Serenade (Leyster)

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The Serenade
De serenade Rijksmuseum SK-A-2326.jpeg
Artist Judith Leyster   OOjs UI icon edit-ltr-progressive.svg
Year1629
Medium oil paint, panel
Dimensions45.5 cm (17.9 in) × 35 cm (14 in)
Location Rijksmuseum, Netherlands OOjs UI icon edit-ltr-progressive.svg
Accession No.SK-A-2326  OOjs UI icon edit-ltr-progressive.svg
Identifiers RKDimages ID: 24510

The Serenade is a 1629 oil painting by Judith Leyster in the collection of the Rijksmuseum. [1] It was attributed for centuries to Frans Hals until Wilhelm von Bode saw it in the Six collection in 1883. He noticed the prominent "J" in the signature, and attributed it to Jan Hals. [1] This is one of seven paintings first properly attributed to Leyster by Hofstede de Groot ten years later in 1893. [1]

Contents

Provenance

Originally in the collection of the Amsterdam art collector Pieter van Winter (1745–1807), the painting came into the Six collection through his daughter's marriage to Hendrik Six van Hillegom. A mezzotint of this painting was made for Van Winter in 1803 by Frederik Christiaan Bierweiler and inscribed "F. Hals pinxit ... F.C. Bierweiler fecit 1803". [2] [3]

After it was attributed to Leyster, the Rijksmuseum purchased the paintings from the Six heirs of Jhr. P.H. Six van Vromade together with 38 other paintings with support from the Vereniging Rembrandt in 1908. The painting is signed and dated "1629 / J*".

According to Hofrichter, the scene shows a lute player in the "Honthorst style" of indirect candle light from below. [1] The musician is looking upward and to the left in another characteristic Leyster pose.

Exhibitions

See also

Related Research Articles

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<span class="mw-page-title-main">Judith Leyster</span> Dutch painter (1609–1660)

Judith Jans Leyster was a Dutch Golden Age painter of genre works, portraits, and still lifes. Her work was highly regarded by her contemporaries, but largely forgotten after her death. Her entire oeuvre came to be attributed to Frans Hals or to her husband, Jan Miense Molenaer. In 1893, she was rediscovered and scholars began to attribute her works correctly.

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Jan Miense Molenaer, was a Dutch Golden Age genre painter whose style was a precursor to Jan Steen's work during Dutch Golden Age painting. He shared a studio with his wife, Judith Leyster, also a genre painter, as well as a portraitist and painter of still-life. Both Molenaer and Leyster may have been pupils of Frans Hals.

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Cornelis Hofstede de Groot, was a Dutch art collector, art historian and museum curator.

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The Proposition is a genre painting of 1631 by Judith Leyster, now in the Mauritshuis in The Hague, who title it Man offering money to a young woman. It depicts a woman, sewing by candlelight, as a man leans over her, touching her right shoulder with his left hand. He is offering her coins in his right hand, but she is apparently ignoring the offer and concentrating intently upon her sewing. As we see the female protagonist (seemingly) ignore the advances of her suitor, this painting has been considered to potentially be a feminist work.

<i>The Lute Player</i> (Hals) Painting by Frans Hals

The Lute Player is an oil-on-canvas painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute.

<i>The Fingernail Test</i> Painting by Frans Hals or Judith Leyster

The Fingernail Test is an oil-on-canvas Dutch Golden Age painting that has been attributed to either Frans Hals or Judith Leyster, painted in 1626 and now in the Metropolitan Museum of Art, New York City.

<i>Self-portrait by Judith Leyster</i> Painting by Judith Leyster

Self-portrait by Judith Leyster is a Dutch Golden Age painting in oils now in the collection of the National Gallery of Art in Washington DC. It was offered in 1633 as a masterpiece to the Haarlem Guild of St. Luke. It was attributed for centuries to Frans Hals and was only properly attributed to Judith Leyster upon acquisition by the museum in 1949. The style is indeed comparable to that of Hals, Haarlem's most famous portraitist.

<i>Jolly Toper</i> Painting by Judith Leyster

The Jolly Toper is a 1629 oil painting by the Dutch artist Judith Leyster in the collection of the Rijksmuseum that is on long-term loan to the Frans Hals Museum since 1959. It was acquired by the museum as a painting by Frans Hals and was attributed to Leyster by the researcher Juliane Harms in 1927.

<i>Merry Trio</i> Painting by Judith Leyster

The Merry Trio is an oil painting created in 1629 by the Dutch Golden Age painter Judith Leyster. It is now in a private collection. It was considered a work by Frans Hals until 1903.

<i>The Last Drop</i> (Leyster) Painting by Judith Leyster

The Last Drop is a c. 1629 oil painting by Judith Leyster in the John G. Johnson collection of the Philadelphia Museum of Art. It was regarded as a work by Frans Hals until 1903, when it was noticed that it is signed 'JL*' on the tankard.

<i>A Youth with a Jug</i> Painting by Judith Leyster

A Youth with a Jug is a 1633 oil painting by Judith Leyster currently in a private collection.

<i>Standing Cavalier</i> 1630 painting by Judith Leyster

Standing Cavalier is a painting by Judith Leyster in the Royal Collection. It is the only painting by Leyster with a provenance that reaches back to the 18th-century.

<i>Copy of Lute Player by Frans Hals</i> 17th century oil painting by Judith Leyster

Young man playing the lute is an oil painting executed in 1624 by the Dutch Golden Age artist Judith Leyster. It is now in the collection of the Rijksmuseum, and is a period copy of the same subject by Frans Hals. It was acquired by the museum as a painting by Frans Hals and was skipped by the researcher Juliane Harms in 1927, being finally attributed to Leyster by Seymour Slive in 1974.

<i>Still Life with Flowers on a Marble Slab</i> Painting by Rachel Ruysch

Still Life with Flowers on a Marble Slab is a 1716 floral painting by Rachel Ruysch. It is in the collection of the Rijksmuseum, in Amsterdam.

<i>Unequal Love</i> Painting by Judith Leyster

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Anna Tummers is a Dutch art historian, curator, and researcher, known for her work on Dutch Golden Age painting and Flemish painting, particularly those of the seventeenth century. She is a professor in Early Modern Art at Ghent University.

References

  1. 1 2 3 4 Judith Leyster: A Woman Painter in Holland's Golden Age, by Frima Fox Hofrichter, Doornspijk, 1989, Davaco Publishers, ISBN   90-70288-62-1, catalog #3
  2. Dutch and Flemish etchings, engravings and woodcuts c.1450-1700, by F.W.H. Hollstein, Amsterdam, 1949
  3. Rijksmuseum record for Serenade, Frederik Christiaan Bierweiler, Judith Leyster, 1803