Wives Never Know | |
---|---|
Directed by | Elliott Nugent |
Written by | Frederick Hazlitt Brennan Edwin Justus Mayer |
Story by | Keene Thompson |
Produced by | Harlan Thompson |
Starring | Charlie Ruggles Mary Boland Adolphe Menjou |
Cinematography | George T. Clemens |
Edited by | Richard C. Currier |
Music by | Boris Morros Phil Boutelje Harold Lewis Ralph Rainger |
Production company | |
Distributed by | Paramount Pictures (1936 theatrical) MCA/Universal Pictures (1958 television) |
Release date |
|
Running time | 75 minutes |
Country | United States |
Language | English |
Wives Never Know is a 1936 American black-and-white comedy film directed by Elliott Nugent. Written by Frederick Hazlitt Brennan, Edwin Justus Mayer and Keene Thompson, the film stars Charlie Ruggles, Mary Boland, and Adolphe Menjou, and was produced by Adolph Zukor for Paramount Pictures. [1] [2] [3] [4] [5]
Homer and Marcia Bigelow are a happily married couple. Visiting novelist J. Hugh Ramsey considers himself both too wise to ever marry and, through hubris, qualified to offer his own wild theories on what constitutes a happy marriage. He had thus written a best selling novel titled Marriage, the Living Death. Ramsey decides that the Bigelow marriage could not possibly be as perfect as it appears, and convinces Homer that his wife must be secretly unhappy because she had never had the opportunity to forgive the morally spotless Homer for any misdeed. Wishing to please, Homer decides to involve himself in a trist so that Marcia would then have something for which she could forgive him. He chooses French actress Renée La Journée who is performing nearby. Ramsey learns of the affair and discovers that the La Journée turns out to be the one love of his life that he had lost years earlier.
|
|
Lawrence Journal-World called the film "a delightful and hilarious comedy of married life". They wrote that Charles Ruggles and Mary Boland "carry the lead roles in inimitable manner which has endeared them to millions", and that the film marked a return to film for actress Vivienne Osborne after a two-year absence. [3] Evening Independent noted that a film combination of Charles Ruggles and Mary Boland is always irresistible, and wrote that the film "kept the preview audience laughing from beginning to the last fade-out". In consideration of the three stars, they wrote "Ruggles, Boland and Menjou make a rollicking comedy trio", and predicted that the film "should play a merry tune at boxoffices". [5] In October 1936, The Sunday Morning Star listed the film as one of its 'Best Bets of the Week'. [6]
Conversely, Pittsburgh Post-Gazette advised that fans of Charles Ruggles and Mary Boland would be in for a "considerable let-down" when watching the film. In examining the film in comparison to previous films where Ruggles and Boland reprised roles where they were husband and wife, they wrote of Wives Never Know that "it is a listless, laborous little comedy that resembles the result of a scavenger hunt at the old Mack Sennett Studios." They offered that there were the expected laughs to be found in any film involving Ruggles and Boland, but that the storyline itself possessed few comic qualities, and that left to their own resources, the co-stars "falter and fumble through six or seven reels of makeshift humor." [2]
The New York Times made note of the ongoing screen partnering of Charles Ruggles and Mary Boland, and that the film in offering Ruggles' "familiar timid-husband sequences" and Boland's "usual number of stock Bolandisms", seems to be holding "a sacrifice auction sale..." "...at a considerable reduction in humor." In addressing the film plot, they felt it was "merely an antiquated type of stage farce enacted before a camera". However, they made special note of the contribution of Adolphe Menjou, who in the role of a visiting author, was "quixotic as ever" in his character's "commendable effort to break up the Ruggles-Boland marriage." They commended that the entire cast gave their best efforts, and that "even the urbane Mr. Menjou falls into the ditch, as it were, unreservedly, without holding back a shred of himself." [1]
Released theatrically in the United States September 13, 1936, the film was released as Jos rouvat tietäisivät in Finland May 23, 1937, and as Sikken en nat in Denmark August 9, 1937. In 1958 the rights were purchased by MCA/Universal Pictures.
Little Miss Marker is an American Pre-Code 1934 comedy-drama film directed by Alexander Hall. It was written by William R. Lipman, Sam Hellman, and Gladys Lehman after a 1932 short story of the same name by Damon Runyon. It stars Shirley Temple, Adolphe Menjou and Dorothy Dell in a story about a young girl held as collateral by gangsters. It was Temple's first starring role in a major motion picture and was crucial to establishing her as a major film star. It was inducted into the National Film Registry by the Library of Congress in 1998 and has been remade several times.
Thomas Leo McCarey was an American film director, screenwriter, and producer. He was involved in nearly 200 films, including the critically acclaimed Duck Soup, Make Way for Tomorrow, The Awful Truth, Going My Way, The Bells of St. Mary's, My Son John and An Affair To Remember.
Adolphe Jean Menjou was an American actor. His career spanned both silent films and talkies. He appeared in such films as Charlie Chaplin's A Woman of Paris, where he played the lead role; Stanley Kubrick's Paths of Glory with Kirk Douglas; Ernst Lubitsch's The Marriage Circle; The Sheik with Rudolph Valentino; Morocco with Marlene Dietrich and Gary Cooper; and A Star Is Born with Janet Gaynor and Fredric March, and was nominated for an Academy Award for The Front Page in 1931.
Charles Sherman Ruggles was an American comic character actor. In a career spanning six decades, Ruggles appeared in close to 100 feature films, often in mild-mannered and comic roles. He was also the elder brother of director, producer, and silent film actor Wesley Ruggles (1889–1972).
Mary Brian was an American actress who made the transition from silent films to sound films.
Mary Boland was an American stage and film actress.
The Milky Way is a 1936 American comedy film starring Harold Lloyd. Directed by comedy veteran Leo McCarey, the film was written by Grover Jones, Frank Butler and Richard Connell based on a play of the same name by Lynn Root and Harry Clork that was presented on Broadway in 1934.
The Front Page is a 1931 American pre-Code screwball black comedy film directed by Lewis Milestone and starring Adolphe Menjou and Pat O'Brien. Based on the 1928 Broadway play of the same name by Ben Hecht and Charles MacArthur, the film was produced by Howard Hughes, written by Bartlett Cormack and Charles Lederer, and distributed by United Artists. The supporting cast includes Mary Brian, Edward Everett Horton, Walter Catlett, George E. Stone, Mae Clarke, Slim Summerville, and Matt Moore. At the 4th Academy Awards, the film was nominated for Best Picture, Milestone for Best Director, and Menjou for Best Actor.
No More Ladies is a 1935 American romantic comedy film directed by Edward H. Griffith. The film stars Joan Crawford and Robert Montgomery, and co-stars Charlie Ruggles, Franchot Tone, and Edna May Oliver. The screenplay credited to Donald Ogden Stewart and Horace Jackson is based on a stage comedy of the same name by A.E. Thomas.
Hotel Haywire is a 1937 American comedy film written by Preston Sturges with uncredited rewrites by Lillie Hayward. It was directed by George Archainbaud and stars Leo Carrillo, Lynne Overman, Spring Byington, Benny Baker and Colette Lyons.
Sinners in Silk is a 1924 silent romantic drama film directed by Hobart Henley. The film stars Eleanor Boardman, Adolphe Menjou, Hedda Hopper, Conrad Nagel, and Jean Hersholt. It was written by Benjamin Glazer and Carey Wilson.
Night Work is a 1939 American comedy film directed by George Archainbaud and starring Mary Boland, Charles Ruggles, Billy Lee, and Donald O'Connor. The film is the sequel to Boy Trouble.
Keene Thompson was a story, scenario and screenwriter who worked in the film industry from 1920 to 1937.
Mama Loves Papa is a 1945 American comedy film directed by Frank R. Strayer and written by Monte Brice, with a story by Keene Thompson and a screenplay by Charles E. Roberts. It is a loose remake of the 1933 film Mama Loves Papa, written by Douglas MacLean. The film was produced by RKO Radio Pictures and stars Leon Errol and Elizabeth Risdon.
Mama Loves Papa is a 1933 American pre-Code comedy film directed by Norman Z. McLeod, with a story by Nunnally Johnson and Douglas MacLean, and a screenplay by MacLean, Keene Thompson, and Arthur Kober. The film was produced by Paramount Pictures and stars Charlie Ruggles and Mary Boland.
Vivienne Osborne was an American stage and film actress known for her work in Broadway theatre and in silent and sound films.
Two White Arms, also known as Wives Beware, is a 1932 British comedy film directed by Fred Niblo and starring Adolphe Menjou, Margaret Bannerman and Claud Allister. It is adapted from a play by Harold Dearden.
Lost: A Wife is a 1925 American silent comedy film directed by William C. deMille and written by Clara Beranger based upon a play by Clare Kummer and Alfred Savoir. The film stars Adolphe Menjou, Greta Nissen, Robert Agnew, Edgar Norton, Mario Carillo, and Genaro Spagnoli. The film was released on July 13, 1925, by Paramount Pictures.
People Will Talk is a 1935 American comedy film directed by Alfred Santell and written by Herbert Fields. The film stars Charlie Ruggles, Mary Boland, Leila Hyams, Dean Jagger, Ruthelma Stevens, and Cecil Cunningham. The film was released on May 24, 1935, by Paramount Pictures.
Early to Bed is a 1936 American comedy film directed by Norman Z. McLeod, written by Arthur Kober, Lucien Littlefield, S. J. Perelman and Chandler Sprague, and starring Mary Boland, Charlie Ruggles, George Barbier, Gail Patrick, Robert McWade and Lucien Littlefield. It was released on June 25, 1936, by Paramount Pictures.