Gouache

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Gouache paints come in many colors and are usually mixed with water to achieve the desired working properties and to control the opacity when dry. Gouache.jpg
Gouache paints come in many colors and are usually mixed with water to achieve the desired working properties and to control the opacity when dry.
Jacob Philipp Hackert, Lago d'Averno, 1794 Jacob Philipp Hackert - Lago d'Averno - WGA11023.jpg
Jacob Philipp Hackert, Lago d'Averno , 1794

Gouache ( /ɡuˈɑːʃ,ɡwɑːʃ/ ; French: [ɡwaʃ] ), body color, [lower-alpha 1] or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), [1] and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work.

Contents

Gouache is similar to watercolor in that it can be rewetted and dried to a matte finish, and the paint can become infused into its paper support. It is similar to acrylic or oil paints in that it is normally used in an opaque painting style and it can form a superficial layer. Many manufacturers of watercolor paints also produce gouache, and the two can easily be used together.

Description

Gouache paint is similar to watercolor, but it is modified to make it opaque. Just as in watercolor, the binding agent has traditionally been gum arabic but since the late nineteenth century cheaper varieties use yellow dextrin. When the paint is sold as a paste, e.g. in tubes, the dextrin has usually been mixed with an equal volume of water. [1] To improve the adhesive and hygroscopic qualities of the paint, as well as the flexibility of the rather brittle paint layer after drying, propylene glycol is often added. [1] Gouache differs from watercolor in that the particles are typically larger, the ratio of pigment to binder is much higher, and an additional white filler such as chalk—a "body"—may be part of the paint. This makes gouache heavier and more opaque than watercolor, and endows it with greater reflective qualities. [2]

Gouache generally dries to a value that differs from the one it has when wet (lighter tones generally dry darker and darker tones tend to dry lighter), which can make it difficult to match colors over multiple painting sessions. Its quick coverage and total hiding power mean that gouache lends itself to more direct painting techniques than watercolor. [3] "En plein air" paintings take advantage of this, as do the works of J. M. W. Turner.

Gouache is today much used by commercial artists for works such as posters, illustrations, comics, and for other design work. Most 20th-century animations used it to create an opaque color on a cel with watercolor paint used for the backgrounds. Using gouache as "poster paint" is desirable for its speed as the paint layer dries completely by the relatively quick evaporation of the water.

The use of gouache is not restricted to the basic opaque painting techniques using a brush and watercolor paper. It is often applied with an airbrush. As with all types of paint, gouache has been used on unusual surfaces from Braille paper [4] to cardboard. A variation of traditional application is the method used in the gouaches découpées (cut collages) created by Henri Matisse. His Blue Nudes series is a good example of the technique. A new variation in the formula of the paint is acrylic gouache.

History

12th-century Buddhist manuscript, India MET 24 DP238441r2 61E.jpg
12th-century Buddhist manuscript, India

A form of gouache, with honey or tragacanth gum as a binder, was used in Ancient Egyptian painting. It was also used in European illuminated manuscripts, [5] as well as Persian miniatures. Although they are often described as "watercolor", Persian miniatures and Mughal miniatures are predominantly examples of gouache. [6] The term gouache, derived from the Italian guazzo, also refers to paintings using this opaque method. "Guazzo", Italian for "mud", was originally a term applied to the early 16th-century practice of applying oil paint over a tempera base, [7] which could give a matted effect. In the 18th century in France, the term gouache was applied to opaque watermedia.

During the eighteenth century gouache was often used in a mixed technique, for adding fine details in pastel paintings. Gouache was typically made by mixing watercolours based on gum arabic with an opaque white pigment. In the nineteenth century, watercolours began to be industrially produced in tubes and a "Chinese white" tube was added to boxes for this purpose. Gouache tends to be used in conjunction with watercolor, and often ink or pencil, in 19th-century paintings.

Later that century, for decorative uses "poster paint" (as it is known in the U.S.), was mass-produced, based on the much cheaper dextrin binder. It was sold in cans or as a powder to be mixed with water. The dextrin replaced older paint types based on hide glue or size. During the twentieth century, gouache began to be specially manufactured in tubes for more refined artistic purposes. Initially, gum arabic was used as a binder but soon cheaper brands were based on dextrin, as is most paint for children.

Acrylic gouache

A relatively new variation in the formula of the paint is acrylic gouache. Its highly concentrated pigment is similar to traditional gouache, but it is mixed with an acrylic-based binder, unlike traditional gouache, which is mixed with gum arabic. It is water-soluble when wet and dries to a matte, opaque, and water-resistant surface when dry. Acrylic gouache differs from acrylic paint because it contains additives to ensure the matte finish. [8]

See also

Notes

  1. The alternative term "body color" is sometimes one word "bodycolor".

Related Research Articles

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Acrylic paint is a fast-drying paint made of pigment suspended in acrylic polymer emulsion and plasticizers, silicone oils, defoamers, stabilizers, or metal soaps. Most acrylic paints are water-based, but become water-resistant when dry. Depending on how much the paint is diluted with water, or modified with acrylic gels, mediums, or pastes, the finished acrylic painting can resemble a watercolor, a gouache, or an oil painting, or it may have its own unique characteristics not attainable with other media.

<span class="mw-page-title-main">Oil painting</span> Process of painting with pigments that are bound with a medium of drying oil

Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.

<span class="mw-page-title-main">Paint</span> Pigment applied over a surface that dries as a solid film

Paint is a material or mixture that, when applied to a solid material and allowed to dry, adds a film-like layer. As art, this is used to create an image or images known as a painting. Paint can be made in many colors and types. Most paints are either oil-based or water-based, and each has distinct characteristics.

<span class="mw-page-title-main">Pastel</span> Powdered-pigment-based art medium

A pastel is an art medium that consist of powdered pigment and a binder. It can exist in a variety of forms, including a stick, a square, a pebble, or a pan of color, though other forms are possible. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process.

<span class="mw-page-title-main">Tempera</span> Fast-drying painting medium

Tempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint.

<span class="mw-page-title-main">Watercolor painting</span> Type of painting method

Watercolor or watercolour, also aquarelle, is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called aquarellum atramento by experts. However, this term has now tended to pass out of use.

<span class="mw-page-title-main">Gum arabic</span> Natural gum obtained from Acacia trees

Gum arabic is a natural gum originally consisting of the hardened sap of two species of the Acacia tree, Senegalia senegal and Vachellia seyal. However, the term "gum arabic" does not actually indicate a particular botanical source. The gum is harvested commercially from wild trees, mostly in Sudan and throughout the Sahel, from Senegal to Somalia. The name "gum Arabic" was used in the Middle East at least as early as the 9th century. Gum arabic first found its way to Europe via Arabic ports, and so retained its proper name.

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<span class="mw-page-title-main">Casein paint</span> Water-soluble medium used by artists

Casein paint, derived from milk casein, is a fast-drying, water-soluble medium used by artists.

Poster paint is a distemper paint that usually uses starch, cornstarch, cellulose, gum-water or another glue size as its binder. It either comes in large bottles or jars or in a powdered form. It is normally a cheap paint used in school art classes.

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<span class="mw-page-title-main">Drybrush</span> Painting technique

Drybrush is a painting technique in which a paint brush that is relatively dry, but still holds paint, is used to create a drawing or painting. Load is applied to a dry support such as paper or primed canvas. The resulting brush-strokes have a characteristic scratchy and textured look that lacks the smooth appearance that washes or blended paint commonly have. This technique can be used to achieve a blurred or soft appearance.

<span class="mw-page-title-main">Wash (visual arts)</span> A background in an artwork created by applying dilute colour

A wash is a term for a visual arts technique resulting in a semi-transparent layer of colour. A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting.

Acrylic painting techniques are different styles of manipulating and working with polymer-based acrylic paints. Acrylics differ from oil paints in that they have shorter drying times and are soluble in water. Since this type of paint dries quickly you will need to work somewhat quickly if you do not want your paint to dry out. There are benefits to adding water before it dries out completely because you can reactivate the paint. These types of paint eliminate the need for turpentine and gesso, and can be applied directly onto canvas. Although they do not need gesso it can be beneficial to give your canvas a few coats of gesso to improve the life of the painting and have a smoother surface to work with. Having various paint brushes and a multi color palette is helpful in finding a technique that works for you. Aside from painting with concentrated color paints, acrylics can also be watered down to a consistency that can be poured or used for glazes.

<span class="mw-page-title-main">Painting</span> Practice of applying paint, pigment, color or other medium to a surface

Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, may be used. One who produces paintings is called a painter.

<span class="mw-page-title-main">Palette (painting)</span> Flat surface for mixing paints

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<span class="mw-page-title-main">Watercolor paper</span> Substrate onto which artists apply watercolor paints

Watercolor paper is paper or substrate onto which an artist applies watercolor paints, pigments, or dyes. Many types of watercolour papers that are manufactured for the use of watercolors are currently available. Watercolor paper can be made of wood pulp exclusively, or mixed with cotton fibers. Pure cotton watercolor paper is also used by artists, though it typically costs more than pulp-based paper. It is also available as an acid-free medium to help its preservation.

<span class="mw-page-title-main">Conservation and restoration of paintings</span> Preservation of heritage collections

The conservation and restoration of paintings is carried out by professional painting conservators. Paintings cover a wide range of various mediums, materials, and their supports. Painting types include fine art to decorative and functional objects spanning from acrylics, frescoes, and oil paint on various surfaces, egg tempera on panels and canvas, lacquer painting, water color and more. Knowing the materials of any given painting and its support allows for the proper restoration and conservation practices. All components of a painting will react to its environment differently, and impact the artwork as a whole. These material components along with collections care will determine the longevity of a painting. The first steps to conservation and restoration is preventive conservation followed by active restoration with the artist's intent in mind.

<span class="mw-page-title-main">Paint mixing</span>

Paint mixing is the practice of mixing components or colors of paint to combine them into a working material and achieve a desired hue. The components that go into paint mixing depend on the function of the product sought to be produced. For example, a painter of portraits or scenery on a canvas may be seeking delicate hues and subtle gradiations, while the painter of a house may be more concerned with durability and consistency of colors in paints presented to customers, and the painter of a bridge or a ship may have the weatherability of the paint as their primary concern.

References

  1. 1 2 3 Doerner, Max (1977). Schilderkunst — materiaal en techniek. Amerongen: Gaade. p. 113. ISBN   9060178289.
  2. Cohn, Marjorie (1977). Wash and Gouache . Cambridge: Center for Conservation and Technical Studies, Fogg Art Museum. ISBN   0916724069.
  3. Dehn, Adolf (1955). Water Color, Gouache, and Casein Painting. New York: Studio. OCLC   1192031.
  4. Vienna Parreno has painted on Braille paper. "Beyond Retinal Titillation: Seeing Red: Blog: Vienna Parreno". Archived from the original on 2008-08-01. Retrieved 2008-07-23.
  5. Osborne, Harold (ed), The Oxford Companion to Art, p. 496, 1970, OUP, ISBN   019866107X
  6. "The Minassian Collection of Persian, Mughal, and Indian Miniature Paintings". library.brown.edu. Retrieved 2020-08-10.
  7. Mayer, Ralph. The Artist's Handbook of Materials and Techniques, Viking Adult; 5th revised and updated edition, 1991. ISBN   0-670-83701-6
  8. Buchman, Bill (2010). Expressive Figure Drawing: New Materials, Concepts, and Techniques. New York: Watson-Guptill Publications. p. 50. ISBN   9780823033140.

Sources