"Deep in the Heart of Texas" is an American popular song about Texas.
Buddy Feyne was an American lyricist during the swing era. He wrote the lyrics for "Tuxedo Junction", which went to No. 1 on the Billboard chart in 1940 when Glenn Miller recorded it, "Jersey Bounce", which was No. 15 on the Cash Box Hit Parade of 1942., and "Jumpin' with Symphony Sid".
"I've Got The World on a String" is a 1932 popular jazz song composed by Harold Arlen, with lyrics written by Ted Koehler. It was written for the twenty-first edition of the Cotton Club series which opened on October 23, 1932, the first of the Cotton Club Parades.
The Chez Paree was a Chicago nightclub known for its glamorous atmosphere, elaborate dance numbers, and top entertainers. It operated from 1932 until 1960 in the Streeterville neighborhood of Chicago at 610 N. Fairbanks Court. The club was the epitome of the golden age of entertainment, and it hosted a wide variety of performers, from singers to comedians to vaudeville acts. A "new" Chez Paree opened briefly in the mid-1960s on 400 N. Wabash Avenue and was seen in the film Mickey One with Warren Beatty.
Cavalcade of Bands is an early 1950s American television series which aired on the now defunct DuMont Television Network.
"Bugle Call Rag", also known as "Bugle Call Blues", is a jazz standard written by Jack Pettis, Billy Meyers and Elmer Schoebel. It was first recorded by the New Orleans Rhythm Kings in 1922 as "Bugle Call Blues", although later renditions as well as the published sheet music and the song's copyright all used the title "Bugle Call Rag".
The Old Barn Dance is a 1938 American Western film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, Joan Valerie, and written by Bernard McConville and Charles F. Royal.
San Antonio Rose is a 1941 American black-and-white musical film starring Jane Frazee and featuring Lon Chaney Jr. and Shemp Howard; it was also designed as a showcase for the then-popular vocal group The Merry Macs. The plot involves two rival groups of entertainers converging on an abandoned roadhouse with the intent to reopen it, unaware that a gangster is eyeing the property for his own scheme.
The Big Show is a 1936 American Western musical film directed by Mack V. Wright and starring Gene Autry, Kay Hughes, and Smiley Burnette. Written by Dorrell and Stuart E. McGowan, the film is about a singing cowboy who confuses two girls by being himself and his own stunt double at the Texas Centennial in Dallas. Roy Rogers appears in the film as one of the Sons of the Pioneers.
Ride Ranger Ride is a 1936 American Western film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, and Kay Hughes. Based on a story by Bernard McConville and Karen DeWolf, and a screenplay by Dorrell and Stuart E. McGowan, the film is about a Texas Ranger working undercover to protect an Army wagon train full of ammunition and supplies. The Army doesn't believe him at first, until the Comanche arrive.
Round-Up Time in Texas is a 1937 American Western film directed by Joseph Kane and written by Oliver Drake. The film stars Gene Autry, Smiley Burnette, and Maxine Doyle. Despite its title, the majority of the film takes place in South Africa.
Man from Music Mountain is a 1938 American Western film directed by Joseph Kane and starring Gene Autry, Smiley Burnette, and Carol Hughes. Written by Betty Burbridge and Luci Ward, based on a story by Bernard McConville, the film is about a singing cowboy who fights corrupt land developers who try to cheat honest ranchers who are unaware of the gold lying beneath their land.
Rhythm of the Saddle is a 1938 American Western film directed by George Sherman and starring Gene Autry, Smiley Burnette, and Pert Kelton. Written by Paul Franklin, the film is about the foreman at a ranch owned by a wealthy rodeo owner who will lose her rodeo contract unless sales improve.
Rootin' Tootin' Rhythm is a 1937 American Western film directed by Mack V. Wright and starring Gene Autry, Smiley Burnette, and Armida. Based on a story by Johnston McCulley, the film is about two cowboys who assume the identities of dead outlaws in order to stop a bunch of cattle rustlers, later discovering that the outlaws are far from dead.
Mexicali Rose is a 1939 American Western film directed by George Sherman and starring Gene Autry, Smiley Burnette, and Noah Beery. Based on a story by Luci Ward and Connie Lee, the film is about a singing cowboy who fights corrupt oil men selling worthless stock from a non-existent well located on land belonging to a poor Mexican orphanage.
Colorado Sunset is a 1939 American Western film directed by George Sherman and starring Gene Autry, Smiley Burnette, and June Storey. Written by Betty Burbridge and Stanley Roberts, based on a story by Luci Ward and Jack Natteford, the film is about a singing cowboy and his buddies who discover that the ranch they bought is really a dairy farm—and worse, it's subject to intimidation from a protection racket that prevents dairy products from safely reaching the market.
South of the Border is a 1939 Western film directed by George Sherman and starring Gene Autry, Smiley Burnette, and June Storey. Written by Betty Burbridge and Gerald Geraghty, based on a story by Dorrell and Stuart E. McGowan, the film is about a federal agent who is sent to Mexico to prevent foreign powers from gaining control of Mexican oil refineries and fomenting revolution among the Mexican people.
Gaucho Serenade is a 1940 American Western film directed by Frank McDonald and starring Gene Autry, Smiley Burnette, and June Storey. Written by Betty Burbridge and Bradford Ropes, the film is about a singing cowboy who goes up against a group of businessmen who plot to kidnap the son of a former partner so he won't testify against them.
The Singing Hill is a 1941 American Western film directed by Lew Landers and starring Gene Autry, Smiley Burnette, and Virginia Dale. Based on a story by Jesse Lasky Jr. and Richard Murphy, the film is about a singing cowboy and foreman of a ranch that may be sold to an unscrupulous banker by the young madcap heiress who is unaware that the sale will result in the local ranchers losing their free grazing land and their ranches. In the film, Autry performed the 1940 song "Blueberry Hill", first recorded by Sammy Kaye, which would become a standard recorded by such artists as Louis Armstrong (1949), Fats Domino (1956), and Elvis Presley (1957). The song became one of Autry's best-selling recordings. In 1987, "Blueberry Hill" received an ASCAP Award for Most Performed Feature Film Standards on TV.
