Portrait of Jan Six is a 1647 etching by Rembrandt, known in five states. It shows Jan Six, also the subject of a painted portrait by the same artist.
Adam von Bartsch assigned the etching the number B. 285. Impressions of it are in the British Museum, Hermitage Museum and Rijksmuseum. [1] [2]
The Rijksmuseum is the national museum of the Netherlands dedicated to Dutch arts and history and is located in Amsterdam. The museum is located at the Museum Square in the borough of Amsterdam South, close to the Van Gogh Museum, the Stedelijk Museum Amsterdam, and the Concertgebouw.
GovertTeuniszoon Flinck was a Dutch painter of the Dutch Golden Age.
Gerrit Dou, also known as GerardDouw or Dow, was a Dutch Golden Age painter, whose small, highly polished paintings are typical of the Leiden fijnschilders. He specialised in genre scenes and is noted for his trompe-l'œil "niche" paintings and candlelit night-scenes with strong chiaroscuro. He was a student of Rembrandt.
Jan Lievens was a Dutch Golden Age painter who was associated with his close contemporary Rembrandt, a year older, in the early parts of their careers. They shared a birthplace in Leiden, training with Pieter Lastman in Amsterdam, where they shared a studio for about five years until 1631. Like Rembrandt he painted both portraits and history paintings, but unlike him Lievens' career took him away from Amsterdam to London, Antwerp, The Hague and Berlin.
Rembrandt Harmenszoon van Rijn, usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art. It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings.
Jan Six was an important cultural figure in the Dutch Golden Age.
The Hundred Guilder Print is an etching by Rembrandt. The etching's popular name derives from the large sum of money supposedly once paid for an example. It is also called Christ healing the sick, Christ with the Sick around Him, Receiving Little Children, or Christ preaching, since the print depicts multiple events from Matthew 19 in the New Testament, including Christ healing the sick, debating with scholars and calling on children to come to him. The rich young man mentioned in the chapter is leaving through the gateway on the right.
Dutch and Flemish graphics and engravings in National Museum of Serbia represent important part of the vast inventory of the Serbia's National Museum. There are over 220 graphics, etchings and engraves in National Museum of Serbia, Belgrade from Hendrik Goltzius-(10 graphics), Rembrandt -, Jan Toorop-(15 prints), Sadeler family -, Lucas van Leyden, Jan van de Velde, Cornelis Bos, Frederik Bouttats the Younger, Adriaen van Ostade, Nicolaes Pietersz. Berchem, Lucas Vorsterman, James Ensor-(2 works), Aegidius Sadeler, Jozef Peeters, Carel Willink, Marius Bauer etc.
The dozens of self-portraits by Rembrandt were an important part of his oeuvre. Rembrandt created approaching one hundred self-portraits including over forty paintings, thirty-one etchings and about seven drawings; some remain uncertain as to the identity of either the subject or the artist, or the definition of a portrait.
Self-portrait wearing a white feathered bonnet is an oil painting attributed to the Dutch painter Rembrandt. It is signed and dated 1635. It was traditionally regarded as a Rembrandt self-portrait until 1968, when it was rejected on stylistic grounds in the Rembrandt catalogue raisonné by Horst Gerson. In 2013, art historian Ernst van de Wetering re-attributed the painting as an original Rembrandt. It is one of over 40 painted self-portraits by Rembrandt.
The Serenade is a 1629 oil painting by Judith Leyster in the collection of the Rijksmuseum. It was attributed for centuries to Frans Hals until Wilhelm von Bode saw it in the Six collection in 1883. He noticed the prominent "J" in the signature, and attributed it to Jan Hals. This is one of seven paintings first properly attributed to Leyster by Hofstede de Groot ten years later in 1893.
Portrait of Catharina Hooghsaet (1607–1685) is a 1657 painting by the Dutch Golden Age painter Rembrandt.
The Goldweigher's Field is a 1651 etching by Rembrandt now held by many museums, including the British Museum, the Rijksmuseum, and the Metropolitan Museum of Art. It is based on a landscape drawing in the collection of the Museum Boijmans van Beuningen.
Descent from the Cross by Torchlight is a print by Rembrandt in etching and drypoint, produced in 1652. Only one state of the work is known, with copies in major collections including the Rijksmuseum, British Museum, and Rembranthuis. It is signed and dated at the bottom right. It was assigned the number B. 83 by Adam von Bartsch. Some late impressions of the work are on Japanese paper, which Rembrandt used more and more from 1650 onwards. The depiction of the shadows on the plate was modified after the artist's death.
The Artist and his Model is a print by Rembrandt, known in two states, both incomplete. Copies of the work are in the British Museum, the Rijksmuseum, the Mikkel Museum, the Saint Louis Art Museum and many other collections. It was numbered B. 1921 by.
The State Bed is a 1646 print by Rembrandt in etching and drypoint. It is also known as Le Lit à la française, a title first given to it in Edme-François Gersaint's 1751 Catalogue raisonné de toutes les pièces qui forment l’œuvre de Rembrandt.
The Shell, also known as Rembrandt's Shell or Conus Marmoreus, or in Dutch as De schelp or Het schelpje, is a 1650 drypoint and etching by Rembrandt van Rijn. Catalogued as B.159, it is Rembrandt's only still life etching. Only a handful of original prints are known, in three states.
In printmaking, surface tone, or surface-tone, is produced by deliberately or accidentally not wiping all the ink off the surface of the printing plate, so that parts of the image have a light tone from the film of ink left. Tone in printmaking meaning areas of continuous colour, as opposed to the linear marks made by an engraved or drawn line. The technique can be used with all the intaglio printmaking techniques, of which the most important are engraving, etching, drypoint, mezzotint and aquatint. It requires individual attention on the press before each impression is printed, and is mostly used by artists who print their own plates, such as Rembrandt, "the first master of this art", who made great use of it.
Rembrandt Laughing is a c. 1628 oil on copper painting by the Dutch painter Rembrandt van Rijn. It is an elaborate study of a laughing face, a tronie, and, since it represents the painter himself, one of over 40 self-portraits by Rembrandt, probably the earliest elaborate one. The painting, which was only recently discovered, is now in the J. Paul Getty Museum, California.
The Standard Bearer is a three-quarter-length self-portrait by Rembrandt formerly in the Paris collection of Elie de Rothschild, and purchased by the Rijksmuseum for 175 million euros with assistance from the Dutch state and Vereniging Rembrandt in 2021. It was painted on the occasion of the artist's move from Leiden to Amsterdam and is seen as an important early work that "shows Rembrandt's ambition to paint a group portrait for the Amsterdam militia, at the time the most valued commission a painter could be awarded."