Design for Living is a comedy play written by Noël Coward in 1932. It concerns a trio of artistic characters, Gilda, Otto and Leo, and their complicated three-way relationship. Originally written to star Lynn Fontanne, Alfred Lunt and Coward, it was premiered on Broadway, partly because its risqué subject matter was thought unacceptable to the official censor in London. It was not until 1939 that a London production was presented.
Allen Curtis Jenkins was an American character actor, voice actor and singer who worked on stage, film, and television. He may be best known to baby-boomer audiences as the voice of Officer Charlie Dibble in the Hanna-Barbera TV cartoon series Top Cat (1961–62).
Günther Edward Arnold Schneider was an American actor of the stage and screen.
Erik Rhodes was an American film and Broadway singer and actor. He is best remembered today for appearing in two classic Hollywood musical films with the popular dancing team of Fred Astaire and Ginger Rogers: The Gay Divorcee (1934) and Top Hat (1935).
Secrets Can Kill is the first of many installments in the Nancy Drew point-and-click adventure game series by HeR Interactive. Players take on the first-person view of fictional amateur sleuth Nancy Drew and solve the mystery through interrogation of suspects, solving puzzles, and discovering clues. The game is animated in 3D, but unlike later games, the characters are 2D. There are three levels of gameplay: Junior, Senior, and Master detective modes. Each mode offers a different difficulty level of puzzles and hints, however, none of these changes affect the actual plot of the game. The game is loosely based on a The Nancy Drew Files book of the same name, Secrets Can Kill (1986).
Lloyd Corrigan was an American film and television actor, producer, screenwriter, and director who began working in films in the 1920s. The son of actress Lillian Elliott, Corrigan directed films, usually mysteries such as Daughter of the Dragon starring Anna May Wong, before dedicating himself more to acting in 1938. His short La Cucaracha won an Academy Award in 1935.
Born to Dance is a 1936 American musical film directed by Roy Del Ruth and starring Eleanor Powell, James Stewart and Virginia Bruce. It was produced and distributed by Metro-Goldwyn-Mayer. The score was composed by Cole Porter.
Ernest Truex was an American actor of stage, film, and television.
The Maltese Falcon is a 1931 American pre-Code crime film based on the 1930 novel The Maltese Falcon by Dashiell Hammett and directed by Roy Del Ruth. The film stars Ricardo Cortez as private detective Sam Spade and Bebe Daniels as femme fatale Ruth Wonderly. The supporting cast features Dudley Digges, Thelma Todd, Walter Long, Una Merkel, and Dwight Frye. Maude Fulton and Brown Holmes wrote the screenplay; one contemporaneous report said that Lucien Hubbard was assisting them.
Edward Dillon was an American actor, director and screenwriter of the silent era. He performed in more than 320 films between 1905 and 1932 and also directed 134 productions between 1913 and 1926. He was a native of New York City.
Lillian Russell is a 1940 American biographical film of the life of the singer and actress. The screenplay was by William Anthony McGuire. The film was directed by Irving Cummings and produced by Darryl F. Zanuck. It stars Alice Faye in the title role, Don Ameche, Henry Fonda and Edward Arnold as Diamond Jim Brady.
Twin Beds is a 1942 American comedy film directed by Tim Whelan, and starring by George Brent and Joan Bennett. It was distributed by United Artists. The screenplay was written by Kenneth Earl, Curtis Kenyon and Eddie Moran, based on the play of the same name by Salisbury Field and Margaret Mayo.
Slightly Honorable is a 1939 American mystery film directed by Tay Garnett and starring Pat O'Brien, Edward Arnold and Broderick Crawford. The film was based on the 1939 novel Send Another Coffin by Frank Gilmore Presnell, Jr. (1906–1967).
Whistling in the Dark is a 1941 comedy film directed by S. Sylvan Simon. It is the first of three films starring Red Skelton as Wally "the Fox" Benton, who writes and acts in radio murder mysteries. Wally is kidnapped by a greedy cult leader, who threatens to kill Wally's girlfriend and another young woman unless he concocts a perfect murder. The film was based on the Broadway play of the same name by Laurence Gross and Edward Childs Carpenter. Uncredited contributing writer Elliott Nugent wrote and directed the earlier film adaptation of the same name.
Whistling in the Dark may refer to:
Murder In the Fleet is a 1935 American murder mystery/comedy-drama film set aboard USS Carolina. Released by Metro-Goldwyn-Mayer, the film was directed by Edward Sedgwick and stars Robert Taylor and Jean Parker.
Murder in the Private Car is a 1934 American pre-Code mystery romance film starring Mary Carlisle, Charles Ruggles and Una Merkel. Directed by Harry Beaumont, the production is based on the play The Rear Car by Edward E. Rose. David Townsend was the film's art director.
The Warrior's Husband is a 1933 American pre-Code comedy film directed by Walter Lang and starring Elissa Landi, David Manners, and Ernest Truex. It tells the story of the Amazons, who ruled over men thanks to the sacred girdle of Diana, and Hercules who came to steal it. The film is based on a 1932 Broadway production of Julian Thompson's 1924 play that starred Katharine Hepburn in the lead role.
Biography of a Bachelor Girl is a 1935 American comedy film directed by Edward H. Griffith and written by Horace Jackson and Anita Loos. It is based upon the play, "Biography," by S. N. Behrman. The film stars Ann Harding, Robert Montgomery, Edward Everett Horton, Edward Arnold, Una Merkel and Charles Richman. It was released on January 4, 1935, by Metro-Goldwyn-Mayer.
The Man from Texas is a 1948 American Western film starring James Craig and Lynn Bari. The film was directed by Leigh Jason, with Earl Robinson serving as the film composer. It is credited as being based on the 1938 play and novel Missouri Legend by Elizabeth Beall Ginty that was based on Jesse James. It was produced by Bryan Foy for Eagle-Lion Films. The film's sets were designed by the art director Edward L. Ilou.
