The Big Store | |
---|---|
Directed by | Charles Reisner |
Written by | Nat Perrin (story) Sid Kuller Hal Fimberg Ray Golden |
Produced by | Louis K. Sidney |
Starring | Groucho Marx Chico Marx Harpo Marx Tony Martin Virginia Grey Margaret Dumont Douglass Dumbrille |
Cinematography | Charles Lawton Jr. |
Edited by | Conrad A. Nervig |
Music by | Hal Borne Georgie Stoll (musical direction) Earl Brent (adaptation) Arthur Appell (dance direction) |
Production company | |
Distributed by | Loew's Inc. |
Release date |
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Running time | 83 minutes |
Country | United States |
Language | English |
The Big Store is a 1941 American comedy film directed by Charles Reisner and starring the Marx Brothers (Groucho, Harpo and Chico) that takes place in a large department store. Groucho appears as private detective Wolf J. Flywheel (a character name originating from the Marx-Perrin radio show Flywheel, Shyster, and Flywheel in the early 1930s).
The Big Store was the last of the five films that the Marx Bros. made under contract to Metro-Goldwyn-Mayer. The Marxes had decided to retire as a team and The Big Store was advertised as their farewell film. However, they would return to the screen in A Night in Casablanca (1946) and Love Happy (1949).
The film also features singer Tony Martin and Virginia Grey as the love interests and longtime Marx Brothers foil Margaret Dumont in her seventh and final film with the Marxes. The villain is portrayed by Douglass Dumbrille, who had played a similar role in A Day at the Races (1937).
Singer Tommy Rogers has recently inherited half ownership of the Phelps department store from his late uncle, Hiram Phelps. The other half of the business is owned by Hiram's sister and Tommy's aunt, Martha Phelps. Rogers has no interest in running a department store, so he plans to sell his interest in the store to finance a new music conservatory. Mr. Grover, the store manager, plots to kill Rogers before he can sell his share of the business, marry the wealthy Martha and then likely kill her, becoming sole owner of the Phelps department store. Martha is extremely worried about her nephew's safety, lest anyone should suspect her of engaging in foul play to take over the store. Against Grover's wishes, Martha hires private detective Wolf J. Flywheel as a floorwalker and Tommy's bodyguard. Tommy is in love with Joan Sutton, a store employee. Flywheel romances Martha, while Wacky, Fleewheel's assistant and driver, is reunited with his brother Ravelli, Tommy's best friend. Eventually, Flywheel, Wacky and Ravelli expose Grover and his henchmen and save Tommy.
The film has two extended scenes with all three Marx Brothers. One is in the store's bed department, with several unusual beds that appear out of the walls and floor. The other takes place near the film's climax, when Groucho, Chico and Harpo escape their pursuers in a madcap chase through the store on roller skates. This elaborate sequence took an entire month to shoot and utilized an unusual number of stunt doubles, Mack Sennett-type slapstick stunts and stop-motion photography for a Marx Brothers film. Oddly, a "funny" janitor also appears as a sort of comic relief.
At two points, Groucho breaks the fourth wall. During the "Sing While You Sell" number, he narrates a fashion show and speaks a few asides, including "This is a bright red dress, but Technicolor is so expensive." At the end of the film, after Grover has been exposed as the villain, Groucho comments, "I told you in the first reel he was a crook!"
As with the previous Marx Bros. MGM films, The Big Store contains elaborate musical numbers, including the upbeat "Sing While You Sell" led by a singing and dancing Groucho, "Tenement Symphony" sung by Tony Martin and a children's choir. The screenwriting team of Sid Kuller, Ray Golden and Hal Fimberg also supplied the lyrics to Hal Borne's original music. An instrumental version of the Arthur Freed/Nacio Herb Brown tune "Sing Before Breakfast" from Broadway Melody of 1936 is heard during the Groucho-Harpo scene. The Big Store is the second Marx film with an instrumental version of "Cosi-Cosa" from A Night at the Opera, which can be heard during the bed department scene. It is also heard at the beginning of the racetrack scene in A Day at the Races.
Reviews for The Big Store were generally positive, but unenthusiastic.
Theodore Strauss of The New York Times wrote that "if it lacks the continuously harebrained invention of, say, A Night at the Opera, the boys are still the most erratic maniacs this side of bars. If one were entirely truthful one would have to admit that the picture has many a dull stretch, that the tricks have been overworked, that the boys are slowing down, etc., etc. But with Marxian adherents—among whom we most decidedly belong—the question is simply, Are the Marx Brothers in it? They are." [1]
A review in Variety called the film a "moderate comedy where dull stretches overshadow the several socko laugh sequences during a bumpy unfolding ... Marx Bros. repeat their familiar antics without much variation from previous appearances." [2]
Film Daily suggested that a couple of the chase scenes were "a little lengthy" but still concluded, "A 'laugh clocker' could run a high total checking this and the preview audience seemed to love it." [3]
John Mosher of The New Yorker wrote that the film was "not great Marx material, not a film that collectors will exhibit as a sample of this era's humor, but again and again the old flash is there." [4]
The Big Store returned a modest profit of $33,000, but was initially the most profitable of the Marxes three final films for MGM. [5]
The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in 14 motion pictures from 1905 to 1949. Five of the Marx Brothers' fourteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them, Duck Soup (1933) and A Night at the Opera (1935), in the top fifteen. They are widely considered by critics, scholars and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years...100 Stars list of the 25 greatest male stars of Classical Hollywood cinema, the only performers to be included collectively.
Animal Crackers is a 1930 American pre-Code Marx Brothers comedy film directed by Victor Heerman. The film stars the Marx Brothers,, with Lillian Roth and Margaret Dumont, based on the Marxes’ Broadway musical of the same name. Mayhem and zaniness ensue during a weekend party in honor of famed African explorer Captain Jeffrey T. Spaulding. A critical and commercial success upon its initial release, Animal Crackers was shot at Paramount's Astoria Studios in Astoria, Queens, the second film the Brothers would make in New York City.
Duck Soup is a 1933 American pre-Code musical black comedy film written by Bert Kalmar and Harry Ruby and directed by Leo McCarey. Released by Paramount Pictures on November 17, 1933, it stars the four Marx Brothers and also features Margaret Dumont, Louis Calhern, Raquel Torres and Edgar Kennedy. Duck Soup was the last of the five Marx Brothers films released by Paramount Pictures. In the film, Groucho portrays the newly installed president of the fictional country of Freedonia. Zeppo is his secretary, while Chico and Harpo are spies for the neighboring country of Sylvania. Relations between Firefly and the Sylvanian ambassador (Calhern) deteriorate during the film, eventually leading the two countries to war.
A Night at the Opera is a 1935 American comedy film starring the Marx Brothers, and featuring Kitty Carlisle, Allan Jones, Margaret Dumont, Sig Ruman, and Walter Woolf King. It was the first of five films the Marx Brothers made under contract for Metro-Goldwyn-Mayer after their departure from Paramount Pictures, and the first after Zeppo left the act. The film was written by George S. Kaufman and Morrie Ryskind from a story by James Kevin McGuinness, with additional uncredited dialogue by Al Boasberg. The film was directed by Sam Wood.
Arthur "Harpo" Marx was an American comedian, actor, mime artist, and harpist, and the second-oldest of the Marx Brothers. In contrast to the mainly verbal comedy of his brothers Groucho and Chico, Harpo's comic style was visual, being an example of vaudeville, clown and pantomime traditions. In all of his movie appearances, he wore a curly reddish blonde wig and did not speak, instead blowing a horn or whistling to communicate. Marx frequently employed props such as a horn cane constructed from a lead pipe, tape, and a bulbhorn.
Leonard Joseph "Chico" Marx was an American comedian, actor and pianist. He was the oldest brother in the Marx Brothers comedy troupe, alongside his brothers Arthur ("Harpo"), Julius ("Groucho"), Milton ("Gummo") and Herbert ("Zeppo"). His persona in the act was that of a charming, uneducated but crafty con artist, seemingly of rural Italian origin, who wore shabby clothes and sported a curly-haired wig and Tyrolean hat. On screen, Chico is often in alliance with Harpo, usually as partners in crime, and is also frequently seen trying to con or outfox Groucho. Leonard was the oldest of the Marx Brothers to live past early childhood, the first-born being Manfred Marx who had died in infancy. In addition to his work as a performer, he played an important role in the management and development of the act in its early years.
Herbert Manfred "Zeppo" Marx was an American comedic actor. He was the youngest, and last survivor, of the five Marx Brothers. He appeared in the first five Marx Brothers feature films from 1929 to 1933, and then left the act for careers as an engineer and theatrical agent.
Margaret Dumont was an American stage and film actress. She is best remembered as the comic foil to the Marx Brothers in seven of their films; Groucho Marx called her "practically the fifth Marx brother."
Alvin Morris, known professionally as Tony Martin, was an American actor and popular singer.
A Day at the Races is a 1937 American comedy film, and the seventh film starring the Marx Brothers, with Allan Jones, Maureen O'Sullivan and Margaret Dumont. Like their previous Metro-Goldwyn-Mayer feature A Night at the Opera, this film was a major hit.
At the Circus is a 1939 comedy film starring the Marx Brothers released by Metro-Goldwyn-Mayer in which they help save a circus from bankruptcy. The film contains Groucho Marx's classic rendition of "Lydia the Tattooed Lady". The supporting cast includes Florence Rice, Kenny Baker, Margaret Dumont, and Eve Arden. The songs, including "Lydia the Tattooed Lady", "Two Blind Loves", and "Step Up and Take a Bow", were written by the team of Harold Arlen and Yip Harburg, who'd recently furnished the songs for another MGM film that same year, The Wizard of Oz.
Horse Feathers is a 1932 American pre-Code comedy film starring the Marx Brothers. It stars the Four Marx Brothers, Thelma Todd and David Landau. It was written by Bert Kalmar, Harry Ruby, S. J. Perelman, and Will B. Johnstone. Kalmar and Ruby also wrote the original songs for the film. Several of the film's gags were taken from the Marx Brothers' stage comedy from the 1900s, Fun in Hi Skule. The term horse feathers is U.S. slang for "nonsense, rubbish, balderdash," attributed originally to Billy DeBeck. As a work published in 1932 and renewed within 28 years, it will enter the public domain on January 1, 2028.
The Cocoanuts is a 1929 pre-Code musical comedy film starring the Marx Brothers. Produced for Paramount Pictures by Walter Wanger, who is not credited, the film also stars Mary Eaton, Oscar Shaw, Margaret Dumont and Kay Francis. The first sound film to credit more than one director, it was adapted to the screen by Morrie Ryskind from the George S. Kaufman Broadway musical play. Five of the film's tunes were composed by Irving Berlin, including "When My Dreams Come True", sung by Oscar Shaw and Mary Eaton.
Monkey Business is a 1931 American pre-Code comedy film. It is the third of the Marx Brothers' released movies, and the first with an original screenplay rather than an adaptation of one of their Broadway shows. The film also features Thelma Todd, Harry Woods and Ruth Hall and Rockliffe Fellowes. It is directed by Norman Z. McLeod with screenplay by S. J. Perelman and Will B. Johnstone.
Flywheel, Shyster, and Flywheel is a situation comedy radio show starring two of the Marx Brothers, Groucho and Chico, and written primarily by Nat Perrin and Arthur Sheekman. The series was originally broadcast in the United States on the National Broadcasting Company's Blue Network, beginning on November 28, 1932, and ending on May 22, 1933. Sponsored by the Standard Oil Companies of New Jersey, Pennsylvania and Louisiana and the Colonial Beacon Oil Company, it was the Monday night installment of the Five-Star Theater, an old-time radio variety series that offered a different program each weeknight. Episodes were broadcast live from NBC's WJZ station in New York City and later from a sound stage at RKO Pictures in Los Angeles, California, before returning to WJZ for the final episodes.
Humor Risk, also known as Humorisk, is a lost unreleased 1921 silent comedy short film. It is the first film to star the Marx Brothers, and was the only Marx Brothers movie until the release of their 1929 musical comedy The Cocoanuts.
Go West is a 1940 American comedy western film from Metro-Goldwyn-Mayer starring the Marx Bros. In their tenth film, head to the American West and attempt to unite a couple by ensuring that a stolen property deed is retrieved. The film was directed by Edward Buzzell and written by Irving Brecher.
I'll Say She Is (1924) is a musical comedy revue written by brothers Will B. Johnstone and Tom Johnstone (music). It was the Broadway debut of the Marx Brothers. The initial production premiered in June 1923 at Walnut Street Theatre in Philadelphia, Pennsylvania before its national tour.
The Cocoanuts is a musical with music and lyrics by Irving Berlin and a book by George S. Kaufman, with additional text by Morrie Ryskind.
Flywheel, Shyster, and Flywheel is a BBC Radio 4 1990 situation comedy radio show, adapted from a 1932 American radio show of the same name. The original series starred two of the Marx Brothers, Groucho and Chico, and was written primarily by Nat Perrin and Arthur Sheekman. It depicted the misadventures of a small law firm, with Groucho acting as attorney Waldorf T. Flywheel, and Chico playing Flywheel's assistant Emmanuel Ravelli. In 1988 the show scripts were rediscovered in the US Library of Congress, and were adapted by the BBC two years later. The lead roles are performed by professional Marx Brothers soundalikes: Michael Roberts as Groucho's Flywheel and Frank Lazarus as Chico's Ravelli. Other cast members include Lorelei King playing all the female roles, Graham Hoadly as the Announcer and roles in every episode, Vincent Marzello, Spike Milligan and Dick Vosburgh guest starring. During the recording sessions, on occasions Michael Roberts would adlib certain comments and these were left in the final recordings.