One Night of Love is a 1934 American Columbia Pictures romantic musical film set in the opera world, starring Grace Moore and Tullio Carminati. The film was directed by Victor Schertzinger and adapted from the story Don't Fall in Love, by Charles Beahan and Dorothy Speare.
David Copperfield is a 1935 American film released by Metro-Goldwyn-Mayer based upon Charles Dickens' 1850 novel The Personal History, Adventures, Experience, & Observation of David Copperfield the Younger.
Henry Graham Greene was an English writer and journalist regarded by many as one of the leading novelists of the 20th century.
Modern Times is a 1936 American part-talkie social comedy film written and directed by Charlie Chaplin in which his iconic Little Tramp character, his last performance as the character, struggles to survive in the modern, industrialized world. The movie stars Chaplin, Paulette Goddard, Henry Bergman, Tiny Sandford and Chester Conklin.
My Man Godfrey is a 1936 American screwball comedy film directed by Gregory La Cava and starring William Powell and Carole Lombard, who had been briefly married years before appearing together in the film. The screenplay for My Man Godfrey was written by Morrie Ryskind, with uncredited contributions by La Cava, based on 1101 Park Avenue, a short novel by Eric S. Hatch. The story concerns a socialite who hires a derelict to be her family's butler, and then falls in love with him.
Things to Come is a 1936 British science fiction film produced by Alexander Korda, directed by William Cameron Menzies, and written by H. G. Wells. The film stars Raymond Massey, Edward Chapman, Ralph Richardson, Margaretta Scott, Cedric Hardwicke, Maurice Braddell, Sophie Stewart, Derrick De Marney, and Ann Todd.
The Dark Angel is a 1935 film that tells the story of three childhood friends, Kitty, Alan, and Gerald who come of age in England during the First World War. The script was written by Lillian Hellman and Mordaunt Shairp, adapted from the play by Guy Bolton. It was directed by Sidney Franklin, produced by Samuel Goldwyn, and released by United Artists. A silent film version of the same play, also produced by Goldwyn, was released in 1925 and is now a lost film.
I Dream Too Much is a 1935 American romantic comedy film directed by John Cromwell. It stars Henry Fonda and Lily Pons, as well as Lucille Ball in an early supporting role. It has been described as a "somewhat wispy operetta." Songs are by Jerome Kern and Dorothy Fields. The film was nominated for an Academy Award in the category Sound Recording.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Follow the Fleet is a 1936 American RKO musical comedy film with a nautical theme starring Fred Astaire and Ginger Rogers in their fifth collaboration as dance partners. It also features Randolph Scott, Harriet Hilliard, and Astrid Allwyn, with music and lyrics by Irving Berlin. Lucille Ball and Betty Grable also appear, in supporting roles. The film was directed by Mark Sandrich with script by Allan Scott and Dwight Taylor based on the 1922 play Shore Leave by Hubert Osborne.
The Ghost Goes West is a 1935 British romantic comedy/fantasy film directed by René Clair and starring Robert Donat, Jean Parker, and Eugene Pallette. It was Clair's first English-language film. The story concerns an Old World ghost dealing with American materialism.
The Last Outpost is a 1935 American adventure film directed by Charles Barton and Louis J. Gasnier and written by Charles Brackett, Frank Partos and Philip MacDonald. It is based on F. Britten Austin's novel The Drum. The film stars Cary Grant, Claude Rains, Gertrude Michael, Kathleen Burke, Colin Tapley, Margaret Swope and Billy Bevan. The film was released on October 11, 1935, by Paramount Pictures.
The Scarlet Pimpernel is a 1934 British adventure film directed by Harold Young and starring Leslie Howard, Merle Oberon, and Raymond Massey. Based on the 1905 play by Baroness Orczy and Montagu Barstow and the classic 1905 adventure novel by Orczy, the film is about an eighteenth-century English aristocrat (Howard) who leads a double life, passing himself off as an effete aristocrat while engaged in a secret effort to rescue French nobles from Robespierre's Reign of Terror. The film was produced by Alexander Korda. Howard's portrayal of the title character is often considered the definitive portrayal of the role. In 1941, he played a similar role in "'Pimpernel' Smith" but this time set in pre-WWII Germany.
Sanders of the River is a 1935 British film directed by the Hungarian-British director, Zoltán Korda, based on the stories of Edgar Wallace. It is set in Colonial Nigeria. The lead Nigerian characters were played by African Americans Paul Robeson and Nina Mae McKinney. The film proved a significant commercial and critical success, giving Korda the first of his four nominations for Best Film at the Venice Film Festival.
Moscow Nights is a 1935 British drama film directed by Anthony Asquith and starring Laurence Olivier, Penelope Dudley-Ward and Harry Baur. The screenplay concerns a wounded officer who falls in love with his nurse.
If You Could Only Cook (1935) is a screwball comedy of mistaken identity starring Herbert Marshall as a frustrated automobile executive and Jean Arthur as a young woman who talks him into posing as her husband so they can land jobs as a butler and a cook.
Everything Is Thunder is a 1936 British thriller film directed by Milton Rosmer and starring Constance Bennett, Douglass Montgomery and Oskar Homolka. Its plot concerns a British officer who attempts to escape from a German Prisoner of War camp during the First World War.
Peg of Old Drury is a 1935 British historical film directed by Herbert Wilcox and starring Anna Neagle, Cedric Hardwicke and Margaretta Scott. The film is a biopic of 18th century Irish actress Peg Woffington. It was based on the play Masks and Faces by Charles Reade and Tom Taylor. It contains passages of 18th century Shakespearian performance, from The Merchant of Venice, Richard III and As You Like It.
Escape Me Never is a 1935 British drama film directed by Paul Czinner, produced by Herbert Wilcox, and starring Elisabeth Bergner, Hugh Sinclair and Griffith Jones. The score is by William Walton with orchestration by Hyam Greenbaum. Bergner was nominated for the Oscar for Best Actress for her performance, but lost to Bette Davis. British readers of Film Weekly magazine voted the 1935 Best Performance in a British Movie to her. The film is an adaptation of the play Escape Me Never by Margaret Kennedy, which was based upon her 1930 novel The Fool of the Family. That book was a sequel to The Constant Nymph, which was also about the Sanger family of musical geniuses, but there is a disjunct among the books and the films: the Sanger brothers are never mentioned in the 1943 film version of The Constant Nymph. Another film adaptation of Escape Me Never was made in 1947 by Warner Bros.
C.C. Burr (1891–1956) was an American film producer of the silent and early sound eras. He also directed eleven short films. Originally an employee at Paramount Pictures, he branched out into independent production working with a number of different distributors over two decades.
