Meet the People | |
---|---|
Directed by | Charles Reisner |
Screenplay by | Sig Herzig Fred Saidy Virginia Kellog (add'l contribs, uncredited) [1] |
Based on | Meet the People 1940 play by Sol and Ben Barzman and Louis Lant [1] |
Produced by | E.Y. Harburg [1] |
Starring | Lucille Ball Dick Powell |
Cinematography | Robert L. Surtees |
Edited by | Alex Troffey |
Music by | Harold Arlen, et al. |
Production company | |
Distributed by | Loew's Inc. |
Release dates |
|
Running time | 90 minutes [1] |
Country | United States |
Language | English |
Budget | $1,302,000 [2] |
Box office | $960,000 [2] |
Meet the People (1944) is a Metro-Goldwyn-Mayer musical comedy film made, and set, during World War II, and starring Lucille Ball and Dick Powell and featuring Virginia O'Brien, Bert Lahr, Rags Ragland and June Allyson. The film takes its title from a successful Los Angeles musical revue, which ran on Broadway from December 25, 1940 to May 10, 1941. Vaughn Monroe and his orchestra, Spike Jones and his City Slickers, and Virginia O'Brien were also in the original stage cast. O'Brien sings the hit song "Say That We're Sweethearts Again".
Welder William "Swanee" Swanson works at a shipyard in Morganville, Delaware. One day he sees the brightly shining Broadway star Julie Hampton speak in front of a crowd of workers at the yard, and he instantly falls in love with her.
Luckily enough, Julie has promised to go on a date with the man who sells the most war bonds within a certain time limit. Swanee lies to Julie and tells her that he has $7,500 in pledges. He also tells the workers that Julie will kiss every worker who makes additional pledges to him. The crowd goes wild with excitement, and Swanee easily wins the prize.
Swanee drives Julie up to the romantic Inspiration Point in his old car, trying to impress her. He also tells her about the musical he has written together with his cousin John, a U.S.M.C. It is about working men, and he even performs the theme love song for her. He calls the musical "Meet the People". She is impressed enough to show the musical screenplay to a Broadway producer, Monte Rowland, and the producer agrees to stage the play on the condition that he can use old costumes from previous shows.
When the show is rehearsed, Swanee discovers that all the roles have glittery showbiz costumes, and don't look the least like working men. He is disappointed, and demands the costumes to be altered. Monte refuses and cancels the show, hoping that Swanee will surrender and give in.
But he doesn't. Instead he leaves New York in anger, denounces Julie and the showbiz industry, and goes back to Morganville. Julie follows him there, determined to make him change his mind. She starts working at the shipyard as a welder, and finds out that she enjoys the work very much. She also makes a lot of new friends among her colleagues, who are eager to get to know the beautiful star.
Julie continues dating Swanee, and she tells him about her motive for coming with him. She wants to change the show, and hire some out-of-work chorus friends of hers to be on stage. Swanee likes the idea, and signs a new deal with Monte. But then he sees Julie posing for promotional photographs in her working outfit, and thinks she makes a mockery of him and his co-workers. He calls her egotistic and refuses to go through with the plans.
Julie doesn't give up. During a pep talk speech to her co-workers at the shipyard, she leaves the microphone on behind the stage, and gets Swanee to confess his feelings for her. Everyone at the shipyard hears his words, and he is laughed at and ridiculed by his colleagues. Swanee calls Julie a hypocrite and storms away.
A problem arises when John is on his way home from the service, because Swanee's uncle Felix has told John that the show he helped write is a hit on Broadway. Swanee has to produce the show somehow, and comes up with the idea to make it on the yard's 300th finished ship anniversary. But Julie refuses to take part, since she is determined on doing a show on her own, with the help of her friends from Broadway.
John is disappointed when he arrives and learns the truth about the fate of "Meet the People". When Julie sees the disappointment in his eyes, she changes her mind and starts casting for the musical anyway. She and John stage and rehearse the musical while Swanee, unaware of their preparations, is away looking for funds to back up the musical. When he returns to find the musical is opening, he is delighted and impressed with Julie's work. Julie tells Swanee that she loves him, and they become a couple on stage in time for the musical's grand finale. [3]
|
|
Cast notes:
According to MGM records, the film earned $670,000 in the U.S. and Canada, and $290,000 in other markets, resulting in a net loss of $717,000. [2]
Broadway Melody of 1936 is a musical film released by Metro-Goldwyn-Mayer in 1935. In New York, the film opened at the Capitol Theatre, the site of many prestigious MGM premieres. It was a follow-up of sorts to the successful The Broadway Melody, which had been released in 1929, although, there is no story connection with the earlier film beyond the title and some music.
Meet Me in St. Louis is a 1944 American Christmas musical film made by Metro-Goldwyn-Mayer. Divided into a series of seasonal vignettes, starting with Summer 1903, it relates the story of a year in the life of the Smith family in St. Louis leading up to the opening of the Louisiana Purchase Exposition in the spring of 1904. The film stars Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer, Tom Drake, Leon Ames, Marjorie Main, June Lockhart and Joan Carroll.
June Allyson was an American stage, film, and television actress.
The Boy Friend is a musical by Sandy Wilson. Its original 1953 London production ran for 2,078 performances, briefly making it the third-longest running musical in West End or Broadway history until they were all surpassed by Salad Days. The Boy Friend marked Julie Andrews' American stage debut.
Damn Yankees is a 1955 musical comedy with a book by George Abbott and Douglass Wallop, music and lyrics by Richard Adler and Jerry Ross. The story is a modern retelling of the Faust legend set during the 1950s in Washington, D.C., during a time when the New York Yankees dominated Major League Baseball. It is based on Wallop's 1954 novel The Year the Yankees Lost the Pennant.
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
A chorus line is a large group of dancers who together perform synchronized routines, usually in musical theatre. Sometimes, singing is also performed. While synchronized dancing indicative of a chorus line was vogue during the first half of the 20th century, modern theatre uses the terms "ensemble" and "chorus" to indicate all supporting players in a stage production.
"Old Folks at Home" is a minstrel song written by Stephen Foster in 1851. Since 1935, it has been the official state song of Florida, although in 2008 the original lyrics were revised. It is Roud Folk Song Index no. 13880.
That's Entertainment! is a 1974 American compilation film released by Metro-Goldwyn-Mayer to celebrate the studio's 50th anniversary. The success of the retrospective prompted a 1976 sequel, the related 1985 film That's Dancing!, and a third installment in 1994.
Du Barry Was a Lady is a Broadway musical, with music and lyrics by Cole Porter, and the book by Herbert Fields and Buddy DeSylva. The musical starred Bert Lahr, Ethel Merman and Betty Grable, and the song "Friendship" was one of the highlights. The musical was made into a 1943 Technicolor film Du Barry Was a Lady, starring Red Skelton, Lucille Ball, Gene Kelly and Tommy Dorsey and his orchestra.
Ziegfeld Follies is a 1945 American musical comedy film released by Metro-Goldwyn-Mayer, primarily directed by Vincente Minnelli, with segments directed by Lemuel Ayers, Roy Del Ruth, Robert Lewis, and George Sidney, the film's original director before Minnelli took over. Other directors that are claimed to have made uncredited contributions to the film are Merrill Pye, Norman Taurog, and Charles Walters. It stars many MGM leading talents, including Fred Astaire, Lucille Ball, Lucille Bremer, Fanny Brice, Judy Garland, Kathryn Grayson, Lena Horne, Gene Kelly, James Melton, Victor Moore, William Powell, Red Skelton, and Esther Williams.
Marilyn Miller was one of the most popular Broadway musical stars of the 1920s and early 1930s. She was an accomplished tap dancer, singer and actress, and the combination of these talents endeared her to audiences. On stage, she usually played rags-to-riches Cinderella characters who lived happily ever after. She died suddenly from complications of nasal surgery at age 37.
Till The Clouds Roll By is a 1946 American Technicolor musical film produced by Metro-Goldwyn-Mayer and a fictionalized biopic of composer Jerome Kern, portrayed by Robert Walker. Kern was involved with the production, but died before its completion. It was the first in a series of MGM biopics about Broadway composers.
Thousands Cheer is a 1943 American musical comedy film directed by George Sidney and released by Metro-Goldwyn-Mayer. Produced during the Second World War, the film was intended as a morale booster for American troops and their families.
My Fair Lady is a 1964 American musical comedy-drama film adapted from the 1956 Lerner and Loewe stage musical based on George Bernard Shaw's 1913 stage play Pygmalion. With a screenplay by Alan Jay Lerner and directed by George Cukor, the film depicts a poor Cockney flower-seller named Eliza Doolittle who overhears a phonetics professor, Henry Higgins, as he casually wagers that he could teach her to speak English so well she could pass for a duchess in Edwardian London or better yet, from Eliza's viewpoint, secure employment in a flower shop.
"The Most Beautiful Girl in the World" is a show tune from the 1935 Rodgers and Hart musical Jumbo when it was introduced by Gloria Grafton and William J. McCartney.
The Goldwyn Girls were a musical stock company of female dancers employed by Samuel Goldwyn. Famous actresses, dancers, and models whose career included a stint in the Goldwyn Girls include Lucille Ball, Virginia Bruce, Claire Dodd, Paulette Goddard, Betty Grable, Virginia Grey, June Kirby, Joi Lansing, Barbara Pepper, Marjorie Reynolds, Pat Sheehan, Gail Sheridan, Ann Sothern, Larri Thomas, Tyra Vaughn, Toby Wing, Vonne Lester, and Jane Wyman.
Best Foot Forward is a 1943 American musical film adapted from the 1941 Broadway musical comedy of the same title. The film was released by Metro-Goldwyn-Mayer, directed by Edward Buzzell, and starred Lucille Ball, William Gaxton, Virginia Weidler, Chill Wills, June Allyson, Gloria DeHaven, and Nancy Walker.
Wildcat is a musical with a book by N. Richard Nash, lyrics by Carolyn Leigh, and music by Cy Coleman.
Best Foot Forward is a 1941 musical with songs by Hugh Martin and Ralph Blane and a book by John Cecil Holm. Produced by George Abbott, after an out-of-town tryout, the production opened on Broadway on October 1, 1941 at the Ethel Barrymore Theatre, where it ran for 326 performances. It was directed by Abbott, with choreography by Gene Kelly, and starred Rosemary Lane. The show was Nancy Walker's Broadway debut and also launched June Allyson to stardom. Sets and lighting were by Jo Mielziner, and costumes were by Miles White.
Notes
This article needs additional citations for verification .(January 2012) |