A Southern Memoir | ||||
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Studio album by | ||||
Released | December 1975 | |||
Recorded | January 16, 21, 1975 | |||
Genre | Vocal | |||
Label | London Records (SHU 8489) | |||
Producer | Bing Crosby | |||
Bing Crosby chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
A Southern Memoir is a 1975 vinyl album recorded by Bing Crosby at his own expense at TTG Studios, Los Angeles, California in January 1975. [2] He was accompanied by Paul Smith and his Orchestra. Crosby leased the tracks to the English branch of Decca following negotiations with producer Geoff Milne and the album was issued on Decca's London label. [3]
The album was issued on CD by Collectors' Choice Music (CCM 2160) in 2010 having been remixed from the original eight track master tapes by Robert S. Bader of Bing Crosby Enterprises. Seven bonus tracks were included in the CD. [4]
In January 1974, Crosby was seriously ill and after two weeks of tests, he underwent three and a half hours of major surgery. Two-fifths of his left lung and an abscess the size of a small orange were removed. The tumor was a rare fungus called nocardia. There were concerns that he would not be able to sing again and his recuperation took many months. He eventually did some television work and then decided to return to the recording studio. [5]
The UK magazine The Gramophone reviewed the album saying: "Crosby can be sampled on his own to pleasant effect in “A Southern Memoir” which in conformity with its title is a relaxed, easy-going selection of numbers from below the Mason–Dixon line..." [6]
Record producer, Ken Barnes, wrote: "This collection of “Southern-cum-mammy” type songs was a pet project of Bing’s and his affection for the material reveals itself time and again throughout each of the twelve songs. The small-band backings arranged by pianist-conductor Paul Smith are beautifully written and very well played. Bing sings with greater spirit and drive than on his album with Basie and some of the tracks, notably “Carolina in the Morning,” “Swanee,” and “Sailing Down the Chesapeake Bay” stand comparison with some of his best-ever up-tempo performances." [7]
Paul Smith (piano, conductor); Frank Capp (drums); Tony Rizzi (guitar, January 16 session); Allen Reuss (guitar, January 21 session); Joe Valenti (trumpet); Monty Budwig (bass); Dick Nash (trombone); Larry Bunker (percussion, January 16 session); Vic Feldman (percussion, January 21 session); Dominic Mumolo (saxophone); Don Raffell (saxophone), Johnny Rotella (saxophone). [8]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "On the Alamo" | Isham Jones, Gus Kahn | 3:23 |
2. | "Alabamy Bound" | Ray Henderson, Bud Green, Buddy DeSylva | 2:14 |
3. | "Where the Morning Glories Grow" | Richard Whiting, Gus Kahn, Raymond B. Egan | 2:15 |
4. | "Stars Fell on Alabama" | Frank Perkins, Mitchell Parish | 3:03 |
5. | "Carolina in the Morning" | Walter Donaldson, Gus Kahn | 3:07 |
6. | "Swanee" | George Gershwin, Irving Caesar | 2:15 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Way Down Yonder in New Orleans" | Henry Creamer, Turner Layton | 2:23 |
8. | "Georgia on My Mind" | Hoagy Carmichael, Stuart Gorrell | 2:48 |
9. | "Cryin' for the Carolines" | Harry Warren, Joe Young, Sam M. Lewis | 3:24 |
10. | "She Is the Sunshine of Virginia" | Harry Carroll, Ballard MacDonald | 2:23 |
11. | "When It's Sleepy Time Down South" | Leon René, Otis René, Clarence Muse | 2:48 |
12. | "Sailing Down the Chesapeake Bay" | George Botsford, Jean C. Havez | 2:24 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Bing's South Texas Quail Hunting Medley" | 5:28 | |
14. | "On the Alamo" (alternate) | Isham Jones, Gus Kahn | 3:59 |
15. | "Alabamy Bound" (alternate) | Ray Henderson, Bud Green, Buddy DeSylva | 2:25 |
16. | "Stars Fell on Alabama" (alternate) | Frank Perkins, Mitchell Parish | |
17. | "Swanee" (alternate) | George Gershwin, Irving Caesar | 2:25 |
18. | "Georgia on My Mind" (original LP edit) | Hoagy Carmichael, Stuart Gorrell | 2:47 |
19. | "When It's Sleepy Time Down South" (alternate) | Leon René, Otis René, Clarence Muse | 3:02 |
Le Bing is a 1953 album by Bing Crosby. It was Crosby's first studio album and was released by his longtime label, Decca Records. Le Bing is a concept album where all the songs are sung in French.
Some Fine Old Chestnuts was Bing Crosby's second studio album for Decca Records, recorded and released as a 10" LP in 1954.
Bing: A Musical Autobiography was Bing Crosby's fourth Decca vinyl LP, recorded and released in 1954.
High Society is a 1956 soundtrack album, featuring Bing Crosby, Frank Sinatra, Louis Armstrong and Grace Kelly. This was Crosby's fifth LP album, and his first recorded for Capitol Records. It was the soundtrack for the MGM feature film High Society, also released in 1956. Initially issued on vinyl either in mono or stereo format, the album has been issued on CD by Capitol in Japan in 1991 and by Capitol in the UK in 1995. The album was also included in a 3-CD box set called "Original Soundtrack Recordings" issued by the EMI Music Group Australasia
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New Tricks was Bing Crosby's eighth long-playing album and sixth vinyl LP for Decca Records, originally released in 1957 as number DL-8575.
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A Couple of Song and Dance Men is a 1975 vinyl album made by Fred Astaire and Bing Crosby for United Artists. It was recorded with Pete Moore and his Orchestra, and the Johnny Evans Singers in July 1975 at the Music Centre, Wembley.
Bing & Satchmo is a 1960 studio album by Bing Crosby and Louis Armstrong that was arranged and conducted by Billy May. The album was recorded for Crosby's label, Project Records, and released by MGM.
After Bing Crosby's long-term Decca Records contract was up, he signed many short-term contracts with a wide variety of labels. These included many popular labels such as Reprise, RCA, Verve, Decca (again), United Artists, Capitol and more.
El Señor Bing is a long-playing vinyl album recorded in June 1960 by Bing Crosby for his own company, Project Records. It was released by MGM Records (E-3890P) in October, 1961. The album consists of ten tracks each consisting of two songs set to a Latin American rhythm. Billy May & his Orchestra provided the musical accompaniment. The album was later issued under the title "Bing Goes Latin" MGM Records – 2354 028.
That’s What Life Is All About is a 1975 vinyl album recorded by Bing Crosby for United Artists at Chappells in London in February 1975. He was accompanied by Pete Moore and his Orchestra.
At My Time of Life is a 1976 vinyl album recorded by Bing Crosby for United Artists, mostly at Chappells Studios in London in February 1975. He was accompanied by Pete Moore and his Orchestra.
Bingo Viejo is a 1975 vinyl album recorded by Bing Crosby at his own expense during two sessions in 1975 at United Recorders, Hollywood. "Viejo" means "old" in Spanish. He was accompanied by Paul Smith and his Orchestra. Crosby, who called the LP his "Mexican album," leased the tracks to the English branch of Decca following negotiations with producer Geoff Milne and the album was issued on Decca's London label.
Feels Good, Feels Right is a 1976 vinyl album recorded by Bing Crosby for Decca Records during four morning sessions in 1976 at Decca Studio No.3, Broadhurst Gardens, London. He was accompanied by Alan Cohen and his Orchestra. Cohen also did all the orchestral arrangements.
Beautiful Memories is a 1976 vinyl album recorded by Bing Crosby for United Artists Records, and the last album of new material to be released during his lifetime. Eight of the songs were recorded at Devonshire Sound Studios, Magnolia Boulevard, North Hollywood on October 19 and 29, 1976. The orchestral accompaniment was recorded in London on September 10 and 11, 1976 and Crosby dubbed his voice in Los Angeles. Of the other four songs on the LP, one had been recorded on February 26, 1975 and two were recorded on January 19, 1976 at United Western Studios, Los Angeles. The title song was dubbed by Crosby on November 5, 1976, also at United Western Studios, using the track recorded in London. Crosby was accompanied by Pete Moore and his Orchestra throughout the album and by The Johnny Evans Singers on certain tracks.
Bing Crosby Live at the London Palladium is a 1976 vinyl 2-LP live recording of the show put on by Bing Crosby, Rosemary Clooney, Kathryn Crosby and Ted Rogers at the London Palladium from June 21 to July 4, 1976. Musical support was provided by the Pete Moore Big Band and the Joe Bushkin Quartet. The Crosby children also took part.
Goldilocks is a 12" soundtrack vinyl album taken from the live-action/animated De-Patie-Freleng TV film Goldilocks shown on NBC on March 31, 1970. It was first released in 1970 as DL-3511 by Disneyland Records for a special promotion of Evans-Black Carpets by Armstrong. The album could be purchased for $2.25. When the promotion period had expired, the album was re-released by Disneyland Records as ST-3889 with an accompanying 12-page storybook. The recording is particularly important to the Bing Crosby career as he recorded commercial tracks in every year from 1926 to 1977 and this album represents his only recording work for 1969.
Road to Bali is a Decca Records studio album by Bing Crosby, Bob Hope and Peggy Lee of songs featured in the film Road to Bali released in 1952. All of the songs were written by Jimmy Van Heusen (music) and Johnny Burke (lyrics). The songs were featured on a 10” vinyl LP numbered DL 5444 and in a 3-disc 45rpm box set numbered 9-375.