 by RKO Pictures.
The Meanest Gal in Town is a 1934 American Pre-Code romantic comedy, directed by Russell Mack from a screenplay written by Richard Schayer, Russell Mack, and H. W. Hanemann, and starring Zasu Pitts, El Brendel, Pert Kelton, and James Gleason.
The Dummy is a 1929 American comedy film directed by Robert Milton and written by Harriet Ford, Harvey J. O'Higgins, Herman J. Mankiewicz and Joseph L. Mankiewicz. The film stars Fredric March, John Cromwell, Fred Kohler, Mickey Bennett, Vondell Darr, Jack Oakie and ZaSu Pitts. The film was released on March 9, 1929, by Paramount Pictures.
The Affair of Susan is a 1935 American comedy film directed by Kurt Neumann and starring Zasu Pitts, Hugh O'Connell and Walter Catlett. It is a remake of the 1928 silent film Lonesome.
The Shannons of Broadway is a 1929 American comedy film directed by Emmett J. Flynn and starring James Gleason, Lucile Gleason and Mary Philbin. It was based on James Gleason's 1927 play of the same title, which was later remade as Goodbye Broadway.
Buck Privates is a 1928 American silent comedy film directed by Melville W. Brown and starring Lya De Putti, Malcolm McGregor, and Zasu Pitts.
Big Money is a 1930 American pre-Code comedy-drama film directed by Russell Mack and starring Eddie Quillan, Robert Armstrong, and James Gleason. It was produced and distributed by Pathé Exchange, shortly before the company was completely absorbed by RKO.
The Shady Lady is a 1928 sound part-talkie American drama film directed by Edward H. Griffith and starring Phyllis Haver, Robert Armstrong and Louis Wolheim. Although the film featured a few sequences with audible dialogue, the majority of the film had a synchronized musical score with sound effects. The film was released in both the sound-on-disc and sound-on-film format.
The Business of Love is a 1925 American silent comedy film directed by Irving Reis and Jess Robbins and starring Edward Everett Horton, Barbara Bedford, and Zasu Pitts.
"Oh Yeah!" is a song recorded by American rock band Green Day for their thirteenth studio album, Father of All Motherfuckers (2020). Band members Billie Joe Armstrong, Tré Cool, and Mike Dirnt all co-wrote the song, which samples Joan Jett's cover of "Do You Wanna Touch Me". "Oh Yeah!" was released on January 16, 2020, through Reprise Records as the album's third single. It later made its radio debut on January 28, 2020.
The Legend of Hollywood is a 1924 American silent romantic drama film directed by Renaud Hoffman and starring Percy Marmont, Zasu Pitts, and Alice Davenport.
The Girl Who Came Back is a 1923 American silent drama film directed by Tom Forman and starring Miriam Cooper, Gaston Glass and Kenneth Harlan.
Old Shoes is a 1925 American silent independent drama film directed by Frederick Stowers and starring Noah Beery, Viora Daniel and Zasu Pitts.
The Sophomore is a 1929 American sound all-talking pre-Code comedy film directed by Leo McCarey and starring Eddie Quillan, Sally O'Neil and Jeanette Loff. Made during the early sound era, it was shot using the RCA Photophone sound system. The film survives in an mute print of the alternate sound version known as an International Sound Version which was meant to be played along with Vitaphone discs. It is not known whether the Vitaphone type soundtrack discs to the International Sound Version are extant.