Birth of the Blues | |
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![]() Film poster | |
Directed by | Victor Schertzinger |
Written by | Harry Tugend Walter DeLeon Erwin S. Gelsey Wilkie C. Mahoney |
Produced by | Monta Bell |
Starring | Bing Crosby Mary Martin Brian Donlevy |
Cinematography | William C. Mellor |
Edited by | Paul Weatherwax |
Music by | Robert Emmett Dolan |
Production company | |
Distributed by | Paramount Pictures |
Release date |
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Running time | 84 minutes |
Country | United States |
Language | English |
Birth of the Blues is a 1941 American musical film directed by Victor Schertzinger and starring Bing Crosby, Mary Martin and Brian Donlevy.
The plot loosely follows the origins and breakthrough success of the Original Dixieland Jass Band in New Orleans. It was well-received by critics on its release. [1] It was nominated for an Academy Award for Best Original Score. However, many of the songs, such as "St. Louis Blues" by W. C. Handy, were not new. [2]
Although he is only twelve, Jeff Lambert is a very talented clarinetist, and although the boy's father has spent a small fortune to have Jeff taught the fundamentals of classical clarinet, the lad prefers to spend his time in New Orleans with a group of black jazz men who perform in a dive on Bourbon Street. As the boy grows into manhood, his love for jazz intensifies, and he forms his own group, much to the chagrin of his aging father.
Moving ahead, we find Jeff (Crosby) in his late twenties, and he and his boys have been unable to secure a job at any of the classier New Orleans cabarets and have been forced to limit their playing to street corners and to one-night stands in some of the dingier nightclubs. When his lead trombone player asks Jeff why the band can't seem to get anywhere, Jeff replies that he thinks the main problem is that the group lacks a hot trumpet player. He begins to search throughout New Orleans in the hope of finding a trumpet man who can fill the bill. He finds one in a local jail and promises to bail the fellow out as soon as he can raise the money. This he does, and the trumpet player, named Memphis (Brian Donlevy), agrees to become a member of Jeff's band.
At the same time, Jeff notices a young lady called Betty Lou (Mary Martin) being overcharged by a horse-cab driver. He takes pity on her and her Aunt Phoebe (Carolyn Lee) and he invites them to stay with him. Memphis is attracted to Betty Lou and he gets her a job at a club owned by Blackie (J. Carrol Naish) and she agrees to the job if Blackie will take on Jeff's band and he reluctantly agrees to do so.
With a great trumpet player, Jeff's band becomes the most popular jazz band on Bourbon Street. All goes well until they find out that the owner of the club, Blackie is a racketeer who uses his night spot only as a convenient front for his criminal interests. Jeff and the boys decide to leave Blackie's club and go on to other things, but when they tell Blackie of their plans, the gangster threatens to kill them one by one. Jeff takes a swing at Blackie, which causes a violent saloon brawl between Blackie and his gang and Jeff and his boys. During the fight, Jeff's good friend Louey (Eddie "Rochester" Anderson) is injured when he is cracked over the head with a bottle. When the riot is over, Jeff and the boys take the unconscious Louey home to his wife, Ruby (Ruby Elzy). As she tearfully bemoans her husband's injury, Jeff and the band play a moving musical tribute to their fallen comrade. Slowly Louey regains consciousness.
A few weeks later, Jeff and his band have still another unpleasant run-in with Blackie. This time, the gangster is accidentally killed by one of his own henchmen, leaving Jeff, Betty Lou, and the band to move on to better things.
The film was placed at No. 13 in the list of top-grossing movies for 1941 in the USA.
The reviews were positive with Bosley Crowther of The New York Times commenting: "The Paramount has got a nice picture to greet the holidays... On the basis of story alone, 'Birth of the Blues' rates a less-than-passing grade. But as a series of illustrated jam sessions and nifty presentations of songs and jokes it is as pleasant an hour-and-a-half killer as the musically inclined could wish. Not only does feckless Bing Crosby play the clarinetist in his best unpremeditated vein, but he also has Mary Martin, Brian Donlevy, Eddie (Rochester) Anderson and Jack Teagarden with his orchestra to abet him. And although they give the impression of improvising, more or less, as they go, Director Victor Schertzinger has given to their sauntering a very smooth, easy-going pace. . . For sweet and fancy singing that makes your muscles twitch, there is Mr. Crosby and Miss Martin doing truly delightful things with 'Wait Till the Sun Shines, Nellie' and a new number, 'The Waiter, the Porter and the Upstairs Maid.' And for dipping deep on the low chords, you can’t ask for anything more than Mr. Crosby’s ‘Melancholy Baby’ and those mournful ‘St. Louis Blues,’ sung by one Ruby Elzy, with the Teagarden band moaning behind. Obviously, this little picture is not the ultimate saga of early jazz. But it begins to perceive the possibilities. As the 'cats' say, it takes more than it leaves." [3] [ better source needed ]
Variety summed it up saying: "‘Birth of the Blues’ is Bing Crosby’s best filmusical to date. It’ll sing plenty of black ink at the b. o... Crosby bings personally with solo vocals, ensemble clowning and kidding-on-the-square crooning, the most legit being ‘Melancholy Baby’ (with Carolyn Lee): ‘By the Light of the Silvery Moon’ in a tiptop illustrated song slide routine in one of those early picture-houses: and thematically does ‘Birth of the Blues’ as the credits unreel..." [4]
Bing Crosby recorded a number of the songs for Decca Records. [5] "The Waiter and the Porter and the Upstairs Maid" charted briefly in the No. 23 position. [6] Crosby's songs were also included in the Bing's Hollywood series.
This is a list of notable events in music that took place in the year 1944.
Weldon Leo "Jack" Teagarden was an American jazz trombonist and singer. According to critic Scott Yanow of Allmusic, Teagarden was the preeminent American jazz trombone player before the bebop era of the 1940s and "one of the best jazz singers too". Teagarden's early career was as a sideman with the likes of Paul Whiteman and lifelong friend Louis Armstrong.
James Francis Dorsey was an American jazz clarinetist, saxophonist, composer and big band leader. He recorded and composed the jazz and pop standards "I'm Glad There Is You " and "It's The Dreamer In Me". His other major recordings were "Tailspin", "John Silver", "So Many Times", "Amapola", "Brazil ", "Pennies from Heaven" with Bing Crosby, Louis Armstrong, and Frances Langford, "Grand Central Getaway", and "So Rare". He played clarinet on the seminal jazz standards "Singin' the Blues" in 1927 and the original 1930 recording of "Georgia on My Mind", which were inducted into the Grammy Hall of Fame.
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Nick Fatool was an American jazz drummer.
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Rhythm on the River is a 1940 musical comedy film directed by Victor Schertzinger and starring Bing Crosby and Mary Martin as ghostwriters whose songs are credited to a composer played by Basil Rathbone. Crosby and Martin sang "Only Forever", for which James V. Monaco (music) and Johnny Burke (lyrics) were nominated for the Academy Award for Best Original Song.
"Darktown Strutters' Ball" is a popular song by Shelton Brooks, published in 1917. The song has been recorded many times and is considered a popular and jazz standard. There are many variations of the title, including "At the Darktown Strutters' Ball", "The Darktown Strutters' Ball", and just "Strutters' Ball".
"Baby Won't You Please Come Home" is a blues song written by Charles Warfield and Clarence Williams in 1919. The song's authorship is disputed; Warfield claims that he was the sole composer of the song.
"I'm an Old Cowhand (From the Rio Grande)" is a comic song written by Johnny Mercer for the Paramount Pictures release Rhythm on the Range and sung by its star, Bing Crosby. The Crosby commercial recording was made on July 17, 1936, with Jimmy Dorsey & his Orchestra for Decca Records. It was a huge hit in 1936, reaching the No. 2 spot in the charts of the day, and it greatly furthered Mercer's career. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time. It has also been covered by numerous jazz musicians, including Sonny Rollins, Monty Alexander, Joshua Redman, and John Scofield.
Davenport Blues is a 1925 jazz composition written and recorded by Bix Beiderbecke and released as a Gennett 78. The song has become a jazz and pop standard.
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