Soldiers Three | |
---|---|
Directed by | Tay Garnett |
Written by | Malcolm Stuart Boylan Marguerite Roberts Tom Reed |
Based on | short story collection by Rudyard Kipling |
Produced by | Pandro S. Berman |
Starring | Stewart Granger Dennis Malloy Robert Newton |
Cinematography | William C. Mellor |
Edited by | Robert J. Kern |
Music by | Adolph Deutsch |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 92 minutes |
Country | United States |
Language | English |
Budget | $1,429,000 [1] |
Box office | $2,237,000 [1] |
Soldiers Three is a 1951 American adventure film based upon an element of several short stories by Rudyard Kipling [2] featuring the same trio of British soldiers, portrayed in the film by Stewart Granger, Robert Newton, and Cyril Cusack. [3] The picture was directed by Tay Garnett.
London, 1918: In a gentlemen's club, General Brunswick regales junior officers celebrating a British advance in France with the tale of how he won his brigade command during his service in India, not with gallantry under fire but under circumstances that warranted a court martial.
As the longtime colonel of 1st Battalion, the Rutlandshire Regiment, an infantry unit, Brunswick had a trusted aide, Capt. Pindenny, and the service of three able but not always reliable privates, Ackroyd, Malloy and Sykes, who for his eighteen years as commander were "the Queen's hard bargain", sneaking off to drink, fight and gamble whenever they could. Against their wishes, one man must be elevated to sergeant to separate them and Ackroyd is the unhappy choice. Sent from their garrison at Hyderalipore to provide a show of force at a reported disturbance in Mirzabad, Brunswick and his battalion are recalled and placed under rival Colonel Groat of the 28th Hussars and his officious adjutant, Major Mercer.
A rift develops between the three friends after Ackroyd's promotion, but it is mended after he saves Sykes' life. Sykes and Malloy become part of a small force under Mercer and Pindenny to an abandoned fort at Imara as a sacrificial lure to entrap the insurgent forces of Manik Rao. Ackroyd is left behind and apparently becomes a deserter. Groat separates his command and Brunswick uses it as an opportunity to ignore Groat's order to return to his garrison post and take his battalion to Imara.
At Imara the fort is attacked by Manik Rao and overrun, with the British survivors taking refuge in its powder house. Manik Rao threatens to blow them up if they do not surrender. Ackroyd enters the fort in disguise, slays Manik Rao, and saves the lives of the trapped British troops. Brunswick expects to be court-martialed but finds he was goaded by Groat into acting as he did to avoid officially starting a war. Groat "suggests" that Brunswick led his command in pursuit of the deserter Ackroyd and Brunswick is promoted instead. Ackroyd's "punishment" for desertion, on the other hand, is to be demoted back to private as he wished.
In 1934, it was announced that Gaumont British would make a film based on Soldiers Three. [4] A film crew was sent to India under Geoffrey Barkas to shoot second unit footage. [5] A script had been written based on "The Courting of Dinah Shadd" and Lung Tung Pen" and involve a climax especially written by Kipling involving a battle at the Khyber Pass. [6] The battle was shot with army cooperation. [7]
Michael Balcon of Gaumont then set about trying to secure a cast. He visited Hollywood and said he was interested in Pat O'Brien to play the lead. [8] Then Richard Dix, Maureen O'Sullivan and C. Aubrey Smith were all mentioned as possible stars. [9] Gordon Harker was also announced as a lead. [10]
Smith actually travelled to England to make the movie, but wound up appearing in Trans-Atlantic Tunnel instead. Soldiers Three was postponed. [11]
Gaumont still insisted they would make the film and announced that Victor McLaglen would star [12] [13] and Raoul Walsh direct. [14] Walsh said he was interested in making two versions, one for England and one for America – the latter without the British dialect. [15] Walsh left for England to begin pre-production and Charles Bickford was announced as co-star. [16]
However, Gaumont never made the film. In early 1938, MGM announced they were going to make the film along with another Kipling adaptation, Kim. [17] [18] A script was written by Vincent Lawrence and Grover Jones. However shooting was postponed out of sensitivity to Indian audiences.
The project was reactivated after the war and the script was rewritten by Marguerite Roberts. The producer was Pandro S. Berman, who had worked on Gunga Din. [19] It was one of two Kipling-orientated films being made by the studio at the time, the other being Kim.
In May 1950, it was announced the movie would be one of the first starring Stewart Granger under his new seven-year contract with MGM following the success of King Solomon's Mines – the others were a remake of Scaramouche and Robinson Crusoe . The latter film was never made. [20]
The initial cast was to be Granger, Gene Kelly and Walter Pidgeon. [21] Granger was to play Irishman Terence Mulvaney, with the other lead characters called Ortheris and Learoyd. Tay Garnett signed to direct. [22] Eventually Kelly dropped out and David Niven, Robert Newton and Cyril Cusack signed on to star. Greta Gynt was given her first role in American films as the female lead. [23]
The bulk of the story was taken from Kipling's "The Incarnation of Krishna Mulvaney". [24] Pandro S. Berman told the New York Times he was aware the story was politically tricky:
We are making a rough and tumble brawling comedy with three British soldiers out of a Kipling work as major characters and that presents major problems. The people of India hated Kipling. As to the British, how they will react when we show three roistering, drunken Tommies on the screen is a question. When I produced Gunga Din at RKO in 1938 it was banned in India and efforts were made to stop it being shown in the British Isles. But if we were to film Soldiers Three to please either Britain or India we would have to make it much too dull to for our much bigger audience here at home. [25]
Nonetheless Berman insisted on the creation of a new character, Gobind Lal, a peaceful Indian, who was not in the Kipling original, although care was taken that Lal did not resemble Mahatma Gandhi too closely. The final scene was altered so that Indian rebels laid down their arms to indicate their support of passive resistance. Berman also arranged for Mulvaney's irreverence to the Hindu god Krishna to be removed so as not to offend Indians. [24] [25]
Further changes were made when it was realised that Granger could not do an Irish accent – the character of Mulvaney was changed to the Cockney "Ackroyd" (Granger could do Cockney). Once this change was made, Berman decided that the other two lead characters should also have their names changed, to Malloy and Sykes, to emphasise that the work was more of an MGM original than derived from Kipling. [24]
Filming started October 1950. [26] During the filming of a barroom brawl scene, a balcony collapsed and two stunt men were hospitalised. [27]
Tay Garnett later wrote:
[The cast and story] should have made a good picture, but the miscasting of one principal, which I failed to recognize until it was too late, threw the show completely out of balance. Trying to restore equilibrium with jokes and gags was like trying to cure bubonic plague with warm beer. [28]
Stewart Granger later said he enjoyed working with stuntman Yakima Canutt on the film, "but the script. Oh dear! If Metro had planned to ruin my career they couldn't have chosen a better subject." [28]
Bosley Crowther panned the film in his March 30, 1951, review for The New York Times , concluding :”How such a silly, unimaginative and flavorless picture could have been made from Kipling's wonderful stories is beyond this corner's baffled ken.” [29]
According to MGM records the movie earned $1,016,000 in the US and Canada and $1,221,000 overseas, making a profit of $23,000. [1]
It recorded admissions of 1,148,803 in France. [30]
Joseph Rudyard Kipling was an English journalist, novelist, poet, and short-story writer. He was born in British India, which inspired much of his work.
This is a bibliography of works by Rudyard Kipling, including books, short stories, poems, and collections of his works.
Kim is a novel by Nobel Prize-winning English author Rudyard Kipling. It was first published serially in McClure's Magazine from December 1900 to October 1901 as well as in Cassell's Magazine from January to November 1901, and first published in book form by Macmillan & Co. Ltd in October 1901. The novel is notable for its detailed portrait of the people, culture, and varied religions of India. "The book presents a vivid picture of India, its teeming populations, religions, and superstitions, and the life of the bazaars and the road." The story unfolds against the backdrop of the Great Game, the political conflict between Russia and Britain in Central Asia. The novel popularized the phrase and idea of the Great Game.
Stewart Granger was a British film actor, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the early 1960s, rising to fame through his appearances in the Gainsborough melodramas.
Margaret Mary Day Lockwood, CBE, was a British actress. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). She was nominated for the BAFTA Award for Best British Actress for the 1955 film Cast a Dark Shadow. She also starred in the television series Justice (1971–74).
Rudyard Kipling's The Jungle Book, also known as The Jungle Book, is a 1994 American adventure film co-written and directed by Stephen Sommers, produced by Edward S. Feldman and Raju Patel, from a story by Ronald Yanover and Mark Geldman. Distributed by Buena Vista Pictures, it is a live-action adaptation of Walt Disney's 1967 animated film The Jungle Book, and of the Mowgli stories from The Jungle Book (1894) and The Second Jungle Book (1895) by Rudyard Kipling. Unlike its counterparts, the animal characters in this film do not talk.
William Taylor "Tay" Garnett was an American film director, writer, and producer. He made nearly 50 films in various genres during his 55-year career, The Postman Always Rings Twice and China Seas being two of the most commercially successful. In his later years, he focused mainly on television.
Peter Stuart Hopkirk was a British journalist, author and historian who wrote six books about the British Empire, Russia and Central Asia.
"Danny Deever" is an 1890 poem by Rudyard Kipling, one of the first of the Barrack-Room Ballads. It received wide critical and popular acclaim, and is often regarded as one of the most significant pieces of Kipling's early verse. The poem, a ballad, describes the execution of a British soldier in India for murder. His execution is viewed by his regiment, paraded to watch it, and the poem is composed of the comments they exchange as they see him hanged.
The Man Who Would Be King is a 1975 adventure film adapted from Rudyard Kipling's 1888 novella. It was adapted and directed by John Huston and starred Sean Connery, Michael Caine, Saeed Jaffrey and Christopher Plummer as Kipling. The film follows two rogue ex-soldiers, former non-commissioned officers in the British Army, who set off from late 19th century British India in search of adventure and end up in faraway Kafiristan, where one is taken for a god and made their king.
Kim is a 1950 adventure film made in Technicolor by Metro-Goldwyn-Mayer. It was directed by Victor Saville and produced by Leon Gordon from a screenplay by Helen Deutsch, Leon Gordon and Richard Schayer, based on the classic 1901 novel of the same name by Rudyard Kipling.
Plain Tales from the Hills is the first collection of short stories by Rudyard Kipling. Out of its 40 stories, "eight-and-twenty", according to Kipling's Preface, were initially published in the Civil and Military Gazette in Lahore, Punjab, British India between November 1886 and June 1887. "The remaining tales are, more or less, new."
Kim is a 1984 British television film directed by John Davies and based on Rudyard Kipling's 1901 novel Kim. The film stars Peter O'Toole, Bryan Brown, John Rhys-Davies, Nadira, Julian Glover, Jalal Agha and Ravi Sheth in the title role.
King Solomon's Mines is a 1950 Technicolor adventure film, and the second film adaptation of the 1885 novel of the same name by Henry Rider Haggard. It stars Deborah Kerr, Stewart Granger and Richard Carlson. It was adapted by Helen Deutsch, directed by Compton Bennett and Andrew Marton and released by Metro-Goldwyn-Mayer.
Madonna of the Seven Moons is a 1945 British drama film starring Phyllis Calvert, Stewart Granger and Patricia Roc. Directed by Arthur Crabtree for Gainsborough Pictures, the film was produced by Rubeigh James Minney, with cinematography from Jack Cox and screenplay by Roland Pertwee. It was one of the Gainsborough melodramas of the mid-1940s popular with WW2-era female audiences.
Saraband for Dead Lovers is a 1948 British adventure historical drama film directed by Basil Dearden and starring Stewart Granger and Joan Greenwood. It is based on the 1935 novel by Helen Simpson. Set in 17th-century Hanover, it depicts the doomed romance between Philip Christoph von Königsmarck and Sophia Dorothea of Celle, the wife of the electoral prince of Hanover. The saraband mentioned in the title is a type of Spanish dance.
Evergreen is a 1934 British musical film directed by Victor Saville starring Jessie Matthews, Sonnie Hale and Barry MacKay. The film is based on the 1930 musical Ever Green, also starring Matthews, who plays a dual role as mother and daughter.
"The Three Musketeers" is a short story by Rudyard Kipling which introduces three fictional British soldiers serving in India in the later nineteenth century: the privates Learoyd, Mulvaney and Ortheris. These characters appear in many early Kipling stories. "The Three Musketeers" was first published in the Civil and Military Gazette on 11 March 1887. It appeared in book form in Plain Tales from the Hills (1888).
Rudyard Kipling introduces, in the story The Three Musketeers (1888) three characters who were to reappear in many stories, and to give their name to his next collection Soldiers Three. Their characters are given in the sentence that follows: "Collectively, I think, but am not certain, they are the worst men in the regiment so far as genial blackguardism goes"—that is, they are trouble to authority, and always on the lookout for petty gain; but Kipling is at pains never to suggest that they are evil or immoral. They are representative of the admiration he has for the British Army—which he never sought to idealise as in any way perfect—as in the poems collected in Barrack-Room Ballads (1892), and also show his interest in, and respect for the "uneducated" classes. Kipling had great respect for the independence of mind, initiative and common sense of the three—and their cunning.
The Indian Railway Library was an enterprise conducted in Allahabad from 1888. It was a publishing venture of A. H. Wheeler & Co., who "had the monopoly on bookstall sales on Indian railway stations" It was a series of pamphlets intended to catch the interest of railway passengers, and offer cheap "throwaway" reading material.