The Cheat is a 1915 American silent drama film directed by Cecil B. DeMille, starring Fannie Ward, Sessue Hayakawa, and Jack Dean, Ward's real-life husband.
Thomas B. Ricketts was an English-born American stage and film actor and director who was a pioneer in the film industry. He portrayed Ebenezer Scrooge in the first American film adaptation of A Christmas Carol (1908), and directed one of the first motion pictures ever made in Hollywood. After directing scores of silent films, including the first film to be released by Universal Pictures, Ricketts became a prominent character actor.
Michael Morton was an English dramatist in the early 20th century.
The Yellow Ticket is a 1931 pre-Code American drama film based on the 1914 play of the same name by Michael Morton, produced by the Fox Film Corporation, directed by Raoul Walsh, and starring Elissa Landi, Lionel Barrymore and Laurence Olivier. Boris Karloff appears briefly in a small supporting role. The picture is also a noteworthy example of productions from the pre-Code era in that it includes brief nudity.
Anna Karenina is a 1915 American silent drama film directed by J. Gordon Edwards and starring Betty Nansen. It was the first American adaptation of the 1878 novel by Leo Tolstoy. Some scenes were shot on location at a ski resort near Montreal.
Night Watch is a 1928 American synchronized sound drama film directed by Alexander Korda and starring Billie Dove, Paul Lukas and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was an adaptation of the dramatic 1921 play In the Night Watch, written by Michael Morton. The film is set almost entirely on a French warship at the beginning of the First World War. Night Watch was the first of Korda's films to feature sound.
The Yellow Passport is a lost 1916 silent film drama produced and distributed by the World Film Company. Based on Michael Morton's 1914 Broadway play of the same title, it was directed by Edwin August and starred Clara Kimball Young. On the stage the lead characters were played by Florence Reed and John Barrymore. Morton's story was filmed several times in the silent era and made as The Yellow Ticket in 1931 with Lionel Barrymore and Elissa Landi.
Conspiracy is a 1930 American pre-Code mystery melodrama film produced and distributed by RKO Pictures and directed by Christy Cabanne. It is the second adaptation of the play The Conspiracy by Robert B. Baker and John Emerson and stars Bessie Love and Ned Sparks.
Madame la Presidente is a surviving 1916 American silent comedy film produced by Oliver Morosco and directed by Frank Lloyd. It was distributed by Paramount Pictures and stars Broadway legend and musical comedy star Anna Held in what would be her final and only feature-length film. The film is based on a play, Madame Presidente, that starred Fannie Ward on Broadway.
The Yellow Ticket is a 1914 Broadway play by dramatist Michael Morton, which premiered at the Eltinge 42nd Street Theatre in Manhattan on January 20, 1914.
Penrod and Sam is a 1923 American silent comedy drama film directed by William Beaudine and starring Ben Alexander, Joe Butterworth, and Buddy Messinger. Wendy L. Marshall stated that "Beaudine had the Midas touch when it came to directing children" in films like this and Boy of Mine. In 1931, Beaudine directed a sound adaptation of the novel.
Tennessee's Pardner is a surviving 1916 American Western film directed by George Melford, written by Marion Fairfax, and starring Fannie Ward, Jack Dean, Charles Clary, Jessie Arnold, Ronald Bradbury, and Raymond Hatton. It was released February 6, 1916, by Paramount Pictures.
For the Defense is a surviving 1916 American drama silent film directed by Frank Reicher and written by Hector Turnbull and Margaret Turnbull. The film stars Fannie Ward, Jack Dean, Paul Byron, Horace B. Carpenter, Camille Astor and James Neill. The film was released on March 12, 1916, by Paramount Pictures.
The Years of the Locust is a surviving 1916 American drama silent film directed by George Melford and written by Beatrice DeMille, Leighton Osmun, Albert Payson Terhune and Harvey F. Thew. The film stars Fannie Ward, Walter Long, Jack Dean, Martin Best and Charles Ogle. The film was released on November 16, 1916, by Paramount Pictures.
The Winning of Sally Temple is a surviving 1917 American drama silent film directed by George Melford and written by Rupert Sargent Holland and Harvey F. Thew. The film stars Fannie Ward, Jack Dean, Walter Long, Horace B. Carpenter, William Elmer and Paul Weigel. The film was released on February 19, 1917, by Paramount Pictures.
Unconquered is a lost 1917 American drama silent film directed by Frank Reicher and written by Beatrice DeMille and Leighton Osmun. The film stars Fannie Ward, Jack Dean, Hobart Bosworth, Tully Marshall, Mabel Van Buren and Jane Wolfe. The film was released on May 31, 1917, by Paramount Pictures.
The Crystal Gazer is a lost 1917 American drama silent film directed by George Melford, and written by Eve Unsell, Edna G. Riley, and Marion Fairfax. The film stars Fannie Ward, Jack Dean, Winifred Greenwood, Harrison Ford, Raymond Hatton and Edythe Chapman. The film was released on July 30, 1917, by Paramount Pictures.
The Narrow Path is a 1918 American silent drama film directed by George Fitzmaurice and starring Fannie Ward, W.E. Lawrence and Irene Aldwyn. The film was adapted for the screen by Ouida Bergère and Jack Cunningham based on a 1909 play of the same name by John Montague.
Innocent is a 1918 American silent drama film directed by George Fitzmaurice and starring Fannie Ward, John Miltern, and Armand Kaliz. The film was based on a 1914 play of the same title by George Broadhurst and was adapted for the screen by Ouida Bergère.
A Japanese Nightingale is a 1918 American silent drama film directed by George Fitzmaurice and starring Fannie Ward, W.E. Lawrence and Yukio Aoyama. It was adapted from a 1903 play of the same name by William Young, which was adapted from an Winnifred Eaton novel. In turn, Ouida Bergère and Jules Furthman adapted the play for the screen.
