Kunstmuseum Basel

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Kunstmuseum Basel
Basel - 2017 - Kunstmuseum Basel - Altbau.jpg
The main building from 1931
Kunstmuseum Basel
Established1661;364 years ago (1661)
Location Basel, Switzerland
Type Art museum
DirectorElena Filipovic
Website kunstmuseumbasel.ch OOjs UI icon edit-ltr-progressive.svg

The Kunstmuseum Basel houses the oldest public art collection in the world and is generally considered to be the most important museum of art in Switzerland. [1] It is listed as a Swiss heritage site of national significance. [2]

Contents

Its lineage extends back to the Amerbach Cabinet, which included a collection of works by Hans Holbein purchased by the city of Basel and the University of Basel in 1661, which made it the first municipally owned and therefore open to the public museum in the world. Its collection is distinguished by an impressively wide historic span, from the early 15th century up to the immediate present. Its various areas of emphasis give it international standing as one of the most significant museums of its kind. These encompass paintings and drawings by artists active in the Upper Rhine region between 1400 and 1600, as well as the art of the 19th to 21st centuries.

Collection

The Kunstmuseum possesses the largest collection of works by the Holbein family. Further examples of Renaissance art include important pieces by such master artists as Konrad Witz, Hans Baldung (called Grien), Martin Schongauer, Lucas Cranach the Elder and Matthias Grünewald. The main features of the 17th and 18th centuries are the Flemish and Dutch schools (e.g. Peter Paul Rubens, Rembrandt, Jan Brueghel the Elder), German and Dutch still life painting. Key works from the 19th century include the Impressionists represented by Édouard Manet, Edmond Jean de Pury, Claude Monet, Paul Gauguin, Paul Cézanne as well as the paintings by Vincent van Gogh and Switzerland's Arnold Böcklin and Ferdinand Hodler. In the 20th century, the focus is on works of Cubism with Picasso, Braque and Juan Gris. Expressionism is represented by such figures as Edvard Munch, Franz Marc, Oskar Kokoschka, Bernard Buffet and Emil Nolde. The collection also includes works from Constructivism, Dadaism and Surrealism and American art since 1950. Further highlights are the unique compilations of works from Pablo Picasso, Fernand Léger, Paul Klee, Alberto Giacometti and Marc Chagall.

In the realm of more recent and contemporary art, the collection maintains substantial bodies of work by Swiss, German, Italian, and American artists, including Joseph Beuys, Andy Warhol, Jasper Johns, Georg Baselitz, A.R. Penck, Brice Marden, Bruce Nauman, Jonathan Borofsky, Roni Horn, Francesco Clemente, Mimmo Paladino, Enzo Cucchi, Martin Disler, Leiko Ikemura, Markus Raetz, Rosemarie Trockel and Robert Gober.

In 1975, the Dia Art Foundation installed Untitled (In memory of Urs Graf) by Dan Flavin in the museum's front courtyard and arcade gallery. This permanent, outdoor, installation was funded and installed by the Dia Art Foundation as its first major public work. It was subsequently gifted to the Kunstmuseum in 1980. [3] [4]

History

Paintings exhibited in the House zur Mucke (1837) Hess Haus zur Mucke 1837.jpg
Paintings exhibited in the House zur Mücke (1837)

In 1671 the city of Basel decided to make the art collection of the Amerbach cabinet accessible to the public. The collection was exhibited in the House zur Mücke  [ de ] near the Munster of Basel [5] and could be accessed by the public twice a week. [6] In 1823 the public collection was joined with the before private Faesch Museum established by Remigius Faesch and in 1849 the collection moved into a larger building also near the Munster of Basel. [5] In 1859, a new building for the museum was thought of, inspired by the paintings the Swiss painter Emilie Linder had annually deposited in the museum since 1847. [7] As a possible location the building of the Common Readers Association  [ de ] was mentioned or also a return to the House zur Mücke was considered. [8] The museum included several other academic departments. [8] A move was seen to give the art collection more room and also enable an efficient rescue of the paintings in case of a fire. [8] Until 1864, the museum included physical and chemical departments. [8] In 1866, also the ethnographic and antiquarian departments were moved to another location following which the artworks received two more prominent rooms. [8] The Gottfried Keller Foundation introduced the painting of Cows drinking in the Alps by Giovanni Segantini in 1904. [9] The Birmann Fonds, which was established to purchase paintings of Swiss painters introduced modern painters and introduced the Lac Leman from Chebrous in 1905 and Rise in space in 1910 by Ferdinand Hodler, further The Bread by Giovanni Giacometti in 1908 and the Peasants Garden by Cuno Amiet in 1914. [10] With the Village in Pontoise from Camille Pissarro, the first impressionist painting was introduced to the Museum in 1912. [11]

In 1936, the Museum moved to its current location. In 1939 a large body of work by German-Jewish artists, whose paintings were considered to be degenerate art by the Nazi regime in Germany, were acquired for the Kunstmuseum under the director George Schmidt. [12] They are on display in the museum up to this day. [5] In 1980 the Museum joined forces with the Museum for Contemporary Art, which displays artworks from the 1960s onwards. It was the first museum focused on contemporary art at the time. [5]

In 2006, the Swiss dealer Eberhard Kornfeld donated his Rembrandt collection, including more than 100 etchings, to the Kunstmuseum Basel. [13]

More research is underway. [14]

Buildings

The new extension from 2016 Basel - 2017 - Kunstmuseum Basel - Neubau.jpg
The new extension from 2016

The Kunstmuseum's current and main building was designed and constructed 1931-1936 by architects Paul Bonatz and Rudolf Christ, [5] adjacent to the former building of the Swiss National Bank in Basel. In 1980, a building beside the Rhine in the St. Alban neighborhood was added as an additional location for the museum, the Contemporary Art Museum. [15]

In 2008, the museum acquired land on the other side of Dufourstrasse and an architectural competition was held. With international star competitors, such as five Pritzker Prize laureates (Peter Zumthor, Zaha Hadid, Rafael Moneo, Tadao Ando and Jean Nouvel) — all pitching, eventually a young local firm, Christ & Gantenbein, won the project. [16] [17] The final design is an angled building, faced with concrete bricks, and at the same height as the original museum. [18] [19] The new building is joined with the main building through an underpass. [20]

The new building was completed in April 2016 [21] and its construction was funded by the Canton of Basel-Stadt and the Laurenz Foundation (Laurenz-Stiftung). [22]

The extension adds 2,750 square meters of galleries, to a total of nearly 10,000 square meters. [23] The original museum now houses art from the 15th century to 1950, with later works in the extension. The upper floor of the new building houses temporary exhibitions and the middle floor and part of the ground floor houses the permanent collection. [17] [24]

Claims for restitution of artworks

In 2008, Basel rejected a restitution request for paintings by Edvard Munch, Max Beckmann, Marc Chagall and Henri Matisse from the heirs of Curt Glaser, saying "`The Kunstmuseum paid prices typical for the time and our decision was that the Washington principles do not apply in this case.'' [25] Twelve years later, after battling against restitution, [26] the museum reached an agreement. [27] In 2012 the museum reached an agreement with the heirs of the painter Kazimir Malevich whose “Landscape with Red Houses” which purchased from Marlborough Fine Art Ltd Gallery in London in 1964. The settlement concerned other artworks as well. [28] In 2020 the museum refused to restitute seven artworks that had belonged to Julius Freund. [29] [30] The museum rejected a request made in 2022 to return a 1909 painting by Henri Rousseau The muse inspiring the poet which had been owned by Lotte von Mendelssohn-Bartholdy, a Jewish collector who was fleeing the Nazis [31]

Patrons of the arts

Visitors

In 2019, the Kunstmuseum had 265,000 visitors. [32]

See also

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References

  1. ↑ "Kunstmuseum-Öffentliche Kunstsammlung Basel | museum, Basel, Switzerland | Britannica".
  2. ↑ Swiss inventory of cultural property of national and regional significance (1995), p. 53.
  3. ↑ An Introduction to Dia's Locations and Sites. Dia Art Foundation. p. 98.
  4. ↑ "untitled In memory of Urs Graf". Kunstmuseum Basel. Retrieved 2023-05-28.
  5. 1 2 3 4 5 "Kunstmuseum Basel − Geschichte der Sammlung". kunstmuseumbasel.ch (in German). Retrieved 2021-04-19.
  6. ↑ Dieffenbacher, Christoph (13 April 2016). "Geschichte − Vom Geld und von der Kunst". St.Galler Tagblatt (in German). Retrieved 2021-05-17.
  7. ↑ Meier, Nikolaus (1986). Die Stadt Basel den Werken der Kunst (in German). Kunstmuseum Basel. pp. 12–13.
  8. 1 2 3 4 5 Meier, Nikolaus (1986).p.13
  9. ↑ Stutzer, Beat (1981). Albert Müller und die Gruppe Rot-Blau. F. Reinhardt. p. 21. ISBN   3-7245-0483-7.
  10. ↑ Stutzer, Beat (1981), pp. 21–22
  11. ↑ Stutzer, Beat (1981),p.22
  12. ↑ Reifert, Eva; Rosebrock, Tessa; Warzecha, Jasper; Wilde, Laura; Öffentliche Kunstsammlung Basel, eds. (2022). Castaway modernism: Basel's acquisitions of "degenerate" art. Berlin, Germany: Hatje Cantz. ISBN   978-3-7757-5222-0.
  13. ↑ "Eberhard Kornfeld, Art Dealer, Collector and Historian, Is Dead at 99". nytimes.com.
  14. ↑ Ballmer, Daniel (2016-06-01). "Bundesprojekt - Gibt es Nazi-Raubkunst im Kunstmuseum?". bz Basel (in German). Retrieved 2024-11-19.
  15. ↑ "Kunstmuseum Basel | Gegenwart in Basel − 1980 fand mit der Eröffnung des "Museums für Gegenwartskunst" am St. Alban-Rheinweg – eines der weltweit ersten Museen für zeitgenössische Kunst – eine erste Erweiterung des Kunstmuseums Basel statt. Heute trägt es den Namen Kunstmuseum Basel | Gegenwart". basellive.ch (in German). Retrieved 2023-05-23.
  16. ↑ Cilento, Karen (21 December 2009). Kunstmuseum Extension / Christ & Gantenbein (competition project design), ArchDaily .
  17. 1 2 Bailey, Martin (20 June 2014). A tale of two extensions The Art Newspaper .
  18. ↑ Kunstmuseum Basel / Christ & Gantenbein (See the project in full here), ArchDaily , 21 April 2016
  19. ↑ Patrick Lynch, At Kunstmuseum Basel, iart Creates a Frieze with a Technological Twist, ArchDaily, 13 May 2016
  20. ↑ Gerny, Daniel (30 January 2015). "Mäzenin ermöglicht Erweiterungsbau". Neue Zürcher Zeitung . Retrieved 23 April 2021.
  21. ↑ "Neubau Kunstmuseum Basel − Architekturprojekte". baudokumentation.ch. Retrieved 2021-04-23.
  22. ↑ "Our three venues". kunstmuseumbasel.ch. Retrieved 2021-04-23.
  23. ↑ "Basel's Kunstmuseum − New and Improved" (PDF). Basel Life. April 2016.
  24. ↑ Herzog, Andres (15 April 2016). "Basler Symphonie in Grau" [Basel Symphony in Gray]. Tages-Anzeiger (in German). Retrieved 15 June 2020.
  25. ↑ Hickley, Catherine. "Basel Rejects Bid for Munch, Chagall Art by Nazi Victim's Heirs". www.lootedart.com. Retrieved 2024-11-19. The city of Basel rejected a claim by the heirs of Curt Glaser, a Jewish art collector persecuted by the Nazis, for the return of more than 100 works by artists including Edvard Munch, Max Beckmann, Marc Chagall and Henri Matisse. Glaser was director of Berlin's Art Library and an art historian and critic who had Munch and Beckmann as friends. He was suspended from his job and thrown out of his apartment in April 1933, three months after the Nazis came to power. The artworks were sold at auction in May of the same year to Basel's Kunstmuseum.
  26. ↑ Hickley, Catherine (2017-11-28). "Basel faces pressure to return art once owned by Jewish historian". SWI swissinfo.ch. Retrieved 2024-11-19.
  27. ↑ "Das Kunstmuseum einigt sich mit Glaser-Erben". Basler Zeitung (in German). 2020-03-27. Retrieved 2024-11-19. «Wir sind glücklich, dass es nun nach 12 Jahren möglich wurde, eine Lösung zu finden», sagt Valerie Sattler, die Grossnichte des von den Nazis verfolgten deutschen Kunstsammlers und Kunstkritikers Curt Glaser. Das Basler Kunstmuseum hat 1933 200 Zeichnungen und Druckgrafiken aus Glasers Sammlung an einer Auktion in Berlin «zu billigen Preisen» erworben, nachdem Glaser wegen der Nazis Arbeit und Wohnung verloren hatte und geflüchtet wa
  28. ↑ "The Kunstmuseum Basel and the Heirs of Kazimir Malevich reach an amicable settlement regarding Malevich Works in Basel". www.lootedart.com. Retrieved 2024-11-19.
  29. ↑ "Ein weiterer Fall von Raubkunst - Another case of looted art". www.lootedart.com. Retrieved 2024-11-19.
  30. ↑ "Auch Adolf Hitler wollte die Bilder". Basler Zeitung (in German). 2020-02-19. Retrieved 2024-11-19. Doch trotz der internationalen Bedeutung des Falles hält das Museum die Sammlung Freund für unproblematisch.
  31. ↑ "Basel art museum rejects restitution claim for Henri Rousseau painting". www.lootedart.com. Retrieved 2024-11-19. Charlotte von Wesdehlen, a Jew, fled Nazi Germany and was in Switzerland when the painting was sold. She had to sell it for financial reasons, which would not have been the case had it not been for Nazi persecution.
  32. ↑ "Besuchsstatistik 2019 der Basler Museen: Positive Bilanz dank attraktiven Sonderausstellungen". 29 June 2020.

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