Vereniging Rembrandt (Rembrandt Foundation or Rembrandt Association) is a Dutch association of art patrons who raise funds to assist Dutch museums and art galleries in purchasing artworks. [1] Since it was founded in 1883, it has helped purchase over two thousand works, including Vermeer's The Milkmaid . [2]
The 19th century saw a major exodus of Dutch art out of the country. In 1883 the 'de Vos' drawings collection came to auction, but remained out of reach of any Dutch museum's budget. A few private individuals in Amsterdam founded the Vereniging before the auction was completed and managed to help keep a large number of major drawings from the collection in the Netherlands. Its initial aims were to fund the conservation of Dutch artworks already in the Netherlands and buying back ones from abroad, though it is no longer limited to works by Rembrandt, and other 17th century Dutch Golden Age painters.
Its current aims include helping to acquire works for public collections in the Netherlands and/or supporting acquisitions by Dutch galleries and museums. Initially the Vereniging only loaned the funds, to be repaid later by the state or by the museum or gallery itself, but later donations were given to purchase works both in the Netherlands and overseas, both Dutch and non-Dutch works. After 1945 it expanded its remit from old masters to modern art and an educational aim was added in 2002.
It began with 250 members, [3] rising to 300 by 1907, 900 by 1983, over 12,650 by the end of 2015 and around 15,700 members by the end of 2018. Museums supported by the Vereniging give free entry to their permanent displays to its members. Its other income streams include donations, bequests, returns on its investments and since 1960 an annual contribution from the Prins Bernhard Cultuurfonds.
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
Carel Pietersz. Fabritius was a Dutch painter. He was a pupil of Rembrandt and worked in his studio in Amsterdam. Fabritius, who was a member of the Delft School, developed his own artistic style and experimented with perspective and lighting. Among his works are A View of Delft, The Goldfinch (1654), and The Sentry (1654).
The Stedelijk Museum Amsterdam, colloquially known as the Stedelijk, is a museum for modern art, contemporary art, and design located in Amsterdam, Netherlands.
Thomas de Keyser was a Dutch portrait painter and a dealer in Belgium bluestone and stone mason. He was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt was influenced by his work, and many of de Keyser's paintings were later falsely attributed to Rembrandt.
Jan Lievens was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter Lastman in Amsterdam, where they shared a studio for about five years until 1631. Like Rembrandt he painted both portraits and history paintings, but unlike him Lievens' career took him away from Amsterdam to London, Antwerp, The Hague and Berlin.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.
Jacob Symonsz. Pynas was a Dutch Golden Age painter and draughtsman. He is best known for having briefly taught the painter Rembrandt in 1625.
The Museum Card, also known as the Museumkaart in Dutch, is a personal card that grants free entry to approximately 400 museums in the Netherlands for one year. It is available for purchase at many of the larger participating museums or online, with a temporary card issued when purchased from the museum. While most museums offer free entry to Museum Card holders, some museums may charge an additional fee for special exhibitions, but not for general collections.
Wybrand Hendriks was a Dutch painter, primarily known for his portraits, and the concierge of the Teylers Museum.
The Threatened Swan is an oil painting of a mute swan made around 1650 by Dutch Golden Age painter Jan Asselijn. The work is in the collection of the Rijksmuseum in Amsterdam in the Netherlands.
The Serenade is a 1629 oil painting by Judith Leyster in the collection of the Rijksmuseum. It was attributed for centuries to Frans Hals until Wilhelm von Bode saw it in the Six collection in 1883. He noticed the prominent "J" in the signature, and attributed it to Jan Hals. This is one of seven paintings first properly attributed to Leyster by Hofstede de Groot ten years later in 1893.
Girl in a Blue Dress, also called Portrait of a Girl Dressed in Blue or simply Portrait of a Girl, is an oil painting by Johannes Cornelisz Verspronck in the collection of the Rijksmuseum. It was acquired by the museum in 1928 as a gift from the Vereniging Rembrandt. The identity of the girl and her family are unknown.
Jan Gildemeester Jansz. was a Dutch art collector.
The pendant portraits of Maerten Soolmans and Oopjen Coppit are a pair of full-length wedding portraits by Rembrandt. They were painted on the occasion of the marriage of Maerten Soolmans and Oopjen Coppit in 1634. Formerly owned by the Rothschild family, they became jointly owned by the Louvre Museum and the Rijksmuseum in 2015 after both museums managed to contribute half of the purchase price of €160 million, a record for works by Rembrandt.
TheMemorial Guild Cupby Adam van Vianen is a 1614 silver-gilt covered ewer in the Rijksmuseum, commissioned by the Amsterdam goldsmiths' guild to commemorate the death of Adam's brother Paulus van Vianen. It is an iconic symbol of the auricular style developed by the two brothers.
The Shell, also known as Rembrandt's Shell or Conus Marmoreus, or in Dutch as De schelp or Het schelpje, is a 1650 drypoint and etching by Rembrandt van Rijn. Catalogued as B.159, it is Rembrandt's only still life etching. Only a handful of original prints are known, in three states.
The Adoration of the Shepherds is a 1607 silver plaquette by the Dutch Golden Age sculptor Paulus van Vianen in the collection of the Rijksmuseum.
Eduard Siegfried"Eddy"de Jongh is a Dutch art historian specialized in iconography. He was professor of art history with a teaching assignment in iconography at Utrecht University between 1976 and 1989.
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded."
The Rembrandt Association (Vereniging Rembrandt) is the largest group of art patrons focusing on art and art acquisitions in the Netherlands
