Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
It Happened One Night is a 1934 American pre-Code romantic comedy film with elements of screwball comedy directed and co-produced by Frank Capra, in collaboration with Harry Cohn, in which a pampered socialite tries to get out from under her father's thumb and falls in love with a roguish reporter. The screenplay by Robert Riskin is based on the August 1933 short story "Night Bus" by Samuel Hopkins Adams, which provided the shooting title. Classified as a "pre-Code" production, the film is among the last romantic comedies created before the MPPDA began rigidly enforcing the 1930 Motion Picture Production Code in July 1934. It Happened One Night was released just four months prior to that enforcement.
Émilie Chauchoin, professionally known as Claudette Colbert, was an American actress. Colbert began her career in Broadway productions during the late 1920s and progressed to films with the advent of talking pictures. Initially contracted to Paramount Pictures, Colbert became one of the few major actresses of the period who worked freelance, independent of the studio system.
The Shop Around the Corner is a 1940 American romantic comedy film produced and directed by Ernst Lubitsch and starring Margaret Sullavan, James Stewart and Frank Morgan. The screenplay was written by Samson Raphaelson based on the 1937 Hungarian play Parfumerie by Miklós László. Eschewing regional politics in the years leading up to World War II, the film is about two employees at a leathergoods shop in Budapest who can barely stand each other, not realizing they are falling in love as anonymous correspondents through their letters.
The following is an overview of 1933 in film, including significant events, a list of films released, and notable births and deaths.
George Brent was an Irish-American stage, film, and television actor. He is best remembered for the eleven films he made with Bette Davis, which included Jezebel and Dark Victory.
The House That Shadows Built (1931) is a feature compilation film from Paramount Pictures, made to celebrate the 20th anniversary of the studio's founding in 1912. The film was a promotional film for exhibitors and never had a regular theatrical release.
Mary Boland was an American stage and film actress.
Tovarich is a 1937 American comedy film directed by Anatole Litvak, based on the 1935 play by Robert E. Sherwood, which in turn was based on the 1933 French play Tovaritch by Jacques Deval. It was produced by Litvak through Warner Bros., with Robert Lord as associate producer and Hal B. Wallis and Jack L. Warner as executive producers. The screenplay was by Casey Robinson from the French play by Jacques Deval adapted into English by Robert E. Sherwood. The music score was by Max Steiner and the cinematography by Charles Lang.
The Egg and I is a 1947 American romantic comedy film directed by Chester Erskine, who co-wrote the screenplay with Fred F. Finklehoffe, based on the book of the same name by Betty MacDonald and starring Claudette Colbert and Fred MacMurray, with Marjorie Main and Percy Kilbride as Ma and Pa Kettle.
Sleep, My Love is a 1948 American noir film directed by Douglas Sirk. It features Claudette Colbert, Robert Cummings and Don Ameche.
Secrets of a Secretary is a 1931 American pre-Code drama film directed by George Abbott, and starring Claudette Colbert and Herbert Marshall. The film was stage actress Mary Boland's first role in a talkie. From a story by Charles Brackett.
No Time for Love is a 1943 American romantic comedy film produced and directed by Mitchell Leisen and starring Claudette Colbert and Fred MacMurray. Written by Claude Binyon, Robert Lees, and Frederic I. Rinaldo, the film is about a sophisticated female photographer assigned to photograph the tough "sandhog" construction workers at a tunnel project site. After saving one of the sandhogs from a fatal accident, she becomes attracted to this cocky well-built man they call Superman. Unsettled by her feelings, she hires the man as her assistant, believing that her attraction to him will diminish if she spends time with him. Their time together, however, leads to feelings of love, and she struggles to overcome her haughtiness and make her true feelings known.
The Bride Comes Home is a 1935 comedy film made by Paramount Pictures, directed by Wesley Ruggles, and starring Claudette Colbert, Fred MacMurray and Robert Young. It was written by Claude Binyon and Elisabeth Sanxay Holding.
Four Frightened People is a 1934 American Pre-Code adventure film directed by Cecil B. DeMille and starring Claudette Colbert, Herbert Marshall, Mary Boland, and William Gargan. It is based on the 1931 novel by E. Arnot Robertson.
For the Love of Mike is a 1927 American silent romantic drama film. Directed by Frank Capra, it starred Claudette Colbert and Ben Lyon. It is now considered to be a lost film.
Albert E. Lewis was a Polish-born Broadway and film producer. His family emigrated to the Lower East Side of Manhattan, New York when he was a boy. He became a vaudeville comedian, then started a partnership producing one-act plays for vaudeville. Around 1930 he moved to Hollywood and worked as a film producer with Paramount, RKO, and MGM until after World War II.
Hollywood on Parade (1932–1934) is a series of short subjects released by Paramount Pictures.
Mama Loves Papa is a 1933 American pre-Code comedy film directed by Norman Z. McLeod, with a story by Nunnally Johnson and Douglas MacLean, and a screenplay by MacLean, Keene Thompson, and Arthur Kober. The film was produced by Paramount Pictures and stars Charlie Ruggles and Mary Boland.
Dixon Howard "Dick" Hogan was an American actor of the 1930s and 1940s. During his 12-year career he appeared in over three dozen films, in roles which varied from unnamed bellhops to featured and starring roles. His final film performance was as the murder victim in Alfred Hitchcock's Rope (1948).
