The year 1909 in film involved some significant events.
Marie Dressler was a Canadian stage and screen actress, comedian, and early silent film and Depression-era film star. In 1914, she was in the first full-length film comedy. She won the Academy Award for Best Actress in 1931.
Karen Morley was an American film actress.
Dinner at Eight is a 1933 American pre-Code comedy-drama film directed by George Cukor from a screenplay by Frances Marion and Herman J. Mankiewicz, based on George S. Kaufman and Edna Ferber's 1932 play of the same title. The film features an ensemble cast of Marie Dressler, John Barrymore, Wallace Beery, Jean Harlow, Lionel Barrymore, Lee Tracy, Edmund Lowe, and Billie Burke.
Pauline Theresa Moran billed as Polly Moran, was an American actress of vaudeville, stage and screen and comedian.
William Bakewell was an American actor who achieved his greatest fame as one of the leading juvenile performers of the late 1920s and early 1930s.
Paid is a 1930 American pre-Code drama film starring Joan Crawford, Robert Armstrong, and Kent Douglass in a story about a wrongly accused ex-convict who seeks revenge on those who sent her to prison using a scam called the "Heart Balm Racket".
Chasing Rainbows is a 1930 American Pre-Code romantic musical film directed by Charles Reisner, and released by Metro-Goldwyn-Mayer.
Roscoe Karns was an American actor who appeared in nearly 150 films between 1915 and 1964. He specialized in cynical, wise-cracking characters, and his rapid-fire delivery enlivened many comedies and crime thrillers in the 1930s and 1940s.
Hollywood on Parade (1932–1934) is a series of short subjects released by Paramount Pictures.
Roscoe Blevel Ates was an American vaudeville performer, actor of stage and screen, comedian and musician who primarily featured in western films and television. He was best known as western character Soapy Jones. He was also billed as Rosco Ates.
Prosperity is a 1932 American pre-Code comedy-drama film starring Marie Dressler and Polly Moran. The two leading actresses play longtime matriarchal ladies comically sparring off each other, and trying to control their intertwined lives.
The Girl Said No is a 1930 pre-Code American romantic comedy film starring William Haines and Leila Hyams. In the film, a young college graduate goes to extreme lengths to win the girl he loves.
The Callahans and the Murphys is a 1927 comedy silent film directed by George W. Hill. The film was based on a novel by Kathleen Norris, and was the first of several MGM films to star Marie Dressler and Polly Moran.
Petticoat Politics is a 1941 film, the ninth and final of Republic's Higgins Family series.
The Big Shot is a 1931 American pre-Code comedy film directed by Ralph Murphy and Edward Sedgwick and written by Earl Baldwin, Hal Conklin, George Dromgold and Joseph Fields. The film stars Eddie Quillan, Maureen O'Sullivan, Mary Nolan, Roscoe Ates and Belle Bennett. It was released on December 18, 1931 by RKO Pictures.
Caught Short is a 1930 American pre-Code comedy film directed by Charles Reisner and written by Robert E. Hopkins, Joseph H. Johnson and Willard Mack. The film stars Marie Dressler, Polly Moran, Anita Page, Charles Morton and Thomas Conlin. The film was released on May 10, 1930, by Metro-Goldwyn-Mayer.
Reducing is a 1931 American Pre-Code comedy film directed by Charles Reisner and written by Beatrice Banyard, Robert E. Hopkins, Willard Mack and Zelda Sears. The film stars Marie Dressler, Polly Moran, Anita Page, Lucien Littlefield, William Collier, Jr. and Sally Eilers. The film was released on January 3, 1931, by Metro-Goldwyn-Mayer.
Daybreak is a 1931 American pre-Code drama film directed by Jacques Feyder and written by Cyril Hume and Ruth Cummings. The film stars Ramon Novarro, Helen Chandler, Jean Hersholt, C. Aubrey Smith, William Bakewell and Karen Morley. The film was released on May 2, 1931, by Metro-Goldwyn-Mayer.
Honeymoon Lane is a 1931 American comedy film directed by William James Craft and starring Eddie Dowling, June Collyer, Raymond Hatton. The film was released on July 25, 1931, by Paramount Pictures. It is based on the 1926 Broadway play of the same title by Dowling and James F. Hanley.
