Alabamy Bound

Last updated
"Alabamy Bound"
Alabama.jpg
Sheet music cover, 1924
Song
Published1924
Released1925
Genre Popular music
Composer(s) Ray Henderson
Lyricist(s) Buddy DeSylva, Bud Green

"Alabamy Bound" is a Tin Pan Alley tune written in 1924, with music by Ray Henderson and words by Buddy DeSylva and Bud Green. It was popularized by Al Jolson and included in the musical Kid Boots , where it was sung by Eddie Cantor. Successful recordings of the song were released in 1925 by Paul Whiteman, Isham Jones and Fletcher Henderson (instrumentals), as well as Blossom Seeley, whose vocal version reached number 2 on the charts. The song has sold over a million copies of sheet music and has been included in several films over the years.

Contents

Song history

"Alabamy Bound" was the first collaboration between lyricist Buddy DeSylva and composer Ray Henderson, a partnership that would last until 1930 (with lyricist Lew Brown instead of Bud Green). DeSylva gave the song to singer Al Jolson, who liked it and began performing it on every occasion, including special appearances, nightclubs and restaurants. [1] The song became associated with him and a hit before it was even recorded. [1] [2] [3] Sheet music sales exceeded one million. [4] [5]

Given the popularity of the song, it was interpolated into the Broadway show Kid Boots , featuring Eddie Cantor, which reportedly prevented the show from closing for some time. [4] [6] The earliest recording of the song was made on December 29, 1924, by the Paul Whiteman Orchestra, which was released as a phonograph record in 1925. [7] That year, Blossom Seeley had a #2 hit with her recording, [2] and Isham Jones & His Orchestra made a popular rendition as well. [4] [8] The version recorded by Fletcher Henderson & His Orchestra is noted for its clarinet trio arranged by Don Redman. [9]

In 1941, the song was revived when it was included in The Great American Broadcast , sung by The Ink Spots. [5] In 1954, the song re-entered the charts with a rendition by The Mulcays. [4]

Themes

"Alabamy Bound" was one of many 'olio' song and dance numbers of the 1920s. Here depicted is a performance from the early 1960s. Alabamy Bound.jpg
"Alabamy Bound" was one of many 'olio' song and dance numbers of the 1920s. Here depicted is a performance from the early 1960s.

"Alabamy Bound" has been described as a "bright march-type ditty" with a "southern flavor". [4] The lyrics are written from the point of view of an Alabamian who is returning home, presumably from working in a larger city like New York or Chicago. [6] Ray Henderson's melody and its "driving-train-like rhythm" provides a setting for the scene of this train song. [6] Implicit in the song is the notion of trains as the fastest, safest and most comfortable means of transport at the time, which adds to the positive image of the character returning home. [6] Its reference to the Southern United States was a common thread in many of Jolson's songs, such as "Rock-a-Bye Your Baby with a Dixie Melody" and "Carolina in the Morning". [1]

List of recordings

Early recordings
DateArtistLabel
1924 Paul Whiteman and His Orchestra Victor 19557-A
1925 Isham Jones & His Orchestra Brunswick 2789B
1925 Blossom Seeley Columbia 304D [10]
1925 Bailey's Lucky Seven Gennett 5648A
1925 Sara Martin OKeh 8262A
1925 Fletcher Henderson and His Orchestra Regal 9789-A (also for Domino, Banner, and Ajax)
1925 Layton & Johnstone Columbia 3672
Other notable recordings
Film appearances

Television appearances

Videogame appearances

Related Research Articles

<span class="mw-page-title-main">Buddy DeSylva</span> American songwriter, film producer and record executive

George Gard "Buddy" DeSylva was an American songwriter, film producer and record executive. He wrote or co-wrote many popular songs and, along with Johnny Mercer and Glenn Wallichs, he co-founded Capitol Records.

Ray Henderson was an American songwriter.

"Pretty Baby" is a song written by Tony Jackson during the Ragtime era. The song was remembered as being prominent in Jackson's repertory before he left New Orleans in 1912, but was not published until 1916.

<span class="mw-page-title-main">By the Light of the Silvery Moon (song)</span> Song

"By The Light of the Silvery Moon" or "By the Light of the Silv'ry Moon" is a popular love song. The music was written by Gus Edwards, and the lyrics by Edward Madden. The song was published in 1909 and first performed on stage by Lillian Lorraine in the Ziegfeld Follies of 1909. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was also used in the short-lived Broadway show Miss Innocence when it was sung by Frances Farr.

"You're Getting to Be a Habit with Me" is a 1932 popular song with music by Harry Warren and the lyrics by Al Dubin, which became a standard. The lyrics of the song were noted for its references to addiction.

"Button Up Your Overcoat" is a popular song. The music was written by Ray Henderson, the lyrics by B.G. DeSylva and Lew Brown. The song was published in 1928, and was first performed later that same year by vocalist Ruth Etting. However, the most famous rendition of this song was recorded early the following year by singer Helen Kane, who was at the peak of her popularity at the time. Kane's childlike voice and Bronx dialect eventually became the inspiration for the voice of cartoon character Betty Boop.

"You're the Cream in My Coffee" is a popular song published in 1928. Hit recordings were by Annette Hanshaw, Ben Selvin, Ted Weems and Ruth Etting.

"I'll Get By (As Long as I Have You)" is a popular song with music by Fred E. Ahlert and lyrics by Roy Turk. The song was published in 1928. Versions by Nick Lucas, Aileen Stanley and, most successfully, Ruth Etting, all charted in America in 1929.

<span class="mw-page-title-main">Rock-a-Bye Your Baby with a Dixie Melody</span> 1918 single by Al Jolson

"Rock-a-Bye Your Baby with a Dixie Melody" is a popular song written by Jean Schwartz, with lyrics by Sam M. Lewis and Joe Young. The song was introduced by Al Jolson in the Broadway musical Sinbad and published in 1918.

<span class="mw-page-title-main">Down Among the Sheltering Palms</span>

"Down Among the Sheltering Palms" is a popular song.

<span class="mw-page-title-main">Way Down Yonder in New Orleans</span> 1922 popular song

"Way Down Yonder in New Orleans" is a popular song with music by John Turner Layton Jr. and lyrics by Henry Creamer. First published in 1922, it was advertised by Creamer and Layton as "A Southern Song, without A Mammy, A Mule, Or A Moon", a dig at some of the Tin Pan Alley clichés of the era.

"If You Knew Susie" is the title of a popular song written by Buddy DeSylva and Joseph Meyer. It was published by Shapiro, Bernstein & Co. in 1925. In the largely comic song, a man sings that he knows a certain woman named Susie to be much wilder and more passionate than most people realize.

"Baby Face" is a popular Tin Pan Alley jazz song. The music was written by Harry Akst, with lyrics by Benny Davis, and the song was published in 1926.

"'Deed I Do" is a 1926 jazz standard composed by Fred Rose with lyrics by Walter Hirsch. It was introduced by vaudeville performer S. L. Stambaugh and popularized by Ben Bernie's recording. It was recorded by influential clarinetist and bandleader Benny Goodman as his debut recording in December 1926 with Ben Pollack and His Californians. Ruth Etting's rendition of the song became a top ten hit in 1927 as did the version by Johnny Marvin.

Liza (All the Clouds'll Roll Away)" is a song composed by George Gershwin with lyrics by Ira Gershwin and Gus Kahn. It was introduced in 1929 by Ruby Keeler (as Dixie Dugan) in Florenz Ziegfeld's musical Show Girl. The stage performances were accompanied by the Duke Ellington Orchestra. On the show's opening night in Boston on June 25, 1929, Keeler's husband and popular singer Al Jolson suddenly stood up from his seat in the third row and sang a chorus of the song, much to the surprise of the audience and Gershwin himself. Jolson recorded the song a few days later on July 6, 1929, and his rendition rose to number nine on the charts of the day.

<span class="mw-page-title-main">I've Got My Captain Working for Me Now</span>

"I've Got My Captain Working for Me Now" is a popular song written in 1919 by Irving Berlin. It was published by Music Publishers Inc. in New York, New York.

<span class="mw-page-title-main">When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)</span> Song

"When the Red, Red Robin " is a popular song written, both words and music, by Harry Woods in 1926. The song became the signature song for singer and actress Lillian Roth, who performed it often during the height of her musical career from the late 1920s to the late 1930s.

<i>The Village of St. Bernadette</i> 1960 studio album by Andy Williams

The Village of St. Bernadette is the sixth studio album by American pop singer Andy Williams and was released in early 1960 by Cadence Records. It was described by Billboard magazine as "a lovely set of pop inspirational, hymns, and religious themes".

"The Best Things in Life Are Free" is a popular song written by the songwriting team of Buddy DeSylva and Lew Brown (lyrics) and Ray Henderson (music) for the 1927 musical Good News. It enjoyed a revival during the period from 1947 to 1950, when it was covered by many artists.

References

  1. 1 2 3 Whorf, Michael (2014). American Popular Song Lyricists: Oral Histories, 1920s-1960s. McFarland. p. 99. ISBN   978-0-7864-9061-5.
  2. 1 2 Jasen, David A. (2004). Tin Pan Alley: An Encyclopedia of the Golden Age of American Song. Routledge. p. 107. ISBN   978-1-135-94901-3.
  3. Shaw, Arnold (1989). The Jazz Age: Popular Music in the 1920s. Oxford University Press. p. 201. ISBN   978-0-19-506082-9.
  4. 1 2 3 4 5 6 7 8 9 Tyler, Don (2007). Hit Songs, 1900-1955: American Popular Music of the Pre-Rock Era. McFarland. p. 137. ISBN   978-0-7864-2946-2.
  5. 1 2 Jasen, David A. (2013). A Century of American Popular Music. Routledge. p. 20. ISBN   978-1-135-35271-4.
  6. 1 2 3 4 Furia, Philip; Lasser, Michael (2006). America's Songs: The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Routledge. p. 44. ISBN   978-1-135-47192-7.
  7. Rust, Brian (1975). The American Dance Band Discography 1917-1942: Arthur Lange to Bob Zurke. Arlington House. p. 1926. ISBN   978-0-87000-248-9.
  8. Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954. Wisconsin, USA: Record Research Inc. p. 468. ISBN   0-89820-083-0.
  9. Martin, Henry; Waters, Keith (2013). Essential Jazz. Cengage Learning. p. 102. ISBN   978-1-285-41553-6.
  10. "The Online Discographical Project". 78discography.com. Retrieved May 14, 2017.
  11. "45cat.com". 45cat.com. Retrieved May 15, 2017.
  12. Whitburn, Joel (1986). Joel Whitburn's Pop Memories 1890-1954. Wisconsin, USA: Record Research Inc. p.  326. ISBN   0-89820-083-0.
  13. "Discogs.com". Discogs.com. Retrieved May 15, 2017.
  14. "Internet Movie Database". imdb,com. Retrieved May 15, 2017.
  15. "Internet Movie Database". imdb.com. Retrieved May 15, 2017.
  16. "Internet Movie Database". imdb.com. Retrieved May 15, 2017.
  17. "Looney Tunes World of Mayhem Wackynvasion". youtube.com. Retrieved November 16, 2022.