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Saul and David is an oil-on-canvas painting by Rembrandt and/or his studio, now in the Mauritshuis and dated to between 1651 and 1658.
The painting depicts Saul, the king of the Israelites. He is visually touched by the harp playing. The depicted situation comes from 1 Samuel 16:14-23 and 1 Samuel 18:8-11, in which King Saul is abandoned by the Holy Spirit, and God sends him an evil spirit. It taunts Saul, and only David's harp playing can relax him. Later David married Michal, one of Saul's daughters. He eventually succeeded his father-in-law as King of the Israelites.
The painting was originally larger, but in the 19th century the canvas was cut into two unequal pieces – possibly to be sold as separate paintings. The pieces were later reattached to each other.
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The Book of Samuel is a book in the Hebrew Bible, found as two books in the Old Testament. The book is part of the Deuteronomistic history, a series of books that constitute a theological history of the Israelites and that aim to explain God's law for Israel under the guidance of the prophets.
David was a Jewish monarch of ancient Israel and the third king of the United Kingdom of Israel, according to the Hebrew Bible and Old Testament.
Saul was, according to the Hebrew Bible, the first monarch of the United Kingdom of Israel. His reign, traditionally placed in the late 11th century BC, supposedly marked the transition of Israel and Judah from a scattered tribal society ruled by various judges to organized statehood.
Samuel is a figure who, in the narratives of the Hebrew Bible, plays a key role in the transition from the biblical judges to the United Kingdom of Israel under Saul, and again in the monarchy's transition from Saul to David. He is venerated as a prophet in Judaism, Christianity, and Islam. In addition to his role in the Bible, Samuel is mentioned in Jewish rabbinical literature, in the Christian New Testament, and in the second chapter of the Quran. He is also treated in the fifth through seventh books of Antiquities of the Jews, written by the Jewish scholar Josephus in the first century. He is first called "the Seer" in 1 Samuel 9:9.
Goliath is a Philistine warrior in the Book of Samuel. Descriptions of Goliath's immense stature vary among biblical sources, with the Masoretic Text describing him as 9 feet 9 inches (2.97 m) tall. Goliath issued a challenge to the Israelites, daring them to send forth a champion to engage him in single combat; he was ultimately defeated by the young shepherd David, employing a sling and stone as a weapon. The narrative signified King Saul's unfitness to rule, as Saul himself should have fought for Israel.
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Nicolaes Maes was a Dutch painter known for his genre scenes, portraits, religious compositions and the occasional still life. A pupil of Rembrandt in Amsterdam, he returned to work in his native city of Dordrecht for 20 years. In the latter part of his career he returned to Amsterdam where he became the leading portrait painter of his time. Maes contributed to the development of genre painting in the Netherlands and was the most prominent portrait painter working in Amsterdam in the final three decades of the 17th century.
Saul is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the First Book of Samuel, the story of Saul focuses on the first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan following their deaths in the Battle of Mount Gilboa at the hands of the Philistines, and some of the composer's most dramatic choral pieces. Saul premiered successfully at the King's Theatre in London on 16 January 1739, and was revived by Handel in subsequent seasons. Notable modern-day performances of Saul include that at Glyndebourne in 2015.
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David and Jonathan is a painting by the Dutch painter Rembrandt, made in 1642, now in the collection of the Hermitage Museum in Saint Petersburg, Russia. Painted on oak, it is one of the works, together with the Hellenistic sculpture acquired in 1850, The Venus de Taurida, with which the Hermitage began their collection in 1882.
Homer Dictating his Verses is a 1663 oil-on-canvas painting by Rembrandt, signed and dated by the artist. It is now in the Mauritshuis, to which it was bequeathed in 1946 by Abraham Bredius, who had loaned it to the museum since 1894, when he first bought it in London.
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded."
1 Samuel 16 is the sixteenth chapter of the First Book of Samuel in the Old Testament of the Christian Bible or the first part of the Books of Samuel in the Hebrew Bible. According to Jewish tradition the book was attributed to the prophet Samuel, with additions by the prophets Gad and Nathan, but modern scholars view it as a composition of a number of independent texts of various ages from c. 630–540 BCE. This chapter contains the anointing of David by Samuel and David's early service for Saul. This is within a section comprising 1 Samuel 16 to 2 Samuel 5 which records the rise of David as the king of Israel.
The Young Mother is an oil painting by Dutch artist Gerrit Dou, from 1658. The signature of the artist appears subtely in the stained glass window, GDOV.1658. This genre piece has been part of the collection of the Mauritshuis, in The Hague, since 1822.
