The Yellow Ticket | |
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![]() Film poster | |
Directed by | Raoul Walsh |
Written by | Guy Bolton Jules Furthman Michael Morton |
Produced by | Raoul Walsh |
Starring | Elissa Landi Lionel Barrymore Laurence Olivier |
Cinematography | James Wong Howe |
Edited by | Jack Murray |
Music by | Carli Elinor R. H. Bassett Hugo Friedhofer |
Distributed by | Fox Film Corporation |
Release date |
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Running time | 88 minutes |
Country | United States |
Language | English |
The Yellow Ticket is a 1931 pre-Code American drama film based on the 1914 play of the same name by Michael Morton, produced by the Fox Film Corporation, directed by Raoul Walsh, and starring Elissa Landi, Lionel Barrymore and Laurence Olivier. Boris Karloff appears briefly in a small supporting role. The picture is also a noteworthy example of productions from the pre-Code era in that it includes brief nudity.
The original play, presented on Broadway, ran from January to June 1914 and starred Lionel's younger brother John Barrymore opposite Florence Reed. [1] This film is the third American adaptation of the play. The first two are The Yellow Passport from 1916 and The Yellow Ticket from 1918. A German version, Der Gelbe Schein , was also filmed and released in 1918. [2]
When martial law is declared in Russia, all Jews are restricted to their villages. The authorities are unsympathetic to Marya (Elissa Landi), who desperately wants to travel to St. Petersburg to see her dying father. Marya learns that a special card, called "the yellow ticket", is issued to prostitutes and allows them to travel freely.
Marya manages to get a yellow ticket. In St. Petersburg, Baron Andrey (Lionel Barrymore), a corrupt police official, prevents his lecherous nephew, Captain Nikolai, from forcing himself on Marya. She later meets Julian (Laurence Olivier), a British journalist, and tells him about injustices the government has kept him from learning about, including the yellow ticket. When Julian's articles are published, Andrey, a womanizer, guesses that Marya has been giving him information.
Lionel Barrymore was an American actor of stage, screen and radio as well as a film director. He won an Academy Award for Best Actor for his performance in A Free Soul (1931) and is known to modern audiences for the role of villainous Mr. Potter in Frank Capra's 1946 film It's a Wonderful Life.
William Henry Pratt, known professionally as Boris Karloff and occasionally billed as Karloff the Uncanny, was a British actor. His portrayal of Frankenstein's monster in the horror film Frankenstein (1931), his 82nd film, established him as a horror icon, and he reprised the role for the sequels Bride of Frankenstein (1935) and Son of Frankenstein (1939). He also appeared as Imhotep in The Mummy (1932), and voiced the Grinch in, as well as narrating, the animated television special of Dr. Seuss' How the Grinch Stole Christmas! (1966), which won him a Grammy Award.
John Barrymore was an American actor on stage, screen, and radio. A member of the Drew and Barrymore theatrical families, he initially tried to avoid the stage, and briefly attempted a career as an artist, but appeared on stage together with his father Maurice in 1900, and then his sister Ethel the following year. He began his career in 1903 and first gained attention as a stage actor in light comedy, then high drama, culminating in productions of Justice (1916), Richard III (1920), and Hamlet (1922); his portrayal of Hamlet led to him being called the "greatest living American tragedian".
Ethel Barrymore was an American actress and a member of the Barrymore family of actors. Barrymore was a stage, screen and radio actress whose career spanned six decades, and was regarded as "The First Lady of the American Theatre". She received four nominations for the Academy Award for Best Supporting Actress, winning for None but the Lonely Heart (1944).
Elissa Landi was an Austrian-American actress born in Venice, who was popular as a performer in Hollywood films of the 1920s and 1930s. She "claims descent from Empress Elizabeth of Austria-Hungary", and was noted for her alleged aristocratic bearing.
Lowell Sherman was an American actor and film director. In an unusual practice for the time, he served as both actor and director on several films in the early 1930s. He later turned exclusively to directing. Having scored huge successes directing the films She Done Him Wrong and Morning Glory, he was at the height of his career when he died after a brief illness.
The Bells may refer to:
Michael Morton was an English dramatist in the early 20th century.
The Mad Genius (1931) is an American pre-Code drama film produced and distributed by Warner Bros. and directed by Michael Curtiz. The film stars John Barrymore, Marian Marsh, Donald Cook, Charles Butterworth, and in small roles, Boris Karloff and Frankie Darro. The film is based on the play The Idol (1929) by Martin Brown, which opened in Great Neck, Long Island but never opened on Broadway.
The Bells is a 1926 American silent crime film directed by James Young and starring Lionel Barrymore and Boris Karloff. It was based on an 1867 French stage play called Le Juif Polonais by Erckmann-Chatrian. The play was translated to English in 1871 by Leopold Lewis at which time it was retitled The Bells. The English version of the play was performed in the U.S. in the 19th century by Sir Henry Irving. Le Juif Polonais was also adapted into an opera of the same name in three acts by Camille Erlanger, composed to a libretto by Henri Cain.
The Unholy Night is a 1929 American pre-Code mystery film directed by Lionel Barrymore and starring Ernest Torrence.
Florence Reed was an American stage and film actress. She is remembered for several outstanding stage productions, including The Shanghai Gesture, The Lullaby, The Yellow Ticket and The Wanderer. Her best remembered movie role was as Miss Havisham in the 1934 production of Great Expectations. In this version, however, Miss Havisham was changed from a completely insane woman to an eccentric, who did not wear her wedding veil constantly, and who dies peacefully rather than as a result of suffering burns in a fire. In the 1950s, Reed performed in several early television shows, such as The Philco Television Playhouse, Kraft Television Theatre and The United States Steel Hour. She is a member of the American Theater Hall of Fame.
The Copperhead is a 1920 American silent historical drama film based on a novel by Frederick Landis and a 1918 play by Augustus Thomas. The star of this film is Lionel Barrymore who won acclaim in the play version on Broadway, and who appeared in the play and this film with his first wife Doris Rankin. A print of this film has been screened in recent years.
The Yellow Passport is a lost 1916 silent film drama produced and distributed by the World Film Company. Based on Michael Morton's 1914 Broadway play of the same title, it was directed by Edwin August and starred Clara Kimball Young. On the stage the lead characters were played by Florence Reed and John Barrymore. Morton's story was filmed several times in the silent era and made as The Yellow Ticket in 1931 with Lionel Barrymore and Elissa Landi.
The Yellow Ticket, also known as The Devil's Pawn, is a 1918 German silent film starring Pola Negri in a double role as Lea and her mother Lydia, Victor Janson as Ossip Storki, and Harry Liedtke as Dimitri. It was directed by Victor Janson and Eugen Illés.
The Yellow Ticket is a 1914 Broadway play by dramatist Michael Morton, which premiered at the Eltinge 42nd Street Theatre in Manhattan on January 20, 1914.
John Barrymore was an American actor of stage, screen and radio who appeared in more than 40 plays, 60 films and 100 radio shows. He was the youngest child of the actors Maurice Barrymore and Georgie Drew Barrymore, and his two siblings were Lionel and Ethel; together they were known as America's "Royal Family" of actors, and John was "perhaps the most influential and idolized actor of his day", according to his biographer Martin F. Norden.
The Warrior's Husband is a 1933 American pre-Code comedy film directed by Walter Lang and starring Elissa Landi, David Manners, and Ernest Truex. It tells the story of the Amazons, who ruled over men thanks to the sacred girdle of Diana, and Hercules who came to steal it. The film is based on a 1932 Broadway production of Julian Thompson's 1924 play that starred Katharine Hepburn in the lead role.
The Yellow Ticket is a 1918 American silent drama film directed by William Parke and starring Fannie Ward. It is based on Michael Morton's 1914 play The Yellow Ticket. This screen adaptation of the play is currently classified as a lost film.