The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
Bright Lights, later retitled Adventures in Africa, is a 1930 American pre-Code musical comedy film produced and released by First National Pictures, a subsidiary of Warner Bros. It premiered in Los Angeles in July 1930 but was edited and rereleased in early 1931. Although it was photographed entirely in Technicolor, the only surviving print is in black and white. The film stars Dorothy Mackaill, Frank Fay, Noah Beery and Frank McHugh. It also features the screen debut of John Carradine, who appears in a small, uncredited role.
The Office Wife is a 1930 American pre-Code romantic drama film directed by Lloyd Bacon, released by Warner Bros., and based on the novel of the same name by Faith Baldwin. It was the talkie debut for Joan Blondell who would become one of the major Warner Bros. stars for the following nine years.
Children of the Ritz is a 1929 sound drama film from First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film stars Dorothy Mackaill and Jack Mulhall. The plot is based on a Cornell Woolrich story.
Just Another Blonde is a 1926 American silent romantic comedy / adventure film distributed by First National Pictures. Based on the short story "Even Stev'en" by Gerald Beaumont, the film was directed by Alfred Santell and stars Dorothy Mackaill, Jack Mulhall, and Louise Brooks.
The Great Divide is a 1929 American pre-Code Western film directed by Reginald Barker and starring Dorothy Mackaill. Released in both silent and sound versions, it was produced and distributed by First National Pictures. The film is a remake of The Great Divide, made at MGM in 1925 and also directed by Barker. There was another remake in 1931 as the full sound film Woman Hungry. All three films are based on the 1906 Broadway play The Great Divide by William Vaughn Moody.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Outcast is a 1928 American synchronized sound drama film produced and distributed by First National Pictures. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was directed by William A. Seiter and stars Corinne Griffith, often considered one of the most beautiful women in film. This story had been filmed in 1917 as The World and the Woman with Jeanne Eagels. In 1922 a Paramount film of the same name with Elsie Ferguson reprising her stage role was released. Both films were based on a 1914 play, Outcast, by Hubert Henry Davies which starred Ferguson. The Seiter/Griffith film was an all silent with Vitaphone music and sound effects. In the sound era the story was filmed once again as The Girl from 10th Avenue starring Bette Davis. According to the Library of Congress database shows a print surviving complete at Cineteca Italiana in Milan.
Joanna is a 1925 American silent romantic comedy film produced and directed by Edwin Carewe and distributed by First National Pictures. The film was based on the short story "Joanna, of the Skirts Too Short and the Lips Too Red and the Tongue Too Pert" by Henry Leyford Gates. The film starred Dorothy Mackaill and Jack Mulhall and marked the first motion-picture appearance of Mexican actress Dolores del Río.
Party Husband is a 1931 American pre-Code comedy film produced by First National Pictures and released through their parent company Warner Bros. It was directed by Clarence G. Badger and stars Dorothy Mackaill. It is preserved at the Library of Congress.
Lady Be Good is a 1928 American silent romantic comedy film directed by Richard Wallace. The film is based on the 1924 musical of the same name by George Gershwin and starred Jack Mulhall and Dorothy Mackaill.
Ladies' Night in a Turkish Bath is a 1928 American synchronized sound film. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film is a comedy and was directed by Edward F. Cline. It is based on the 1920 play Ladies' Night by Charlton Andrews and Avery Hopwood. It was released on April 1, 1928 by First National Pictures.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
Subway Sadie is a 1926 American silent comedy-drama film directed by Alfred Santell. Adapted from Mildred Cram's 1925 short story "Sadie of the Desert", the film focuses on a relationship between New York salesgirl Sadie Hermann and subway guard Herb McCarthy, who meet on the subway and become engaged. However, after Sadie receives a promotion, she must choose between her new job and marrying Herb. The cast also includes Charles Murray, Peggy Shaw, Gaston Glass, and Bernard Randall.
Classified is a 1925 American silent drama film directed by Alfred Santell and produced by and starring Corinne Griffith. It was based on a novel by Edna Ferber and distributed through First National Pictures.
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories ." It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker.
The Whip is a 1928 American synchronized sound drama film directed by Charles Brabin and starring Dorothy Mackaill. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was based on a 1912 play The Whip by Cecil Raleigh and Henry Hamilton and distributed by First National. This sound film was released with a synchronized Vitaphone soundtrack of music and sound effects. It is set in the horse racing world of England.
The Crystal Cup is a 1927 American silent drama film directed by John Francis Dillon and written by Gerald Duffy and Mort Blumenstock. It is based on the 1925 novel The Crystal Cup by Gertrude Atherton. The film stars Dorothy Mackaill, Rockliffe Fellowes, Jack Mulhall, Clarissa Selwynne, Jane Winton, and Edythe Chapman. The film was released on October 16, 1927, by First National Pictures.
Man Crazy is a 1927 American silent comedy film directed by John Francis Dillon and written by Dwinelle Benthall, Rufus McCosh, and Perry Nathan. The film stars Dorothy Mackaill, Jack Mulhall, Edythe Chapman, Phillips Smalley, Walter McGrail, and Ray Hallor. Man Crazy was released on November 27, 1927, by First National Pictures.
What Shall I Do? is a 1924 American silent drama film directed by John G. Adolfi and starring Dorothy Mackaill, John Harron, and Louise Dresser.
