The following is a list of paintings by Judith Leyster that are generally accepted as autograph by the Frima Fox Hofrichter catalog and other sources.
Image | Title | Year | Size | Inventory nr. | Gallery | Location |
---|---|---|---|---|---|---|
Copy of Lute Player by Frans Hals | 1628 | 65 cm x 58 cm | SK-A-134 | Rijksmuseum | Amsterdam | |
The Serenade | 1629 | 45.5 cm x 35 cm | SK-A-2326 | Rijksmuseum | Amsterdam | |
Lute Player (copy of The Serenade) | 1629 | 50 cm x 37 cm | Private collection | unknown | ||
Jolly Toper (Peeckelharingh) | 1629 | 89 cm x 85 cm | SK-A-1685 | Rijksmuseum | Amsterdam | |
Merry Drinker (Peeckelharingh) | 1629 | 74 cm x 52 cm | 801B | Gemäldegalerie (Staatliche Museen zu Berlin) | Berlin | |
Laughing Boy with Grapes in His Hat | 1629 | 25.4 cm x 21 cm | Currier Museum of Art | Manchester, NH | ||
Round Portrait of a Boy in a Beret | 1629 | 16.6 cm x 16.3 cm | NM 3384 | Nationalmuseum Stockholm | Stockholm | |
Merry Trio | 1629 | 88 cm x 73.5 cm | Collection Nortman | London and Maastricht | ||
The Last Drop | 1629 | 89 cm x 73.7 cm | 2033 | Philadelphia Museum of Art – John G. Johnson Collection | Philadelphia (Pennsylvania) | |
Rommelpot Player | 1630 | 39.1 cm x30.5 cm | 47-78 | Art Institute of Chicago | Chicago | |
Merry Company of Three Boys with a Violin | 1630 | 27.3 cm x 20.9 cm | 1388 | Nasjonalgalleriet | Oslo | |
Two Children with a Cat | 1630 | Private collection | unknown | |||
Standing Cavalier (after the portrait of Willem van Heythuizen by Frans Hals) | 1629–1631 | 62.5 cm x 42 cm | Royal Collection | unknown | ||
Carousing Couple | 1630 | 68 cm x 55 cm | RF 2131 | Musée du Louvre | Paris | |
Girl and Boy at a Game of Kolf [1] | 1630 | Private collection | unknown | |||
Head of a Boy in Profile | 1630 | National Gallery of Art | Washington D.C. | |||
Man Offering Money to a Young Woman | 1631 | 30.9 cm x 24.2 cm | 564 | Mauritshuis | The Hague | |
A Young Lady Holding a Lute with a Music Score on Her Lap in a Candlelit Interior | 1631 | 31 cm x 22 cm | Private collection | London | ||
Unequal Love | 1631 | 80 cm x 65 cm | 1086 | Galleria Nazionale d'Arte Antica | Rome | |
A Game of Tric-Trac | 1630 | 62.2 cm x 40.6 cm | 1983.58 | Worcester Art Museum | Worcester (Massachusetts) | |
The Concert | 1633 | 60.9 cm x 86.3 cm | National Museum of Women in the Arts | Washington, D.C. | ||
Portrait of a Man | 1633 | Private collection | unknown | |||
Self-Portrait | 1633 | 72.3 cm x 65.3 cm | 1050 | National Gallery of Art | Washington D.C. | |
A Youth with a Jug | 1633 | 31 cm x 21.5 cm | Private collection | unknown | ||
Violinist with a Skull and a Music Book | 1633 | 26.7 cm x 30.4 cm | K1343 | Bristol Art Gallery (not on display as of December 2021) | Bristol | |
David with the head of Goliath | 1633 | 21 cm x 15 cm | Private collection | unknown | ||
A Game Of Cards | 1633 | 59 cm x 35 cm | 07-I-51 | Musée des Beaux-Arts de Rouen | Rouen | |
Boy Playing A Violin | 1635 | 75 cm x 66 cm | 49.11.32 | Virginia Museum of Fine Arts | Richmond (Virginia) | |
The Fingernail Test (Boy with Glass and Lute) | 1635 | 72.1 cm x 59 cm | 14.40.604 | Metropolitan Museum of Art | New York City | |
A Boy Reading | 1635 | 76.3 cm x 63.4 cm | Oskar Reinhart collection | Winterthur | ||
Head of a Child | 1630–1640 | 35.5 cm x 30.4 cm | Fondation Rau pour le Tiers-Monde | Zürich | ||
Young Flute Player | 1635 | 73 cm x 62 cm | 1120 | Nationalmuseum Stockholm | Stockholm | |
Portrait of a Woman in Millstone Collar and Winged Diadem Cap | 1635 | 53.5 cm x 41.5 cm | OS-65-8 | Frans Hals Museum | Haarlem | |
Portrait of a Man with Beard and Ruff Collar | 1635 | 68.5 cm x 56.5 cm | Private collection | unknown | ||
The Lute Player (Facing Left) | 1635 | 82.8 cm x 75 cm | Sir Alfred Beit collection | Blessington | ||
Still Life with Apples and Grapes in a Wicker Basket on a Table | 1635-1640 | 68 cm x 62.5 cm | Mrs. Barbara Johnson collection | Princeton, NJ | ||
A Boy and a Girl with a Cat and an Eel | 1640 | 59.4 cm x 48.8 cm | 5417 | National Gallery | London | |
Early Brabantian Tulip (tulip book, 1643) | 1643 | 38.2 cm x 27.2 cm | Frans Hals Museum | Haarlem | ||
Flower Piece | 1654 | 69.7 cm × 50.4 cm | Private collection | unknown | ||
The absence of women from the canon of Western art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?", examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement. Although women artists have been involved in the making of art throughout history, their work, when compared to that of their male counterparts, has been often obfuscated, overlooked and undervalued. The Western canon has historically valued men's work over women's and attached gendered stereotypes to certain media, such as textile or fiber arts, to be primarily associated with women.
Judith Jans Leyster was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was highly regarded by her contemporaries, but largely forgotten after her death. Her entire oeuvre came to be attributed to Frans Hals or to her husband, Jan Miense Molenaer. In 1893, she was rediscovered and scholars began to attribute her works correctly.
Mimi Cazort was a scholar and a former Curator Emerita for Prints and Drawings at the National Gallery of Canada.
The Proposition is a genre painting of 1631 by Judith Leyster, now in the Mauritshuis in The Hague, who title it Man offering money to a young woman. It depicts a woman, sewing by candlelight, as a man leans over her, touching her right shoulder with his left hand. He is offering her coins in his right hand, but she is apparently ignoring the offer and concentrating intently upon her sewing. As we see the female protagonist (seemingly) ignore the advances of her suitor, this painting has been considered to potentially be a feminist work.
The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.
Boy with a Glass and a Lute is an oil-on-canvas painting by the Dutch Golden Age painter Frans Hals, painted in 1626 and now in the Guildhall Art Gallery, London.
The Fingernail Test is an oil-on-canvas Dutch Golden Age painting that has been attributed to either Frans Hals or Judith Leyster, painted in 1626 and now in the Metropolitan Museum of Art, New York City.
Self-portrait by Judith Leyster is a Dutch Golden Age painting in oils now in the collection of the National Gallery of Art in Washington DC. It was offered in 1633 as a masterpiece to the Haarlem Guild of St. Luke. It was attributed for centuries to Frans Hals and was only properly attributed to Judith Leyster upon acquisition by the museum in 1949. The style is indeed comparable to that of Hals, Haarlem's most famous portraitist.
The Jolly Toper is a 1629 oil painting by the Dutch artist Judith Leyster in the collection of the Rijksmuseum that is on long-term loan to the Frans Hals Museum since 1959. It was acquired by the museum as a painting by Frans Hals and was attributed to Leyster by the researcher Juliane Harms in 1927.
The Serenade is a 1629 oil painting by Judith Leyster in the collection of the Rijksmuseum. It was attributed for centuries to Frans Hals until Wilhelm von Bode saw it in the Six collection in 1883. He noticed the prominent "J" in the signature, and attributed it to Jan Hals. This is one of seven paintings first properly attributed to Leyster by Hofstede de Groot ten years later in 1893.
The Merry Trio is an oil painting created in 1629 by the Dutch Golden Age painter Judith Leyster. It is now in a private collection. It was considered a work by Frans Hals until 1903.
The Last Drop is a c. 1629 oil painting by Judith Leyster in the John G. Johnson collection of the Philadelphia Museum of Art. It was regarded as a work by Frans Hals until 1903, when it was noticed that it is signed 'JL*' on the tankard.
A Youth with a Jug is a 1633 oil painting by Judith Leyster currently in a private collection.
Standing Cavalier is a painting by Judith Leyster in the Royal Collection. It is the only painting by Leyster with a provenance that reaches back to the 18th-century.
Young man playing the lute is an oil painting executed in 1624 by the Dutch Golden Age artist Judith Leyster. It is now in the collection of the Rijksmuseum, and is a period copy of the same subject by Frans Hals. It was acquired by the museum as a painting by Frans Hals and was skipped by the researcher Juliane Harms in 1927, being finally attributed to Leyster by Seymour Slive in 1974.
The following is the list of 145 paintings indexed as autograph by Frans Hals, written by the art historian and Hals specialist Claus Grimm in 1989. The list is by catalogue number and is more or less in order of creation, starting from around 1610 when Hals began painting on his own. Most of these works are still considered autograph, though one has since been reattributed to Judith Leyster. In addition to this list, Grimm added comments and additional entries to Seymour Slive's lists of lost and doubtful paintings. He also rejected several Slive attributions, making his list is considerably shorter. The autograph catalogue entries are as follows:
A Boy and a Girl with a Cat and an Eel is a 1635 oil painting by Judith Leyster that is now in the National Gallery, London.
A Game of Tric-Trac is a painting by Judith Leyster from 1630.
Unequal Love is a painting made in about 1631 by the Dutch Golden Age painter Judith Leyster. It is in the collection of the Galleria Nazionale d'Arte Antica, Rome.
Last drop is often an allusion to the proverb "The last drop makes the cup run over". It may also refer to:
Media related to Paintings by Judith Leyster at Wikimedia Commons