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Victor Meirelles was a Brazilian artist, who played an important role in the formation of painters in this genre in Brazil. [1] He is considered to be one of the main exponents in the genre of historical painting.
This is a list of paintings by Victor Meirelles.
Image | Title | Date | Material | Collection | Audible version |
---|---|---|---|---|---|
Barão de Porto Alegre liderando as tropas em Curzu | 1870 | ||||
Abolição da Escravatura | 1888 | oil on canvas | Brasiliana Itaú Collection Brasiliana Iconográfica | ||
Naval Battle of Riachuelo | 19th century | oil on canvas | Museu Histórico Nacional collection | ||
Estrada para os Guararapes | watercolor paint | Museu Histórico Nacional collection | |||
Passagem de Humaitá (1) | 1870s | oil on canvas | Museu Histórico Nacional collection | ||
Cabeça de guerreiro holandês (estudo) | 1870s | oil on canvas | Museu Histórico Nacional collection | ||
Guararapes Battle | 19th century | oil on canvas | Museu Nacional de Belas Artes | ||
Saint John the Baptist in prison | 1852 | oil on canvas | Museu Nacional de Belas Artes | ||
The First Mass in Brazil | 19th century | oil on canvas | Museu Nacional de Belas Artes | ||
Head of a man | oil on canvas | Museu Victor Meirelles | |||
Head of a man | oil on canvas | Museu Victor Meirelles | |||
Head of a woman | oil on canvas | Museu Victor Meirelles | |||
Head of an old man | oil on canvas | Museu Victor Meirelles | |||
Study of the head of a girl | 1856 | oil on canvas | Museu Victor Meirelles | ||
Portrait of a lady | 1870 | oil on canvas | Museu Victor Meirelles | ||
Vista parcial da cidade de Nossa Senhora do Desterro 03 | 1851 1847 | oil on canvas | Museu Victor Meirelles | ||
Vista parcial da cidade de Nossa Senhora do Desterro 02 | 1846 | gouache paint paper graphite watercolor paint | Museu Victor Meirelles | ||
Vista parcial da cidade de Nossa Senhora do Desterro | 1846 | watercolor paint paper | Museu Victor Meirelles | ||
A morta | Museu Victor Meirelles | ||||
Brasil (estudo de embarcação) | Museu Victor Meirelles | ||||
Cabeça de homem | Museu Victor Meirelles | ||||
Cristo sobre as ondas | Museu Victor Meirelles | ||||
Degolação de São João Batista | 1855 | oil on canvas | Museu Victor Meirelles | ||
Esboceto para "Batalha dos Guararapes" | 1876 | Museu Victor Meirelles | |||
Esboço de paisagem para "Passagem do Humaitá" | 1870 | oil on canvas | Museu Victor Meirelles | ||
Esboço para "Batalha dos Guararapes" | 1876 | pencil paper | Museu Victor Meirelles | ||
Estudo de detalhe de embarcação | Museu Victor Meirelles | ||||
Estudo de embarcação | Museu Victor Meirelles | ||||
Estudo de Mastros de embarcação | Museu Victor Meirelles | ||||
Estudo de paisagem | pencil paper | Museu Victor Meirelles | |||
Estudo de Panejamento | 1856 | pencil paper | Museu Victor Meirelles | ||
Estudo de proa de embarcação | Museu Victor Meirelles | ||||
Estudo de proa de embarcação | Museu Victor Meirelles | ||||
Estudo de traje | 1854 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo dos tipos populares | 1855 | pencil paper | Museu Victor Meirelles | ||
Estudo para "Batalha dos Guararapes" | 1876 | pencil paper | Museu Victor Meirelles | ||
Estudo para "Batalha dos Guararapes" (Felipe Camarão) | 1876 | oil on canvas | Museu Victor Meirelles | ||
Estudo para "Batalha dos Guararapes" (guerreiro holandês caído) | 1876 | Museu Victor Meirelles | |||
Estudo para "Batalha Naval do Riachuelo" | 1872 | Museu Victor Meirelles | |||
Estudo para "Casamento da Princesa Isabel" | 1864 | Museu Victor Meirelles | |||
Estudo para "Invocação à Virgem" | 1898 | oil paint cardboard | Museu Victor Meirelles | ||
Estudo para "Passagem do Humaitá" | 19th century | oil paint panel | Museu Victor Meirelles | ||
Estudo para "Primeira Missa no Brasil" | 1860 | pencil paper | Museu Victor Meirelles | ||
Estudo para "Primeira missa no Brasil" (mãos) | 1860 | pencil paper | Museu Victor Meirelles | ||
Estudo para retrato | pencil paper | Museu Victor Meirelles | |||
Le Radeau de la Meduse (O Naufrágio da Medusa) | 1858 | oil paint paper | Museu Victor Meirelles | ||
Magé (estudo de embarcação) | Museu Victor Meirelles | ||||
Mulheres suliotas | 1857 | oil on canvas | Museu Victor Meirelles | ||
Niterói (estudo de proa de embarcação) | Museu Victor Meirelles | ||||
Vapor Amazonas (estudo de proa de embarcação) | Museu Victor Meirelles | ||||
Vista de Ronciglione | 1855 | pencil paper | Museu Victor Meirelles | ||
Vista parcial da cidade de Nossa Senhora do Desterro (atual Q132997) | 1849 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de embarcação 02 | Museu Victor Meirelles | ||||
Estudo de embarcação 03 | Museu Victor Meirelles | ||||
Estudo de Panejamento 02 | 1856 | pencil paper | Museu Victor Meirelles | ||
Estudo de Panejamento 03 | 1856 | Museu Victor Meirelles | |||
Estudo de Panejamento 07 | 1856 | oil paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 08 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 09 | 1856 | oil paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 10 | 1856 | watercolor paint | Museu Victor Meirelles | ||
Estudo de Panejamento 11 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 12 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 13 | 1856 | oil paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 14 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 15 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 16 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 17 | 1856 | paper watercolor paint | Museu Victor Meirelles | ||
Estudo de Panejamento 18 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 19 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 20 | 1856 | oil paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 21 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 22 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 23 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo de Panejamento 24 | 1856 | oil paint cardboard | Museu Victor Meirelles | ||
Estudo de Panejamento 25 | 1856 | watercolor paint paper | Museu Victor Meirelles | ||
Estudo para "Batalha dos Guararapes" 02 | 1879 | pencil paper | Museu Victor Meirelles | ||
Estudo para "Batalha dos Guararapes" 03 | 1876 | pencil paper | Museu Victor Meirelles | ||
Estudo para "Batalha dos Guararapes" 04 | 1876 | wax crayon paper | Museu Victor Meirelles | ||
Estudo para "Batalha dos Guararapes" 05 | 1876 | pencil paper | Museu Victor Meirelles | ||
Estudo para "Passagem do Humaitá" 08 | Museu Victor Meirelles | ||||
Estudo para retrato 11 | pencil paper | Museu Victor Meirelles | |||
Sem título 05 | 1852 | wax crayon paper | Museu Victor Meirelles | ||
Sem título 08 | 1856 | Museu Victor Meirelles | |||
Study for a portrait | pencil paper | Museu Victor Meirelles | |||
Study for "The First Mass in Brazil" | 19th century | oil paint paper | Museu Victor Meirelles | ||
Head of an old man | 1865 | oil paint cardboard | Museu Victor Meirelles | ||
Study for "Naval Combat of Riachuelo" | 1871 | pencil paper | Museu Victor Meirelles | ||
Study of Italian clothes | 1854 | watercolor pain' paper | Museu Victor Meirelles | ||
Study for "The Battle of Guararapes" | 1870s | oil on canvas | Museu Victor Meirelles | ||
Passagem de Humaitá | 1872 | oil on canvas | National Historical Museum | ||
Passagem do Humaitá | 1886 | gouache paint | Pinacoteca do Estado de São Paulo | ||
Moema | 1866 | oil on canvas | São Paulo Museum of Art | ||
Portrait of the Doctor José Maria Chaves | 1873 | oil paint duck | São Paulo Museum of Art | ||
Pedro II of Brazil | 1864 | oil on canvas | São Paulo Museum of Art | ||
Portrait of Teresa Cristina of the Two Sicilies | 1864 | oil on canvas | São Paulo Museum of Art |
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Victor Meirelles de Lima was a Brazilian painter and teacher who is best known for his works relating to his nation's culture and history. From humble origins, his talent was soon recognized, being admitted as a student at the Imperial Academy of Fine Arts. He specialized in the genre of history painting, and upon winning the Academy's Foreign Travel Award, he spent several years training in Europe. There he painted his best-known work, Primeira Missa no Brasil. Returning to Brazil, he became one of emperor Pedro II's favorite painters, joining the monarch's patronage program and aligning himself with his proposal to renew the image of Brazil through the creation of visual symbols of its history.
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Meirelles may refer to the following Brazilian people:
Events in the year 1903 in Brazil.
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Moema may refer to:
Moema is an oil painting on canvas created in 1866 by Brazilian artist Victor Meirelles. It depicts the homonym character from the epic poem Caramuru (1781), by Santa Rita Durão. The work does not depict a scene from the poem, but instead Meirelles's personal interpretation of the character's fate, submerging into the water after being rejected by Caramuru.
Oscar Pereira da Silva was a Brazilian painter, draftsman, designer, and instructor. He was active from the end of the 19th to the mid-20th century. He is noted for his depictions of historical events in Brazil, but also completed numerous portraits, religious works, genre scenes, still lifes, and landscapes. He "paid no attention to Brazilian folk tradition" and painted in an "antique style." After a period of study in France, he pursued a lucrative career in São Paulo, where his works are displayed at the Pinacoteca do Estado de São Paulo and the Museu do Ipiranga.
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The first mass in Brazil was celebrated by Portuguese friar and bishop Henrique de Coimbra on April 26, 1500, a Sunday, on the beach of Coroa Vermelha, in Santa Cruz Cabrália, on the southern coast of Bahia.
The First Mass in Brazil is an oil painting of the historical genre by Brazilian painter Victor Meirelles. It is considered Meirelles' first major work. The painting was created between 1859 and 1861, in Paris, during the period when the artist lived in Europe on a scholarship granted by the Imperial Academy of Fine Arts. Covering an area of 9 m2, The First Mass in Brazil was inspired by the letter written by Pero Vaz de Caminha to the king of Portugal describing the first mass held in the country.
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