Gaslight | |
---|---|
Directed by | George Cukor |
Screenplay by | [1] |
Based on | Gas Light 1938 play by Patrick Hamilton |
Produced by | Arthur Hornblow Jr. |
Starring | |
Cinematography | Joseph Ruttenberg |
Edited by | Ralph E. Winters |
Music by | Bronisław Kaper |
Production company | |
Distributed by | Loew's, Inc. [2] |
Release date |
|
Running time | 114 minutes |
Country | United States |
Language | English |
Budget | $2 million [3] |
Box office | $4.6 million [3] |
Gaslight is a 1944 American psychological thriller film directed by George Cukor, and starring Charles Boyer, Ingrid Bergman, Joseph Cotten and Angela Lansbury in her film debut. Adapted by John Van Druten, Walter Reisch, and John L. Balderston from Patrick Hamilton's play Gas Light (1938), it follows a young woman whose husband slowly manipulates her into believing that she is descending into insanity. [4] [5]
A remake of the 1940 British film of the same name directed by Thorold Dickinson, Cukor's version had a larger scale and budget than the earlier film, and lends a different feel to the material. To avoid confusion with the first film, Cukor's version was originally titled The Murder in Thornton Square in the UK. [6] The film features numerous deviations from the original stage play, though the central drama remains that of a husband trying to drive his wife insane in order to distract her from his criminal activities.
Gaslight was released theatrically on May 4, 1944, by Metro-Goldwyn-Mayer to critical acclaim, and received seven nominations for the 17th Academy Awards, including for Best Picture, winning two: Best Actress (for Bergman); Best Production Design. In 2019, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [7] [8] [9]
In 1875, after world-famous opera singer Alice Alquist is murdered at her London home, her orphan niece Paula is sent to Italy to follow in her footsteps. As an adult, Paula marries her accompanist Gregory Anton after a two-week whirlwind romance. They agree to settle in London and occupy her late aunt's long-vacant townhouse. Paula grapples with the memory of her aunt's murder, and Gregory suggests storing Alice's furnishings in the attic. When Paula finds a letter to her aunt from a man named Sergis Bauer, Gregory reacts violently but apologizes. He hires a young maid, Nancy, and insists that she never bother his "high-strung" wife. Paula is surprised when Gregory chides her supposed forgetfulness, but on a visit to the Tower of London, she cannot find an heirloom brooch he gave her, although it was stored safely in her handbag. She is plagued by noises coming from the boarded-up attic, and notices the gaslights dimming for no apparent reason when Gregory is not home, which he assures her is only her imagination.
Gregory flirts with Nancy, whose disdain for his wife only worsens Paula's nerves. Her anxious behavior is noticed by Inspector Brian Cameron of Scotland Yard, a childhood admirer of Alice. Struck by Paula's resemblance to her aunt, Cameron attempts to reopen the cold case, discovering that a gift of royal jewels was not recovered after Alice's murder. Isolating his wife from the world, Gregory convinces her that she is a kleptomaniac, responsible for hiding a painting, and is too unwell to be in public. Unable to prevent her from attending a party hosted by her old family friend, Gregory accuses Paula of stealing his watch. When he "finds" it in her handbag, Paula becomes hysterical in front of the guests. Taking Paula home, Gregory angrily claims that her mother died in an asylum, and that the letter she discovered from Sergis Bauer never existed. Doubting her own sanity, Paula breaks down.
Meanwhile, Cameron has recruited a patrolman to watch Gregory, who they learn often visits an abandoned house nearby, and is planning to institutionalize Paula. While Gregory is out, Cameron offers Paula his help, confirming that the attic noises and flickering gaslights are indeed real. He deduces that Gregory has been entering his own attic through a skylight via the neighboring vacant house, to search through Alice's belongings. When he lights the attic lights, the gas to the downstairs lights is reduced. Cameron pries open Gregory's desk, and Paula finds the letter from Bauer that her husband insisted was a delusion. "Gregory" is actually Sergis Bauer, who murdered Alice but was interrupted by a young Paula before he could find her jewels. His marriage to Paula was a scheme to gain access to her aunt's home, followed by a cunning strategy to have Paula institutionalized and so gain full access to Alice's estate.
At the same time, Sergis discovers the jewels hidden in plain sight, sewn into one of Alice's famous costumes. He returns downstairs to find his desk unlocked. He questions the mentally exhausted Paula, who admits the desk was opened by a man that was visiting her. To protect Paula, the kindly cook Elizabeth denies seeing any man and assures Sergis that this was merely a figment of Paula's imagination, driving Paula to despair. Cameron appears and confronts Sergis, chasing him into the attic and tying him to a chair. Finally convinced of her own sanity, Paula is left alone with Sergis, who urges her to cut him free. Instead, Paula taunts him, musing that the knife in her hand might not be real and also finding the "missing" brooch. As the police drive Sergis away, Cameron expresses interest in seeing Paula again.
Uncredited
Encouraged by the success of the play and the British 1940 film, Metro-Goldwyn-Mayer bought the remake rights, but with a clause insisting that all existing prints of the first film be destroyed, [11] even to the point of trying to destroy the negative. [12] [13] Evidently that order was not honored to the letter, since the 1940 Gaslight remains available for both theatrical exhibition, television screenings, and DVD release.
Self-help and popular psychology authors sometimes denominalize the film's title (also known as "verbing") and use it as a verb. Gaslighting, in this context, refers to manipulating a person or a group of people, in a way similar to the way the protagonist in the film was manipulated. [14]
According to MGM records the film earned $2,263,000 in the US and Canada and $2,350,000 in other markets resulting in a profit of $941,000. [3]
Critics generally consider the American remake to also be a classic. Bergman's Oscar-winning performance has long been considered among the greatest of all time, while Boyer's portrayal of Gregory was also Oscar nominated. The New York Times film critic Bosley Crowther praised the actors. He wrote, "And with Mr. Boyer doing the driving in his best dead-pan hypnotic style, while the flames flicker strangely in the gas-jets and the mood music bongs with heavy threats, it is no wonder that Miss Bergman goes to pieces in a most distressing way. Both of these popular performers play their roles right to the hilt. Nice little personality vignettes are interestingly contributed, too, by Joseph Cotten as a stubborn detective, Dame May Whitty and Angela Lansbury as a maid." [15]
Film critic Manny Farber, writing in The New Republic registered this appraisal of Bergman’s performance:
A lot of the credit for the quality of [the picture] is due to Miss Bergman, who is able to strike variations of hysteria, perplexity or love that make actually static episodes seem adequately flexible and meaningful…she is one of the few actresses who are expected—and allowed—to do this in films. Her acting zeal and ability sometimes run her on unnecessarily…but she gives a nice rendition of an unwary and unworldly woman being hurt and bewildered, and her more notorious ability to portray the most adoring and lovely of wives makes the nature of the tragedy and cruelty seem even more extreme. [16]
On Rotten Tomatoes the film has an approval rating of 89% based on reviews from 35 critics. [17]
In 2006, film critic Emanuel Levy discussed the film noir aspects of the film:
A thriller soaked in paranoia, Gaslight is a period films [ sic ] noir that, like Hitchcock's The Lodger and Hangover Square , is set in the Edwardian age. It's interesting to speculate about the prominence of a film cycle in the 1940s that can be described as 'Don't Trust Your Husband'. It began with three Hitchcock films: Rebecca (1940), Suspicion (1941), and Shadow of a Doubt (1943), and continued with Gaslight and Jane Eyre (both in 1944), Dragonwyck (1945), Notorious and The Spiral Staircase (both 1946), The Two Mrs. Carrolls (1947), and Sorry, Wrong Number and Sleep, My Love (both 1948). All of these films use the noir visual vocabulary and share the same premise and narrative structure: The life of a rich, sheltered woman is threatened by an older, deranged man, often her husband. In all of them, the house, usually a symbol of sheltered security in Hollywood movies, becomes a trap of terror. [18]
Award | Category | Nominee(s) | Result | Ref. |
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Academy Awards | Best Motion Picture | Metro-Goldwyn-Mayer | Nominated | [19] [20] |
Best Actor | Charles Boyer | Nominated | ||
Best Actress | Ingrid Bergman | Won | ||
Best Supporting Actress | Angela Lansbury | Nominated | ||
Best Screenplay | John L. Balderston, Walter Reisch, and John Van Druten | Nominated | ||
Best Art Direction – Black-and-White | Art Direction: Cedric Gibbons and William Ferrari; Interior Decoration: Paul Huldschinsky and Edwin B. Willis | Won | ||
Best Cinematography – Black-and-White | Joseph Ruttenberg | Nominated | ||
Cannes Film Festival | Grand Prize of the Festival | George Cukor | Nominated | |
Golden Globe Awards | Best Actress in a Motion Picture – Drama | Ingrid Bergman | Won | [21] |
National Board of Review Awards | Best Acting | Won | [22] | |
National Film Preservation Board | National Film Registry | Inducted | [23] | |
New York Film Critics Circle Awards | Best Actress | Ingrid Bergman | Nominated | |
Online Film & Television Association Awards | Film Hall of Fame: Productions | Inducted | [24] |
The film is recognized by the American Film Institute in the following lists:
George Dewey Cukor was an American film director and producer. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO when David O. Selznick, the studio's head of production, assigned Cukor to direct several of RKO's major films, including What Price Hollywood? (1932), A Bill of Divorcement (1932), Our Betters (1933), and Little Women (1933). When Selznick moved to Metro-Goldwyn-Mayer in 1933, Cukor followed and directed Dinner at Eight (1933) and David Copperfield (1935) for Selznick, and Romeo and Juliet (1936) and Camille (1936) for Irving Thalberg.
Joseph Cheshire Cotten Jr. was an American film, stage, radio and television actor. Cotten achieved prominence on Broadway, starring in the original stage productions of The Philadelphia Story (1939) and Sabrina Fair (1953). He then gained worldwide fame for his collaborations with Orson Welles on Citizen Kane (1941), The Magnificent Ambersons (1942), and Journey into Fear (1943), in which Cotten starred and for which he was also credited with the screenplay.
Ingrid Bergman was a Swedish actress. With a career spanning five decades, Bergman is often regarded as one of the most influential screen figures in cinematic history. She won numerous accolades, including three Academy Awards, two Primetime Emmy Awards, a Tony Award, four Golden Globe Awards, BAFTA Award, and a Volpi Cup. She is one of only four actresses to have received at least three acting Academy Awards. In 1999, the American Film Institute recognised Bergman as the fourth-greatest female screen legend of Classic Hollywood Cinema.
Gaslight is the artificial light produced by burning gas.
Spellbound is a 1945 American psychological thriller directed by Alfred Hitchcock, and starring Ingrid Bergman, Gregory Peck, and Michael Chekhov. It follows a psychoanalyst who falls in love with the new head of the Vermont hospital in which she works, only to find that he is an imposter suffering dissociative amnesia, and potentially, a murderer. The film is based on the 1927 novel The House of Dr. Edwardes by Hilary Saint George Saunders and John Palmer.
Charles Boyer was a French-American actor who appeared in more than 80 films between 1920 and 1976. After receiving an education in drama, Boyer started on the stage, but he found his success in American films during the 1930s. His memorable performances were among the era's most highly praised, in romantic dramas such as The Garden of Allah (1936), Algiers (1938), and Love Affair (1939), as well as the mystery-thriller Gaslight (1944). He received four Oscar nominations for Best Actor. He also appeared as himself on the CBS sitcom I Love Lucy.
Dame Angela Brigid Lansbury was a British and American actress. In a career spanning 80 years, she played various roles across film, stage, and television. Although based for much of her life in the United States, her work attracted international attention.
Notorious is a 1946 American spy film noir directed and produced by Alfred Hitchcock, starring Cary Grant, Ingrid Bergman, and Claude Rains as three people whose lives become intimately entangled during an espionage operation.
Gas Light is a 1938 thriller play, set in 1880s London, written by the British novelist and playwright Patrick Hamilton. Hamilton's play is a dark tale of a marriage based on deceit and trickery, and a husband committed to driving his wife insane in order to steal from her.
Under Capricorn is a 1949 British historical drama film directed by Alfred Hitchcock about a couple in Australia who started out as lady and stable boy in Ireland, and who are now bound together by a horrible secret. The film is based on the play by John Colton and Margaret Linden, which in turn is based on the novel Under Capricorn (1937) by Helen Simpson. The screenplay was written by James Bridie from an adaptation by Hume Cronyn. This was Hitchcock's second film in Technicolor, and like his preceding color film Rope (1948), it features 9- and 10-minute long takes.
Melchor Gastón Ferrer was an American actor, director, and producer, active in film, theatre, and television. He achieved prominence on Broadway before scoring notable film hits with Scaramouche (1952), Lili (1953), and Knights of the Round Table. He starred opposite his wife, actress Audrey Hepburn, in War and Peace (1956) and produced her film Wait Until Dark (1967).
Gaslight is a 1940 British psychological thriller directed by Thorold Dickinson starring Anton Walbrook and Diana Wynyard, and features Frank Pettingell. The film adheres more closely to the original play upon which it is based – Patrick Hamilton's Gas Light (1938) – than does the 1944 MGM remake. The play had been performed on Broadway as Angel Street, so when the MGM remake was released in the United States, it was given the same title as the American production.
Intermezzo is a 1939 American romantic film remake of the 1936 Swedish film of the same title. It stars Leslie Howard as a married virtuoso violinist who falls in love with his accompanist, played by Ingrid Bergman in her Hollywood debut. Bergman had played the same role in the Swedish original against Gösta Ekman. The film was directed by Gregory Ratoff and produced by David O. Selznick. It features multiple orchestrations of Heinz Provost's title piece, which won a contest associated with the original film's production. The screenplay by George O'Neil was based on that of the original film by Gösta Stevens and Gustaf Molander. It was produced by Selznick International Pictures.
Arthur Hornblow Jr. was an American film producer. Four of his movies received Academy Award nominations for Best Picture.
Adam Had Four Sons is a 1941 American romantic drama film directed by Gregory Ratoff and starring Ingrid Bergman, Warner Baxter, Susan Hayward and Fay Wray.
A Woman's Face is a 1941 American drama film noir directed by George Cukor and starring Joan Crawford, Melvyn Douglas and Conrad Veidt. It tells the story of Anna Holm, a facially disfigured blackmailer, who, because of her appearance, despises everyone she encounters. When a plastic surgeon corrects this disfigurement, Anna becomes torn between the hope of starting a new life and a return to her dark past. Most of the film is told in flashbacks as witnesses in a courtroom give their testimonies. The screenplay was written by Donald Ogden Stewart and Elliot Paul, based on the play Il était une fois... by Francis de Croisset. Another version of the story, a Swedish production, was filmed in 1938 as En kvinnas ansikte, starring Ingrid Bergman.
Rage in Heaven is a 1941 American psychological thriller film noir about the destructive power of jealousy. It was directed by W.S. Van Dyke and based on the 1932 novel by James Hilton. It features Robert Montgomery, Ingrid Bergman, and George Sanders.
The Keys of the Kingdom is a 1944 American film based on the 1941 novel The Keys of the Kingdom by A. J. Cronin. The film was adapted by Nunnally Johnson, directed by John M. Stahl, and produced by Joseph L. Mankiewicz. It stars Gregory Peck, Thomas Mitchell, and Vincent Price, and tells the story of the trials and tribulations of a Roman Catholic priest who goes to China to evangelise.