Love Letters is a 1945 American romantic film noir directed by William Dieterle from a screenplay by Ayn Rand, based on the novel Pity My Simplicity by Christopher Massie. It stars Jennifer Jones, Joseph Cotten, Ann Richards, Cecil Kellaway, Gladys Cooper and Anita Louise. The plot tells the story of a man falling in love with an amnesiac woman with two personalities, who is believed to have killed his soldier friend.
Lili Damita was a French-American actress and singer who appeared in 33 films between 1922 and 1937.
Ernest Torrence was a Scottish film character actor who appeared in many Hollywood films, including Broken Chains (1922) with Colleen Moore, Mantrap (1926) with Clara Bow and Fighting Caravans (1931) with Gary Cooper and Lili Damita. A towering figure, Torrence frequently played cold-eyed and imposing villains.
Anne of Green Gables is a 1934 American comedy drama film directed by George Nicholls, Jr., based upon the 1908 novel Anne of Green Gables by Canadian author Lucy Maud Montgomery. Dawn O'Day, who portrayed the title character in the film, changed her stage name to Anne Shirley, which she was billed as for this and all subsequent roles. The film was a surprise hit, becoming one of four top-grossing films RKO made that year as noted in The R.K.O. Story, published by Arlington House.
Lucy Beaumont was an English actress of the stage and screen from Bristol.
Fighting Caravans is a 1931 American pre-Code Western film directed by Otto Brower and David Burton and starring Gary Cooper, Lili Damita, and Ernest Torrence. Based on the 1929 novel Fighting Caravans by Zane Grey, the film is about a young frontier scout who helps guide a freight wagon train across the country, fighting off Indians and evil traders, while his two crusty companions try to save him from falling in love. Although billed as being based on the Zane Grey novel, the stories have little in common. The film was actually written by Agnes Brand Leahy, Edward E. Paramore, Jr., and Keene Thompson.
Tim Whelan was an American film director, writer, producer and actor, best remembered for his writing credits on Harold Lloyd and Harry Langdon comedies, and for directing mostly British films, such as The Thief of Bagdad (1940).
Miriam Seegar Whelan was an American actress in silent film and early sound films.
I Take This Woman is a 1931 American pre-Code romance film directed by Marion Gering and starring Gary Cooper and Carole Lombard.
Millie is a 1931 American pre-Code drama film directed by John Francis Dillon from a screenplay by Charles Kenyon and Ralph Morgan, based on a novel of the same name by Donald Henderson Clarke. The film was an independent production by Charles R. Rogers, distributed by RKO Radio Pictures, after their acquisition of Pathé Exchange. It stars Helen Twelvetrees in one of her best roles, with a supporting cast that includes Lilyan Tashman, James Hall, Joan Blondell, John Halliday and Anita Louise.
The Cock-Eyed World is a 1929 American pre-Code musical comedy feature film. One of the earliest "talkies", it was a sequel to What Price Glory? (1926), it was directed and written by Raoul Walsh and based on the Flagg and Quirt story by Maxwell Anderson, Tom Barry, Wilson Mizner, and Laurence Stallings. Fox Film Corporation released the film at the Roxy in New York on August 3, 1929.
Oliver Peters Heggie, billed as O. P. Heggie, was an Australian film and theatre actor best known for portraying the hermit who befriends the Monster in the film Bride of Frankenstein (1935). He was born Otto Peters Heggie at Angaston, South Australia to a local pastoralist. He was educated at Whinham College and the Adelaide Conservatoire of Music. He died in Los Angeles of pneumonia. He is buried at Woodside Cemetery, Yarmouth Port, Barnstable County, Massachusetts.
Friends and Lovers is a 1931 American pre-Code drama film released by RKO Radio Pictures, directed by Victor Schertzinger, and starring Adolphe Menjou, Lili Damita, Laurence Olivier, Erich von Stroheim, and Hugh Herbert.
Everything's Rosie is a 1931 American Pre-Code slapstick comedy film directed by Clyde Bruckman, from a screenplay by Ralph Spence, Tim Whelan, and Al Boasberg, based on a story by Boasberg. Although the screenplay was credited as original, it bore a striking resemblance to a 1923 play, Poppy, which had starred W. C. Fields.
Beau Ideal is a 1931 American pre-Code adventure film directed by Herbert Brenon and released by RKO Radio Pictures. The film was based on the 1927 adventure novel Beau Ideal by P. C. Wren, the third novel in a series of five novels based around the same characters. Brenon had directed the first in the series, Beau Geste, which was a very successful silent film in 1926. The screenplay was adapted from Wren's novel by Paul Schofield, who had also written the screenplay for the 1926 Beau Geste, with contributions from Elizabeth Meehan and Marie Halvey.
Devotion is a 1931 American pre-Code romantic drama film starring Ann Harding and Leslie Howard based on the 1930 Pamela Wynne novel A Little Flat in the Temple. Its plot involves a woman who disguises herself and gains employment in the home of the man she loves.
Sara Seegar was an American actress. A performer on stage, film, radio, and television, she may best be remembered for her role as Mrs. Wilson in the 1962–63 season of Dennis the Menace.
What a Man is a 1930 American pre-Code romantic comedy film directed by George Crone and starring Reginald Denny, Miriam Seegar and Harvey Clark. It was an adaptation of the play They All Want Something by Courtenay Savage, which was itself based on a novel by E.J. Rath. A separate Spanish language version Thus Is Life was made at the same time. The film was remade in 1938 as Merrily We Live. It is also known by the alternative title The Gentleman Chauffeur.
The Love Doctor is a 1929 American comedy film directed by Melville W. Brown and written by Guy Bolton, Herman J. Mankiewicz, and J. Walter Ruben based upon a play by Victor Mapes and Winchell Smith. The film stars Richard Dix, June Collyer, Morgan Farley, Miriam Seegar, Winifred Harris, and Lawford Davidson. The film was released on October 5, 1929, by Paramount Pictures.
Lester Vail was an American actor of the stage, screen, and radio from the 1920s through the 1940s. In addition to acting in all three mediums, Vail also saw success as director on the Broadway stage, as well also being a producer of radio programs.
