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Humor Risk | |
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Directed by | Dick Smith |
Written by | Jo Swerling |
Produced by | The Marx Brothers Al Posen Max Lippman Jo Swerling |
Starring | Chico Marx Groucho Marx Harpo Marx Zeppo Marx Jobyna Ralston |
Cinematography | A. H. Vallet |
Distributed by | Caravel Comedies |
Running time | 2 reels |
Country | United States |
Languages | Silent film English intertitles |
Humor Risk, also known as Humorisk, is a lost unreleased 1921 silent comedy short film. It is the first film to star the Marx Brothers, and was the only Marx Brothers movie until the release of their 1929 musical comedy The Cocoanuts .
Information about the plot of Humor Risk is sparse. [1] According to Kyle Crichton's 1951 biography of the Brothers, Harpo played Watson, the hero and romantic lead who "made his entrance in a high hat, sliding down a coal chute into the basement." Groucho played the villain, who in the finale was shown "in ball and chain, trudging slowly off into the gloaming." In his book Monkey Business, Simon Louvish claims Harpo's character was a detective. [2]
Four of the five Marx Brothers are known to have acted in this short film: Chico, Groucho, Harpo, and Zeppo all starred, leaving Gummo the only Brother with no known appearance. [2]
Jobyna Ralston is most often credited as the female lead of Humor Risk, due in part to her face resembling that of the lead actress in the film's single surviving production still. However, some sources claim that Mildred Davis (star and later wife of Harold Lloyd) was also in the film, although other researchers have suggested that Groucho Marx simply misremembered when writing about the film in his biography decades later. The websites Marxology and SilentEra both state that the leading lady may also have been one of two other actresses, Esther Ralston or Helen Kane. [3] Ralston never mentioned working with the Marx Brothers, however, and the Brothers themselves never seem to have named Kane as a collaborator. [4]
One account of the production claims that Dick Smith's mother visited the studio and sat down at a table during shooting, but consequently had to return the next three consecutive days for continuity's sake.[ citation needed ]
Jo Swerling played a key role in funding the project, raising $6000. Additional funding was provided by the Marxes, cartoonist (and producer, in some sources) Alvah "Al" Posen, Nathan Sachs, and Max Lippman. [2] Nathan Sachs had previously partnered with Max Lippman at a law firm. Sachs made his fortune in the oil business [2] and was a patron of the Marxes both during and long after Humor Risk. [2]
Information on Humor Risk's filming location is contradictory. Author Allan Eyles has stated that the film was shot in Fort Lee, New Jersey. Groucho Marx wrote in his autobiography that it was "shot on the west side of New York," recalling that the Brothers were working at the Palace Theater and had to run across town to Weehawken to do a scene. Over time, researchers and fans have pointed to numerous studios in New Jersey and New York as potential film shoot locations for Humor Risk. Author Charlotte Chandler wryly described the movie as "shot in New Jersey, lost in New York." Matthew Coniam has claimed, on his website Marxology, that the film was shot at "Victor Studios", a name that originally referred to a lot in Fort Lee which Universal Studios purchased in 1917. The "new Victor studio" was opened in 1915 at 643 West 43rd Street in New York City. Dubbed "the cheapest studio in New York to work in," this second Victor location seems the most likely choice for the Brothers and their relatively low-budget crew, per Coniam. [5]
The film was first shown to the public, potentially in an incomplete form, at a children's matinee in early December 1921.[ citation needed ] The earliest mention of Humor Risk in an industry newspaper came in Wid's Daily (later The Film Daily ) on April 8, 1921, ahead of the film's release. That press statement claims that the Marxes had just signed onto a comedy film series with Caravel Comedies – Caravel was in fact created by the Marxes themselves for the purpose of aiding in their film debuts, and never consisted of much more than a post office box. [6]
Kyle Crichton has claimed the film was destroyed except for one rogue print, which was used by friends of the brothers for "jovial blackmail". Marx Brothers researcher Hector Arce has disputed this account, claiming instead that the only film print was burned (by Groucho) and the negatives were kept in Posen's closet. Matthew Coniam provided another version of events, writing that Reelcraft reportedly picked it up and filed it under another name, writing, "where could it be? That was the only film the brothers made that year." Max Lippman may also have owned a copy, as his estate (which was locked in a bidding war through much of the 1930s) contained some dull, unmarked canisters. [7]
Reelcraft sold nearly 200 negatives in its possession at an auction in 1922, some of which may have contained portions of Humor Risk. [2]
Silent short films of this era were often sold to distributors as part of a larger set, and Humor Risk was billed in the press as the first of a series titled "Comedies Without Custard". According to a Film Daily headline from April 11, 1921, Humor Risk would have been followed by two sequel comedies: Hick, Hick, Hooray and Hot Dog. However, there is no known evidence that the planned follow-up films were ever actually created. [2] [8]
Julius Henry "Groucho" Marx was an American comedian, actor, writer, and singer who performed in films and vaudeville on television, radio, and the stage. He was a master of quick wit and is considered one of America's greatest comedians.
The Marx Brothers were an American family comedy act that was successful in vaudeville, on Broadway, and in 14 motion pictures from 1905 to 1949. Five of the Marx Brothers' fourteen feature films were selected by the American Film Institute (AFI) as among the top 100 comedy films, with two of them, Duck Soup (1933) and A Night at the Opera (1935), in the top fifteen. They are widely considered by critics, scholars and fans to be among the greatest and most influential comedians of the 20th century. The brothers were included in AFI's 100 Years...100 Stars list of the 25 greatest male stars of Classical Hollywood cinema, the only performers to be included collectively.
Animal Crackers is a 1930 American pre-Code Marx Brothers comedy film directed by Victor Heerman. The film stars the Marx Brothers,, with Lillian Roth and Margaret Dumont, based on the Marxes’ Broadway musical of the same name. Mayhem and zaniness ensue during a weekend party in honor of famed African explorer Captain Jeffrey T. Spaulding. A critical and commercial success upon its initial release, Animal Crackers was shot at Paramount's Astoria Studios in Astoria, Queens, the second film the Brothers would make in New York City.
Duck Soup is a 1933 American pre-Code musical black comedy film written by Bert Kalmar and Harry Ruby and directed by Leo McCarey. Released by Paramount Pictures on November 17, 1933, it stars the four Marx Brothers and also features Margaret Dumont, Louis Calhern, Raquel Torres and Edgar Kennedy. Duck Soup was the last of the five Marx Brothers films released by Paramount Pictures. In the film, Groucho portrays the newly installed president of the fictional country of Freedonia. Zeppo is his secretary, while Chico and Harpo are spies for the neighboring country of Sylvania. Relations between Groucho and the Sylvanian ambassador deteriorate during the film, eventually leading the two countries to war.
A Night at the Opera is a 1935 American comedy film starring the Marx Brothers, and featuring Kitty Carlisle, Allan Jones, Margaret Dumont, Sig Ruman, and Walter Woolf King. It was the first of five films the Marx Brothers made under contract for Metro-Goldwyn-Mayer after their departure from Paramount Pictures, and the first after Zeppo left the act. The film was written by George S. Kaufman and Morrie Ryskind from a story by James Kevin McGuinness, with additional uncredited dialogue by Al Boasberg. The film was directed by Sam Wood.
Arthur "Harpo" Marx was an American comedian, actor, mime artist, and harpist, and the second-oldest of the Marx Brothers. In contrast to the mainly verbal comedy of his brothers Groucho and Chico, Harpo's comic style was visual, being an example of vaudeville, clown and pantomime traditions. In all of his movie appearances, he wore a curly reddish blonde wig and did not speak, instead blowing a horn or whistling to communicate. Marx frequently employed props such as a horn cane constructed from a lead pipe, tape, and a bulbhorn.
Leonard Joseph "Chico" Marx was an American comedian, actor and pianist. He was the oldest brother in the Marx Brothers comedy troupe, alongside his brothers Arthur ("Harpo"), Julius ("Groucho"), Milton ("Gummo") and Herbert ("Zeppo"). His persona in the act was that of a charming, uneducated but crafty con artist, seemingly of rural Italian origin, who wore shabby clothes and sported a curly-haired wig and Tyrolean hat. On screen, Chico is often in alliance with Harpo, usually as partners in crime, and is also frequently seen trying to con or outfox Groucho. Leonard was the oldest of the Marx Brothers to live past early childhood, the first-born being Manfred Marx who had died in infancy. In addition to his work as a performer, he played an important role in the management and development of the act in its early years.
Herbert Manfred "Zeppo" Marx was an American comedic actor. He was the youngest, and last survivor, of the five Marx Brothers. He appeared in the first five Marx Brothers feature films from 1929 to 1933, and then left the act for careers as an engineer and theatrical agent.
Margaret Dumont was an American stage and film actress. She is best remembered as the comic foil to the Marx Brothers in seven of their films; Groucho Marx called her "practically the fifth Marx brother."
A Day at the Races is a 1937 American comedy film, and the seventh film starring the Marx Brothers, with Allan Jones, Maureen O'Sullivan and Margaret Dumont. Like their previous Metro-Goldwyn-Mayer feature A Night at the Opera, this film was a major hit.
At the Circus is a 1939 comedy film starring the Marx Brothers released by Metro-Goldwyn-Mayer in which they help save a circus from bankruptcy. The film contains Groucho Marx's classic rendition of "Lydia the Tattooed Lady". The supporting cast includes Florence Rice, Kenny Baker, Margaret Dumont, and Eve Arden. The songs, including "Lydia the Tattooed Lady", "Two Blind Loves", and "Step Up and Take a Bow", were written by the team of Harold Arlen and Yip Harburg, who'd recently furnished the songs for another MGM film that same year, The Wizard of Oz.
Horse Feathers is a 1932 American pre-Code comedy film starring the Marx Brothers. It stars the Four Marx Brothers, Thelma Todd and David Landau. It was written by Bert Kalmar, Harry Ruby, S. J. Perelman, and Will B. Johnstone. Kalmar and Ruby also wrote the original songs for the film. Several of the film's gags were taken from the Marx Brothers' stage comedy from the 1900s, Fun in Hi Skule. The term horse feathers is U.S. slang for "nonsense, rubbish, balderdash," attributed originally to Billy DeBeck. As a work published in 1932 and renewed within 28 years, it will enter the public domain on January 1, 2028.
The Cocoanuts is a 1929 pre-Code musical comedy film starring the Marx Brothers. Produced for Paramount Pictures by Walter Wanger, who is not credited, the film also stars Mary Eaton, Oscar Shaw, Margaret Dumont and Kay Francis. The first sound film to credit more than one director, it was adapted to the screen by Morrie Ryskind from the George S. Kaufman Broadway musical play. Five of the film's tunes were composed by Irving Berlin, including "When My Dreams Come True", sung by Oscar Shaw and Mary Eaton.
Monkey Business is a 1931 American pre-Code comedy film. It is the third of the Marx Brothers' released movies, and the first with an original screenplay rather than an adaptation of one of their Broadway shows. The film also features Thelma Todd, Harry Woods and Ruth Hall. It is directed by Norman Z. McLeod with screenplay by S. J. Perelman and Will B. Johnstone. Much of the story takes place on an ocean liner crossing the Atlantic Ocean.
Room Service is a 1938 American comedy film directed by William A. Seiter, based on the 1937 play of the same name by Allen Boretz and John Murray. The film stars the Marx Brothers and also features Lucille Ball, Ann Miller and Frank Albertson. It was produced and distributed by RKO Pictures; RKO paid $255,000 for filming rights, which was then a record for a sound picture.
The Big Store is a 1941 American comedy film directed by Charles Reisner and starring the Marx Brothers that takes place in a large department store. Groucho appears as private detective Wolf J. Flywheel.
Flywheel, Shyster, and Flywheel is a situation comedy radio show starring two of the Marx Brothers, Groucho and Chico, and written primarily by Nat Perrin and Arthur Sheekman. The series was originally broadcast in the United States on the National Broadcasting Company's Blue Network, beginning on November 28, 1932, and ending on May 22, 1933. Sponsored by the Standard Oil Companies of New Jersey, Pennsylvania and Louisiana and the Colonial Beacon Oil Company, it was the Monday night installment of the Five-Star Theater, an old-time radio variety series that offered a different program each weeknight. Episodes were broadcast live from NBC's WJZ station in New York City and later from a sound stage at RKO Pictures in Los Angeles, California, before returning to WJZ for the final episodes.
I'll Say She Is (1924) is a musical comedy revue written by brothers Will B. Johnstone and Tom Johnstone (music). It was the Broadway debut of the Marx Brothers. The initial production premiered in June 1923 at Walnut Street Theatre in Philadelphia, Pennsylvania before its national tour.
Deputy Seraph was an unfinished pilot for a television series in 1959 featuring the Marx Brothers: Groucho, Chico, and Harpo. The title was a pun on seraph and sheriff, reflecting the Western shows that were popular on TV at the time.
Richard Smith, also known as Dick Smith, was a screenwriter, actor, and film director. Smith was born in Cleveland, Ohio, and became a comedian active in the vaudeville era. He met his wife Alice Howell in 1910 and the two performed together as Howell and Howell. After working under direction of Mack Sennett at the American Mutoscope and Biograph Company in New York City, Smith moved to Los Angeles, California. Smith and his wife starred in reels together produced by L-KO Kompany.