Kismet | |
---|---|
Directed by | Vincente Minnelli Stanley Donen (uncredited) |
Written by | Charles Lederer Luther Davis |
Based on | Kismet 1911 play by Edward Knoblock |
Produced by | Arthur Freed |
Starring | Howard Keel Ann Blyth Dolores Gray Vic Damone |
Cinematography | Joseph Ruttenberg |
Edited by | Adrienne Fazan |
Music by | Alexander Borodin Bob Wright George Forrest Music supervised and conducted by André Previn Jeff Alexander |
Production company | |
Distributed by | Loew's, Inc. |
Release date |
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Running time | 103 minutes |
Country | United States |
Language | English |
Budget | $3,015,000 [2] |
Box office | $1,827,000 [2] |
Kismet is a 1955 American musical-comedy film directed by Vincente Minnelli and produced by Arthur Freed. It was filmed in CinemaScope and Eastmancolor and released by Metro-Goldwyn-Mayer.
It is the fifth movie version of Kismet. The first was released in 1914, the second in 1920, the third in 1930 by Warner Brothers, and the fourth, starring Ronald Colman and Marlene Dietrich, by MGM in 1944. [3] The 1955 film is based on the successful 1953 stage musical Kismet , while the four earlier versions are based on the original 1911 play by Edward Knoblock.
In old Baghdad, an impoverished poet is abducted and brought to the desert tent of Jawan, an elderly thief, having been mistaken for a man who cursed Jawan fifteen years ago. As a result of the curse, Jawan's beloved son was kidnapped, and Jawan longs to find him again before he dies. The Poet asks for one hundred gold pieces to reverse the curse; Jawan agrees and returns to Baghdad to look for his son.
In Baghdad, the Poet's daughter, Marsinah, meets and falls in love with the young Caliph, who has been traveling incognito. They arrange to meet again that night.
The Poet is arrested when he begins spending his hundred gold pieces because his purse carries the insignia of a wealthy family that was robbed. At the Wazir's court, he defends himself against the charge of robbery but also curses the Wazir. Jawan, brought before the Wazir on another charge, angrily confirms the Poet's story and then notices a familiar amulet around the Wazir's neck. In this way, Jawan discovers his long-lost son.
The Caliph announces that he plans to take a bride that night, discomforting the Wazir, who has a badly needed loan riding on persuading the Caliph to marry a princess of Ababu. The Wazir, fearing that the Poet's curse had something to do with it, offers to make the Poet an emir if he reverses the curse. The Poet happily accepts, and when the Wazir leaves him alone with his favorite wife Lalume, the two realize they have similar temperaments.
The Poet orchestrates an elaborate "curse-reversal" scheme that enables him to sneak out of the palace; he finds Marsinah and convinces her that he will be killed unless they flee Baghdad. Despite Marsinah's protests—she wants to wait for her rendezvous and see the Caliph's wedding procession—they flee. Word spreads that the Caliph's bride was not there when the Caliph came to claim her. Since the "curse reversal" seems to have worked, the Poet leaves Marsinah and returns to the palace.
The Poet tells Lalume that he is worried about Marsinah, and Lalume suggests that she come to live in the palace. Marsinah arrives and confesses that she has fallen in love but does not know her beloved's name. Lalume hides Marsinah in the harem for her own protection, but there the Caliph sees her and believes her to be a wife of the Wazir. When the Wazir privately congratulates the Poet on bringing the Caliph's true love into the Wazir's own harem, the Poet realizes that the Caliph is Marsinah's beloved.
At a ceremony planned to choose a new bride, the Poet tricks the Wazir and (almost) drowns him in front of the Caliph and the crowd. The Poet is sentenced to death, but Lalume saves the day as Marsinah is revealed to be the Poet's daughter and the victim of the Wazir's scheming. The Caliph sentences the Wazir to death and the Poet to exile. The Poet agrees, but asks to take the soon-to-be-widowed Lalume with him. Thus the Poet weds Lalume and the Caliph weds Marsinah—all in the course of a single day.
According to MGM records the film earned $1,217,000 in the US and Canada and $610,000 elsewhere resulting in a loss of $2,252,000. [2]
The film was nominated for the American Film Institute's 2006 list of AFI's Greatest Movie Musicals. [4]
"Stranger in Paradise" was nominated for the 2004 list AFI's 100 Years...100 Songs. [5]
Seven Brides for Seven Brothers is a 1954 American musical film, directed by Stanley Donen, with music by Gene de Paul, lyrics by Johnny Mercer, and choreography by Michael Kidd. The screenplay, by Albert Hackett, Frances Goodrich, and Dorothy Kingsley, is based on the short story "The Sobbin' Women", by Stephen Vincent Benét, which was based in turn on the ancient Roman legend of the Rape of the Sabine Women. Seven Brides for Seven Brothers, which is set in Oregon in 1850, is particularly known for Kidd's unusual choreography, which makes dance numbers out of such mundane frontier pursuits as chopping wood and raising a barn. Film critic Stephanie Zacharek has called the barn-raising sequence in Seven Brides "one of the most rousing dance numbers ever put on screen." The film was photographed in Ansco Color in the CinemaScope format.
Kismet is a musical adapted by Charles Lederer and Luther Davis from the 1911 play of the same name by Edward Knoblock, with lyrics and musical adaptation by Robert Wright and George Forrest. The music was mostly adapted from several pieces composed by Alexander Borodin. The story concerns a wily poet who talks his way out of trouble several times; meanwhile, his beautiful daughter meets and falls in love with the young caliph.
Easter Parade is a 1948 American Technicolor musical film directed by Charles Walters, written by Sidney Sheldon, Frances Goodrich, and Albert Hackett from a story by Goodrich and Hackett, and starring Judy Garland, Fred Astaire, Peter Lawford, and Ann Miller. The film contains some of Astaire's and Garland's best-known songs, including "Easter Parade", "Steppin' Out with My Baby", and "We're a Couple of Swells", all by Irving Berlin.
An American in Paris is a 1951 American musical romantic comedy film inspired by the 1928 jazz-influenced symphonic poem An American in Paris by George Gershwin. Starring Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner. The music is by George Gershwin, with lyrics by his brother Ira, with additional music by Johnny Green, and Saul Chaplin, the music directors.
The Girl Can't Help It is a 1956 American musical comedy film starring Jayne Mansfield in the lead role, Tom Ewell, Edmond O'Brien, Henry Jones, and Julie London. The picture was produced and directed by Frank Tashlin, with a screenplay adapted by Tashlin and Herbert Baker from an uncredited 1955 short story, "Do Re Mi" by Garson Kanin. Filmed in DeLuxe Color, the production was originally intended as a vehicle for the American sex symbol Jayne Mansfield, with a satirical subplot involving teenagers and rock 'n' roll music. The unintended result has been called the "most potent" celebration of rock music ever captured on film.
"Stranger in Paradise" is a popular song from the musical Kismet (1953), credited to Robert Wright and George Forrest. Like almost all the music in that show, the melody was adapted from music composed by Alexander Borodin (1833–1887), in this case, the "Gliding Dance of the Maidens", from the Polovtsian Dances in the opera Prince Igor (1890). The song in the musical is a lovers' duet and describes the transcendent feelings that love brings to their surroundings. Later versions were mostly edited to be sung by male solo artists.
Cover Girl is a 1944 American musical romantic comedy film directed by Charles Vidor, and starring Rita Hayworth and Gene Kelly. The film tells the story of a chorus girl given a chance at stardom when she is offered an opportunity to be a highly paid cover girl. It was one of the most popular musicals of the war years.
Kismet is a 1944 American Metro-Goldwyn-Mayer film in Technicolor starring Ronald Colman, Marlene Dietrich, Joy Page, and Florence Bates. James Craig played the young Caliph of Baghdad, and Edward Arnold was the treacherous Grand Vizier. It was directed by William Dieterle, but was not a success at the box office. Dieterle had directed Dietrich two decades before in the German silent film Man by the Wayside, which was both the first role in which Dietrich was cast competitively and Dieterle's directorial debut.
The Adventures of Hajji Baba is a 1954 American CinemaScope adventure film directed by Don Weis and starring John Derek and Elaine Stewart. Made in Southern California, it was released on October 1, 1954. In the credits it states that the film is suggested by The Adventures of Hajji Baba of Ispahan by James Justinian Morier.
Kismet is a 1930 American pre-Code costume drama film photographed entirely in an early widescreen process using 65mm film that Warner Bros. called Vitascope. The film, now considered lost, was based on Edward Knoblock's play Kismet, and was previously filmed as a silent film in 1920 which also starred Otis Skinner.
Son of Sinbad is a 1955 American adventure film directed by Ted Tetzlaff. It takes place in the Middle East and consists of a wide variety of characters, including over 127 women.
A Thousand and One Nights is a 1945 tongue-in-cheek American adventure fantasy film set in the Baghdad of the One Thousand and One Nights, directed by Alfred E. Green and starring Evelyn Keyes, Phil Silvers, Adele Jergens and Cornel Wilde.
The Golden Blade is a 1953 American adventure film directed by Nathan Juran and starring Rock Hudson as Harun Al-Rashid and Piper Laurie as Princess Khairuzan. It is set in ancient Bagdad and borrows from the Arabic fairy tales of One Thousand and One Nights as well as the myth of King Arthur and the Sword in the Stone.
Kismet is an American silent film version of the 1911 play Kismet by Edward Knoblock, starring Otis Skinner and Elinor Fair, and directed by Louis J. Gasnier.
The Thief of Bagdad is a 1952 West German musical comedy film directed by Karel Lamac and starring Theo Lingen, Paul Kemp, Sonja Ziemann and Rudolf Prack. It is not a remake of the 1940 film of the same name, but a comedy about the magic tricks of a female thief in Old Baghdad. It was filmed at the Bendestorf Studios in Lower Saxony. The film's sets were designed by the art directors Heinrich Beisenherz and Alfred Bütow.
Kismet is a three-act play written in 1911 by Edward Knoblauch. The title means Fate or Destiny in Turkish and Urdu. The play ran for 330 performances in London and later opened in the United States. It was subsequently revived, and the story was later filmed several times and adapted for the 1953 musical.
The Thief of Baghdad is a 1978 fantasy film directed by Clive Donner and starring Roddy MacDowall and Kabir Bedi. A British and French co-production, the film was released theatrically, except for the United States where it debuted on television.
The Sword of Ali Baba is a 1965 American adventure film from Universal Pictures, directed by Virgil W. Vogel and written by Edmund Hartmann and Oscar Brodney. The film stars Peter Mann, Jocelyn Lane, Frank McGrath, Gavin MacLeod, Frank Puglia, and Peter Whitney and is a remake of the 1944 film Ali Baba and the Forty Thives, which was derived from The Book of One Thousand and One Nights and the tale of the same name.
Kismet is a 1967 American TV film. It is an adaptation of the musical Kismet directed by Bob Henry.
The harem of the caliphs of the Abbasid Caliphate (750–1258) in Baghdad was composed of his mother, wives, slave concubines, female relatives and slave servants, occupying a secluded portion of the Abbasid household. This institution played an important social function within the Abbasid court and was that part were the women were confined and secluded. The senior woman in rank in the harem was the mother of the Caliph. The Abbasid harem acted as a role model for the harems of other Islamic dynasties, as it was during the Abbasid Caliphate that the harem system was fully enforced in the Muslim world.